本文選題：康熙 + 雍正�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2013年碩士論文

【摘要】：龍是中華名族古老信仰的產(chǎn)物，在中國(guó)歷史的長(zhǎng)河上地位尤為顯著，在陶瓷裝飾上運(yùn)用頗多。新石器時(shí)期，勤勞智慧的遠(yuǎn)古先民就想象出了龍，并尊重龍，敬畏龍。到了清代，，龍紋成為陶瓷裝飾中的主要題材。它寓意著吉祥，象征著皇權(quán)。龍紋的背后有非常豐富的研究?jī)r(jià)值，其文化底蘊(yùn)深厚。本文以清代康熙、雍正、乾隆三個(gè)時(shí)期為時(shí)間背景，對(duì)陶瓷龍紋的裝飾手法、形態(tài)特征以及構(gòu)圖形式進(jìn)行研究，對(duì)清三代陶瓷龍紋的表現(xiàn)進(jìn)行系統(tǒng)的總結(jié)和歸納，并分析這個(gè)三個(gè)朝代陶瓷龍紋相同和不同的特點(diǎn)以及時(shí)代特征。對(duì)陶瓷龍紋裝飾特征的全面研究進(jìn)行有益的補(bǔ)充。
[Abstract]:The dragon is the product of the ancient belief of the Chinese people, especially in the long river of Chinese history, and it is widely used in ceramic decoration. In the Neolithic period, the diligent and intelligent ancient ancestors imagined dragons and respected them and feared them. In the Qing Dynasty, dragon grain became the main theme of ceramic decoration. It symbolizes auspiciousness and symbolizes imperial power. There is a very rich research value behind the dragon grain, and its cultural background is profound. Taking the three periods of Kangxi, Yongzheng and Qianlong in Qing Dynasty as the time background, this paper studies the decorative techniques, morphological characteristics and composition of ceramic dragon lines, and systematically summarizes and induces the performance of the three generations of ceramic dragon lines in Qing Dynasty. And analyze the same and different characteristics and characteristics of the three dynasties ceramic dragon grain. The comprehensive study on the decorative features of ceramic dragon lines is a useful supplement.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527;J522

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 朱淑姣;;夔龍紋小考[J];河南商業(yè)高等專科學(xué)校學(xué)報(bào);2011年02期

2 卜昭文;探尋龍的起源[J];w蕓

本文編號(hào)：1962921