本文選題：瓦當(dāng) + 建筑裝飾�。� 參考：《西安建筑科技大學(xué)》2009年碩士論文

【摘要】： 瓦當(dāng)兼實(shí)用性與藝術(shù)性為一體。本文以陜西省作為瓦當(dāng)研究的代表地區(qū),通過(guò)簡(jiǎn)述瓦當(dāng)?shù)臍v史發(fā)展,以及瓦當(dāng)?shù)脑煨吞卣鳌⒓y飾內(nèi)容和構(gòu)成形式,系統(tǒng)進(jìn)行了瓦當(dāng)在建筑中的裝飾藝術(shù)研究,抒發(fā)了瓦當(dāng)?shù)拿褡逍院退囆g(shù)性。瓦當(dāng)是中華民族所特有的一種建筑構(gòu)件,自古至今就有無(wú)數(shù)文者學(xué)士對(duì)此進(jìn)行過(guò)不懈的考古研究,使我們對(duì)各朝瓦當(dāng)?shù)陌l(fā)展變化有了一個(gè)初步的認(rèn)識(shí)和了解。在現(xiàn)代藝術(shù)設(shè)計(jì)領(lǐng)域和社會(huì)生活中,陜西瓦當(dāng)依舊散發(fā)著獨(dú)特的藝術(shù)魅力,本文結(jié)合實(shí)例闡述了陜西瓦當(dāng)作為一種傳統(tǒng)文化,與現(xiàn)代文明的完美結(jié)合。 本文研究主要分為以下四個(gè)部分:第一部分:通過(guò)了解陜西瓦當(dāng)?shù)钠鹪础l(fā)展及其社會(huì)背景,使我們熟悉瓦當(dāng)?shù)奈幕?重點(diǎn)敘述了瓦當(dāng)在春秋戰(zhàn)國(guó)、秦漢,唐代不同歷史時(shí)期,作為建筑裝飾的藝術(shù)表達(dá)。第二部分:通過(guò)了解中國(guó)傳統(tǒng)建筑裝飾的特征以及瓦當(dāng)作為建筑裝飾的作用,進(jìn)而更深刻的去研究瓦當(dāng)變化豐富的紋飾種類,質(zhì)樸優(yōu)美的結(jié)構(gòu)形式,及其工藝美術(shù)特征。第三部分:通過(guò)研究瓦當(dāng)?shù)墓δ軆r(jià)值與藝術(shù)魅力,說(shuō)明瓦當(dāng)作為建筑物的一種裝飾,有著很強(qiáng)的民族色彩和藝術(shù)表達(dá)。瓦當(dāng)紋飾不僅與中國(guó)民俗文化有著密切的關(guān)系,而且是我國(guó)封建社會(huì)較普遍的藝術(shù)形式。第四部分:結(jié)合陜西地區(qū)實(shí)例,古代瓦當(dāng)在現(xiàn)代文明中的再現(xiàn),來(lái)說(shuō)明瓦當(dāng)文化在今日的輝煌。陜西瓦當(dāng)裝飾藝術(shù)源于生活,源于傳統(tǒng),純樸而又不失優(yōu)美,簡(jiǎn)約而又不失韻律,它反映著民族文化的精髓。陜西瓦當(dāng)作為歷史的承載物,在現(xiàn)代文明中更顯其藝術(shù)價(jià)值,展示出特有的生命力。它體現(xiàn)了傳統(tǒng)精神與現(xiàn)代文明的共生性。
[Abstract]:Wadang and practicality and artistry as a whole. This paper takes Shaanxi Province as the representative area of Wadang research, through brief description of the historical development of Wadang, as well as the shape characteristics, decorative content and form of Wadang, systematically carry out the decorative art research of Wadang in architecture. It expresses the nationality and artistry of Wadang. Wadang is a unique architectural component of the Chinese nation. Since ancient times, numerous scholars have carried out unremitting archaeological research on it, which makes us have a preliminary understanding and understanding of the development and changes of each Korean Wadang. In the field of modern art design and social life, Shaanxi Wadang still exudes unique artistic charm. This paper expounds the perfect combination of Shaanxi Wadang as a traditional culture and modern civilization. This paper is divided into the following four parts: the first part: through understanding the origin, development and social background of Wadang, we are familiar with the culture of Wadang, focusing on the different historical periods of Wadang in the Spring and Autumn period, the Qin and Han dynasties, and the Tang Dynasty. As an artistic expression of architectural decoration. The second part: through understanding the characteristics of Chinese traditional architectural decoration and the role of Wadang as architectural decoration, and then to study the variety of Wadang rich patterns, simple and beautiful structural form, and the characteristics of arts and crafts. The third part: by studying the functional value and artistic charm of Wadang, it shows that Wadang, as a kind of decoration of buildings, has strong national color and artistic expression. Wadang ornaments are not only closely related to Chinese folk culture, but also a common art form in feudal society. The fourth part: combining the example of Shaanxi region, the reappearance of ancient Wadang in modern civilization to explain the brilliance of Wadang culture today. Wadang decorative art in Shaanxi originates from life, originates from tradition, simple and graceful, simple without losing rhythm, it reflects the essence of national culture. As a historical carrier, Wadang shows its artistic value and its unique vitality in modern civilization. It embodies the symbiosis between traditional spirit and modern civilization.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：K876.3

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 盧花;漢代瓦當(dāng)?shù)膶徝姥芯縖D];西北大學(xué);2012年

相關(guān)碩士學(xué)位論文 前1條

1 王秀秀;瓦在中國(guó)環(huán)境裝飾設(shè)計(jì)中的應(yīng)用[D];太原理工大學(xué);2012年

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本文編號(hào)：1917153