本文選題：螭首 + 符號所指��； 參考：《湖南工業(yè)大學》2013年碩士論文

【摘要】：中國龍是深入民族骨髓的文化圖騰,龍的家族組成復雜繁多。龍在成長的不同周期內,都會形成獨立的裝飾形態(tài),而這些裝飾形態(tài)在保留原始龍形態(tài)的同時,又有著自己獨立的形態(tài)特點,螭首就是其中的一例。螭原本是魅獸之類,受到早期龍圖騰的影響,其身份逐漸轉變?yōu)橛埢虼讫?地位由邪惡鬼魅上升為吉祥瑞獸。螭首是中國傳統(tǒng)建筑裝飾史上的重要組成部分,有十分重要的研究意義。 文章第二章將螭看作一個獨立的形態(tài)體系,通過廣泛收集文字資料和圖像資料,運用圖像學和文化人類學的研究方法,對現有資料分析整理,追溯螭首起源,找出排水口螭首與螭龍紋、螭首龜趺的區(qū)別之處。第三章是分析螭首在不同的時代階段的形態(tài)特征。螭首的時代演繹脫離不了當時的社會形態(tài)和建筑文化背景,在魏晉、隋唐、宋元、明清四階段螭首的表現特征概括為：強硬兇悍、異域多樣、完型精致、日漸凋落。同時充分了解魏晉至明清階段的螭首的造型規(guī)律與其所處時代的社會影響之間的關系。第四章與第五章是運用符號學研究方法,對螭首作為建筑裝飾符號所承載的符號能指與所指進行研究分析。螭首有三點重要的實用功能：排水口裝飾、承重與平衡臺基、防止臺基遭雨水侵蝕。螭首的符號所指是指螭首的內在象征,主要有四點：帝王皇權的等級象征、風調雨順的祈愿理想、關煞護財的風水觀念、保塔護法的宗教思想。這種觀念下形成的裝飾美感是不言而喻的,符合封建社會的禮制等級需求,蘊含著宮殿建筑的真善之美；上等石材,精工巧技,營造宮殿富麗之美。第六章分析保護繼承傳統(tǒng)裝飾符號螭首的意義和現代運用實例,并對本土化的繼承與發(fā)展問題進行反思。最后,綜合所論述的重點進行總結�？隙な拙哂兄腥A傳統(tǒng)文化的表現價值,希冀課題的研究能夠給往后人解讀螭首符號帶來參考利用的價值。
[Abstract]:Chinese dragon is a cultural totem that goes deep into the bone marrow of the nation. The dragon will form its own decorative form in different periods of growth, and these decorative forms have their own independent morphological characteristics while retaining the primitive dragon form, the head of the dragon is one of the examples. Chi was originally a charmed beast, influenced by the totem of the early dragon, its status gradually changed into a young dragon or a female, and its status rose from evil ghosts to auspicious Rui beasts. Chi Shou is an important part in the history of Chinese traditional architecture decoration, and has very important research significance. In the second chapter, Chi is regarded as an independent form system. Through the extensive collection of characters and images, and by using the research methods of imageology and cultural anthropology, the author analyzes and collates the existing data, and traces the origin of Chi head. Find out the draining mouth Chi head and chi dragon grain, Chi head the difference between the turtle shed. The third chapter is the analysis of the head of chi in different stages of the shape of the characteristics. The epoch deduction of Chi Shou can not break away from the social form and architectural culture background at that time. In Wei and Jin dynasties, Sui and Tang dynasties, Song and Yuan dynasties, Ming and Qing dynasties, the performance characteristics of Chi head are summarized as follows: tough and ferocious, exotic and diverse, finely shaped, and gradually withered. At the same time, fully understand the Wei, Jin to Ming and Qing period of the Chi head modeling law and its era of social impact relationship. In the fourth and fifth chapters, the semiotics research method is used to analyze the symbol signifier and signifier carried by Chi Shou as a symbol of architectural decoration. The chi head has three important practical functions: drains decoration, bearing and balancing the platform foundation, preventing the platform foundation from being eroded by Rain Water. The symbol of the head of chi refers to the internal symbol of the head of the chi, which has four main points: the rank symbol of the imperial power, the ideal of praying for good weather, the idea of fengshui, the religious thought of protecting the tower and protecting the law. The aesthetic sense of decoration formed under this concept is self-evident, conforms to the needs of feudal society's etiquette hierarchy, and contains the beauty of the real and good of the palace architecture; the fine stone, the exquisite workmanship, and the rich beauty of the palace. The sixth chapter analyzes the significance of the protection of the traditional decorative symbol Chi head and the examples of modern application, and reflects on the inheritance and development of localization. Finally, the main points are summarized. It is believed that Chi Shou has the performance value of Chinese traditional culture, and it is hoped that the study of the subject can bring reference value to the interpretation of Chi Shou symbol.
【學位授予單位】：湖南工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J509.2

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