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大理白族建筑彩繪裝飾藝術(shù)起源探析

發(fā)布時間:2018-05-20 06:14

  本文選題:大理白族 + 建筑彩繪 ; 參考:《云南民族大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2011年06期


【摘要】:建筑彩繪裝飾藝術(shù)是大理白族建筑的一個重要部分,是研究白族建筑文化的重要渠道。大理白族建筑彩繪題材廣泛,融合了多重文化內(nèi)涵,在文化的交流與碰撞中整合出新的因素,形成了獨具大理白族特色的建筑彩繪裝飾藝術(shù)文化。大理白族建筑彩繪裝飾藝術(shù)的產(chǎn)生晚于漢族,發(fā)展興于明代,它有著本民族的藝術(shù)思想,但它的催生與發(fā)展又離不開漢文化的影響。正是這些豐富的文化背景與文化內(nèi)涵,使得大理白族建筑彩繪裝飾藝術(shù)別具大理白族傳統(tǒng)文化韻味。
[Abstract]:Architectural painting and decoration art is an important part of Bai architecture in Dali and an important channel to study Bai architectural culture. Dali Bai architecture color painting has a wide range of subjects, the integration of multiple cultural connotations, in the cultural exchange and collision of the integration of new factors, the formation of the unique characteristics of the Dali Bai architectural decorative art culture. Dali Bai architectural painting and decoration art came into being later than the Han nationality and developed in Ming Dynasty. It has its own artistic thought, but its birth and development can not be separated from the influence of Han culture. It is these rich cultural backgrounds and cultural connotations that make the decorative art of Dali Bai architecture unique to the traditional culture of Dali Bai nationality.
【作者單位】: 大理學(xué)院文學(xué)院;
【分類號】:J509.2

【共引文獻】

相關(guān)期刊論文 前10條

1 李冬冬;徐鑫鳴;王南;;高層建筑結(jié)構(gòu)概念設(shè)計中的互動效應(yīng)[J];四川建筑科學(xué)研究;2007年01期

2 劉晨R,

本文編號:1913501


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