本文選題：莫高窟 + 裝飾圖案��； 參考：《蘭州大學(xué)》2013年碩士論文

【摘要】：敦煌莫高窟十六國(guó)北朝裝飾圖案藝術(shù),其裝飾性作為石窟藝術(shù)中重要的一部分,不但對(duì)于營(yíng)造洞窟的宗教氛圍起到很重要的作用,而且就裝飾圖案本身在歷代的發(fā)展就是一部活生生的圖案藝術(shù)發(fā)展史,對(duì)于研究中外藝術(shù)文化相互交融、以及圖案藝術(shù)設(shè)計(jì)的發(fā)展演變規(guī)律有著直觀地表現(xiàn)。論文在前賢對(duì)于裝飾圖案藝術(shù)研究的基礎(chǔ)上,結(jié)合自身對(duì)于裝飾圖案藝術(shù)的認(rèn)識(shí),從莫高窟建筑裝飾圖案藝術(shù)、佛具裝飾圖案藝術(shù),以及裝飾圖案藝術(shù)的美學(xué)特征三個(gè)方面,以考古學(xué)、圖像學(xué)、藝術(shù)學(xué)等方法,通過(guò)比較研究,對(duì)莫高窟十六國(guó)北朝裝飾圖案藝術(shù)進(jìn)行了深入地探討。可以發(fā)現(xiàn)裝飾圖案藝術(shù)在不同歷史時(shí)期,其繼承與發(fā)展的特性是一脈相承的,表明其發(fā)展不但有裝飾圖案藝術(shù)自身的演變規(guī)律,這是內(nèi)因,而且也受到社會(huì)經(jīng)濟(jì)發(fā)展變化的影響,并且也受到上層統(tǒng)治階級(jí)對(duì)于佛教事業(yè)的大力支持這一外部因素。另外,莫高窟十六國(guó)北朝裝飾圖案藝術(shù)遵循著“對(duì)稱(chēng)與均衡”、“統(tǒng)一與變化”、“條理與反復(fù)”的形式美法則；并且具有“稚拙感與飄逸性”、“建筑性和裝飾性”、“兼容性”等特征。
[Abstract]:As an important part of the grottoes art, the decorative design of the Mogao Grottoes not only plays an important role in creating the religious atmosphere of the grottoes, but also plays an important role in the decorative design of the grottoes. Moreover, the development of decorative patterns in the past dynasties is a living history of the development of pattern art, for the study of the blend of Chinese and foreign art and culture, as well as the pattern art design development and evolution law has an intuitive performance. On the basis of the former Xian's research on decorative pattern art, combined with his own understanding of decorative pattern art, the thesis discusses three aspects: the decorative design art of Mogao Grottoes, the decorative pattern art of Buddha and the aesthetic characteristics of decorative pattern art. By means of archaeology, graphology and art, the art of decorative patterns in the 16 countries and the Northern dynasties of Mogao Grottoes was deeply discussed through comparative study. It can be found that the characteristics of inheritance and development of decorative pattern art in different historical periods are in the same vein, indicating that its development not only has its own evolution law of decorative pattern art, but also is the internal cause. It is also influenced by the development of social economy and supported by the upper ruling class. In addition, the decorative design art of Mogao Grottoes follows the rules of formal beauty of "symmetry and balance", "unity and change", "organization and repetition", and has "childish feeling and elegance", "architectural quality and decoration". "compatibility" and other features.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J522

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本文編號(hào)：1946162