嘉絨藏族民居裝飾的現(xiàn)代設(shè)計(jì)應(yīng)用
發(fā)布時(shí)間:2018-05-24 22:34
本文選題:嘉絨藏族民居 + 門窗 ; 參考:《裝飾》2011年03期
【摘要】:嘉絨藏族民居的裝飾藝術(shù)具有濃烈的裝飾趣味,色彩艷麗、裝飾金碧輝煌;其門窗雕飾更是獨(dú)具地域和民族特色。本文對(duì)嘉絨藏族民居裝飾的表現(xiàn)手法、審美內(nèi)涵進(jìn)行分析,探討其現(xiàn)代設(shè)計(jì)應(yīng)用,進(jìn)而認(rèn)為設(shè)計(jì)藝術(shù)領(lǐng)域應(yīng)該從現(xiàn)代審美需求出發(fā),面向民族傳統(tǒng)藝術(shù)吸收利用設(shè)計(jì)元素,進(jìn)行傳統(tǒng)與現(xiàn)代結(jié)合的實(shí)踐嘗試,使現(xiàn)代設(shè)計(jì)在追求時(shí)代創(chuàng)新的同時(shí),融合民族元素,以利于促進(jìn)設(shè)計(jì)的本土化、民族化。
[Abstract]:The decorative art of Jialong Tibetan houses has strong decorative interest, bright colors and splendid decoration, and its door and window decoration has its unique regional and national characteristics. This paper analyzes the expression and aesthetic connotation of the decoration of the Tibetan houses in Jialong, probes into its application in modern design, and points out that the field of design art should be based on the demand of modern aesthetics and absorb and utilize the elements of design in the face of traditional national art. In order to promote the localization and nationalization of the design, the author tries to combine the traditional design with the modern practice, so that modern design can be combined with the elements of the nation while pursuing the innovation of the times, so as to promote the localization and nationalization of the design.
【作者單位】: 廣東肇慶學(xué)院美術(shù)學(xué)院;
【基金】:肇慶學(xué)院科研項(xiàng)目研究成果之一,項(xiàng)目編號(hào):0814
【分類號(hào)】:J525
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 康·格桑益希;孫翔宇;;藏式古典家具的木雕彩繪藝術(shù)[J];西藏人文地理;2007年02期
,本文編號(hào):1930887
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