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明清山陜會(huì)館裝飾元素在現(xiàn)代室內(nèi)設(shè)計(jì)中的應(yīng)用

發(fā)布時(shí)間:2018-05-21 15:01

  本文選題:山陜會(huì)館 + 裝飾元素。 參考:《安徽建筑大學(xué)》2017年碩士論文


【摘要】:會(huì)館建筑是中國(guó)傳統(tǒng)建筑的重要組成部分之一,它歷經(jīng)明清兩代,逐漸發(fā)展成為一個(gè)獨(dú)立的、成熟的傳統(tǒng)建筑類型。明清會(huì)館在建筑藝術(shù)、裝飾藝術(shù)、室內(nèi)外環(huán)境藝術(shù)等方面都達(dá)到了極高的水平。山陜會(huì)館是明清時(shí)期最早出現(xiàn)的會(huì)館,是陜西和山西商人聊敘鄉(xiāng)情,促進(jìn)商業(yè)交流的場(chǎng)所。會(huì)館建筑藝術(shù)和裝飾藝術(shù)反映了明清時(shí)代商人的社會(huì)活動(dòng)和歷史文化背景。室內(nèi)設(shè)計(jì)最早是沿襲西方的形式進(jìn)行布局和設(shè)計(jì)。近年來(lái),人們開(kāi)始將目光轉(zhuǎn)向地域性、民族化的裝飾風(fēng)格,逐漸出現(xiàn)了中式古典主義和新古典主義的室內(nèi)設(shè)計(jì)風(fēng)格。中國(guó)傳統(tǒng)裝飾藝術(shù)根據(jù)所處地域和時(shí)代背景呈現(xiàn)不同的裝飾風(fēng)格,主要以皇家建筑藝術(shù)成就最高。而明清時(shí)期,商人集資建立的商業(yè)會(huì)館逐漸出現(xiàn)在祖國(guó)大地上,由于商人們財(cái)富雄厚,且會(huì)館多帶有祭祀的性質(zhì),會(huì)館便成為除皇宮以外另一派裝飾價(jià)值極高的建筑。山陜會(huì)館是明清時(shí)期最早建造的由兩省商人共建的會(huì)館,通過(guò)對(duì)明清山陜會(huì)館裝飾元素進(jìn)行研究,可以為當(dāng)今的室內(nèi)設(shè)計(jì)帶來(lái)啟示。本文通過(guò)介紹和總結(jié)明清山陜會(huì)館的裝飾藝術(shù),探索出具有地域特色的山陜會(huì)館裝飾元素,并總結(jié)出具有民族特色的裝飾元素在當(dāng)今室內(nèi)設(shè)計(jì)中的應(yīng)用方法。文章在運(yùn)用前人研究成果的基礎(chǔ)上,通過(guò)選取現(xiàn)存幾個(gè)著名山陜會(huì)館案例進(jìn)行實(shí)地調(diào)研調(diào)查,對(duì)明清時(shí)期山陜會(huì)館的裝飾元素進(jìn)行系統(tǒng)總結(jié)。首先,明清時(shí)期三雕藝術(shù)已經(jīng)發(fā)展成熟,而基于會(huì)館不同于其他建筑的特殊性質(zhì)(聊敘鄉(xiāng)情、祭祀神靈、商業(yè)交流、弘揚(yáng)地域文化、彰顯商人地位等綜合性質(zhì)),三雕藝術(shù)呈現(xiàn)出雕刻題材豐富多樣、技法復(fù)雜多變的特征,對(duì)當(dāng)今室內(nèi)設(shè)計(jì)具有重要借鑒價(jià)值。此外,明清時(shí)期彩畫、楹聯(lián)、匾額等裝飾元素也具有很高的藝術(shù)價(jià)值。由于商人知識(shí)文化程度的不同及對(duì)審美的不同理解,裝飾元素也呈現(xiàn)出雅俗共賞的情趣,對(duì)當(dāng)今室內(nèi)設(shè)計(jì)提供出不同的思路。
[Abstract]:Guild building is one of the important components of Chinese traditional architecture. It has developed into an independent and mature type of traditional architecture after two dynasties of Ming and Qing dynasties. The building art, decorative art, indoor and outdoor environment art have reached a very high level in Ming and Qing dynasties. Shanshan Guild Hall is the earliest meeting hall in Ming and Qing dynasties. It is the place where Shaanxi and Shanxi businessmen talk about the countryside and promote business exchanges. The building art and decorative art reflect the social activities and historical and cultural background of merchants in Ming and Qing dynasties. Interior design is the earliest form of Western layout and design. In recent years, people began to focus on the regional, nationalized decorative style, and gradually appeared Chinese classicism and neoclassicism interior design style. Chinese traditional decorative art presents different decorative styles according to the region and background of the times, and the Royal Architectural Art is the most successful. During the Ming and Qing dynasties, the merchants raised funds to set up the commercial clubhouse gradually appeared in the motherland, because of the rich wealth of the merchants, and more with the nature of sacrifice, the Guild Hall became a building with very high decorative value besides the imperial palace. Shanshan Guild Hall is the earliest one built by businessmen of two provinces in Ming and Qing dynasties. By studying the decorative elements of Shanshan Guild Hall in Ming and Qing dynasties, it can bring inspiration to the interior design today. Through introducing and summing up the decorative art of Shanshan Guild Hall in Ming and Qing dynasties, this paper explores the decorative elements of Shanshan Guild Hall with regional characteristics, and summarizes the application methods of decorative elements with national characteristics in present interior design. On the basis of the previous research results, this paper systematically summarizes the decorative elements of Shanshan Guild Hall in Ming and Qing dynasties by selecting several famous Shanshan Guild Guild for field investigation and investigation. First of all, during the Ming and Qing dynasties, the art of the three carvings has developed and matured, and based on the special nature of the guild, which is different from other buildings (talking about the countryside, offering sacrifices to the gods, exchanging business, promoting regional culture, etc.), Showing the status of businessmen and other comprehensive nature, the three carving art presents rich and diverse sculpture themes, complex and changeable techniques, which has an important reference value for interior design today. In addition, the Ming and Qing Dynasty color painting, couplets, plaques and other decorative elements also have high artistic value. Because of the different level of knowledge and culture and the different understanding of aesthetics, the decorative elements also show a taste of common appreciation, and provide different ideas for the interior design today.
【學(xué)位授予單位】:安徽建筑大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:TU238.2

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