發(fā)布時間：2018-05-27 18:45

  本文選題：元代家具 + 鼓腿膨牙　； 參考：《中南林業(yè)科技大學(xué)》2012年碩士論文

【摘要】：裝飾藝術(shù)是人類發(fā)展史中的重要藝術(shù)形態(tài),也是人類社會最普遍的藝術(shù)形式。家具裝飾則是家具文化的體現(xiàn)與物質(zhì)表達。中國古典家具具有悠久的歷史,在不斷的發(fā)展過程中完善著自身的體系。元代作為中國歷史長河中的一個特殊時期,其家具裝飾藝術(shù)也有著鮮明的特色。 首先,運用文獻研究法搜集國內(nèi)外相關(guān)文獻,了解元代的歷史背景、文化特點、風(fēng)俗習(xí)慣、自然環(huán)境等,為深入研究元代家具裝飾藝術(shù)做好前期準(zhǔn)備。其次,由于年代的久遠,元代家具實物相當(dāng)稀少,受此資料來源的局限,主要通過對元代的考古資料、寺廟壁畫的實地調(diào)研和對傳世繪畫、史料的對比及分析,以家具設(shè)計基本理論為指導(dǎo),將元代家具按使用對象分為宮廷貴族家具和文人平民家具兩大類型。再次,依據(jù)上述分類,主要從基本形制、裝飾色彩、裝飾圖案三個方面分別對元代宮廷貴族家具的裝飾藝術(shù)進行論述,以探析元代家具未被發(fā)掘的裝飾藝術(shù)文化價值。 元代家具在裝飾形制上,具有渾圓、粗放的整體風(fēng)格以及碩大、豪放的造型特征,體現(xiàn)出元代家具獨有的力量感,合理、精美、細致、功能性強的家具細部造型也是元代家具的典型特點,高束腰鼓腿膨牙的造型和豐富的腿足形態(tài)在元代坐類、置物類家具上有相當(dāng)廣泛的應(yīng)用。元代家具在裝飾色彩上,以藍色為主要用色,同時,還采用了紅色、黃色、黑色等中國傳統(tǒng)色彩作為輔助色。裝飾圖案的題材廣泛、內(nèi)容豐富,流云飛動的氣勢,精巧的構(gòu)圖安排,十分注重藝術(shù)性和工藝性的有機結(jié)合。 通過對元代家具裝飾藝術(shù)的研究,總結(jié)并歸納出元代家具裝飾在繼承了前代基本家具裝飾特點的基礎(chǔ)上,又有一定的改進和創(chuàng)新,填補并修繕了中國古典家具的歷史畫卷,讓人們能更好地理解和繼承元代家具裝飾中獨具特色的文化元素。
[Abstract]:Decorative art is an important art form in the history of human development and the most common art form in human society. Furniture decoration is the embodiment and material expression of furniture culture. Chinese classical furniture has a long history, in the process of continuous development to improve its own system. As a special period in the long history of China, the furniture decoration art of Yuan Dynasty also has distinct characteristics. First of all, the use of literature research method to collect relevant literature at home and abroad, to understand the historical background, cultural characteristics, customs, natural environment and so on. Secondly, due to the long history of the Yuan Dynasty, the furniture of the Yuan Dynasty was rather rare, and limited by this source of information, mainly through the archaeological data of the Yuan Dynasty, the field investigation of the temple murals, and the comparison and analysis of the historical materials and paintings handed down from generation to generation. Guided by the basic theory of furniture design, the furniture of Yuan Dynasty is divided into two types: court noble furniture and civilian furniture. Again, according to the above classification, mainly from the basic shape, decorative colors, decorative patterns of three aspects of the Yuan Dynasty palace aristocratic furniture decoration art were discussed, in order to explore the Yuan Dynasty furniture undiscovered decorative art cultural value. The furniture of Yuan Dynasty has a round, extensive overall style and large and bold modeling features, which embodies the unique sense of strength, reasonableness, delicacy and detail of the furniture of the Yuan Dynasty. The functional detail modeling of furniture is also a typical characteristic of Yuan Dynasty furniture. The shape of high-bundle waist drum legs and abundant legs and feet are widely used in the furniture of Yuan Dynasty. In the Yuan Dynasty furniture decoration, the main color is blue, at the same time, the traditional Chinese colors such as red, yellow and black are used as auxiliary colors. Decorative patterns of a wide range of subjects, rich in content, the momentum of flying clouds, delicate composition arrangements, very emphasis on the organic combination of artistry and technology. Based on the research on the decorative art of furniture in Yuan Dynasty, this paper summarizes and concludes that the decoration of furniture in Yuan Dynasty has inherited the characteristics of the basic furniture decoration of the previous generation, and has also improved and innovated to a certain extent, thus filling in and repairing the historical picture of Chinese classical furniture. So that people can better understand and inherit the Yuan Dynasty furniture decoration unique cultural elements.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：F426.88

【相似文獻】

相關(guān)期刊論文 前10條

1 王s，

本文編號：1943350