本文選題：新疆維吾爾族 + 民間釉陶��； 參考：《新疆師范大學(xué)》2010年碩士論文

【摘要】：釉陶是人類(lèi)科技發(fā)展史上的一項(xiàng)重要發(fā)明。在不同國(guó)度和同一國(guó)度的不同地域,釉陶呈現(xiàn)出不同的文脈特征,由此構(gòu)成世界釉陶文化的多樣性。新疆維吾爾族民間釉陶是中國(guó)釉陶發(fā)展體系中的重要組成部分,是維吾爾族最具代表性的手工文化之一。對(duì)于新疆維吾爾民間釉陶的研究,有助于理解維吾爾族民間釉陶中的文化影響因素及其藝術(shù)價(jià)值,從而對(duì)維吾爾族民間傳統(tǒng)手工藝文化有更深的認(rèn)知,但目前對(duì)于新疆維吾爾民間釉陶還沒(méi)有人從理論上做出整體性的研究。 論文選取新疆維吾爾族民間釉陶器具作為研究對(duì)象,旨在對(duì)其進(jìn)行較為全面的理論研究。全文從陶瓷藝術(shù)學(xué)的角度,在文獻(xiàn)資料法的基礎(chǔ)上,通過(guò)資料收集、理論分析和社會(huì)訪談,對(duì)新疆維吾爾族民間釉陶進(jìn)行分類(lèi)歸納。在了解新疆維吾爾族民間釉陶種類(lèi)及其功用,以及制陶環(huán)境和工藝流程的前提下,運(yùn)用理論分析和比較研究的方法,從造型和裝飾兩個(gè)角度對(duì)其進(jìn)行文化上的分析和研究。 全文共分五個(gè)章節(jié),第一章對(duì)論文的研究背景、國(guó)內(nèi)外研究現(xiàn)狀、研究目的和意義、論文的研究方法和論文的創(chuàng)新點(diǎn)與不足之處做了概括性的介紹。第二章從地理因素和歷史因素兩個(gè)層面探討新疆維吾爾族民間釉陶是特定環(huán)境下的產(chǎn)物。第三章在概述新疆維吾爾族民間釉陶種類(lèi)的基礎(chǔ)上,分別對(duì)新疆維吾爾族民間釉陶的造型、裝飾、制作工藝三個(gè)方面綜述新疆維吾爾族民間釉陶所獨(dú)具的地域風(fēng)格。第四章選取新疆維吾爾族民間釉陶中最為典型的器具,從造型與裝飾兩個(gè)角度詳盡的分析研究新疆維吾爾族民間釉陶所受的文化影響因素,并給出新疆維吾爾族民間釉陶具有文化合成的初步結(jié)論。第五章結(jié)合新疆維吾爾族民間釉陶存在與傳承的現(xiàn)狀,提出新疆維吾爾族民間釉陶在現(xiàn)代社會(huì)中傳承與發(fā)展的文化價(jià)值和藝術(shù)價(jià)值。從釉陶自身優(yōu)勢(shì)出發(fā),結(jié)合現(xiàn)代陶藝的創(chuàng)作觀,探討新疆維吾爾族民間釉陶在現(xiàn)代社會(huì)中傳承、發(fā)展與拓寬的可能性,其目的是為實(shí)現(xiàn)這一非物質(zhì)文化遺產(chǎn)的保護(hù)提供借鑒性參考。 通過(guò)以上研究得出結(jié)論:新疆維吾爾族民間釉陶是新疆獨(dú)特的地理生態(tài)和人文歷史的產(chǎn)物,它的存在與發(fā)展是與維吾爾族的傳統(tǒng)生活相適應(yīng)。新疆維吾爾族民間釉陶,諳合著維吾爾族的精神信仰和審美取向,凸顯出多元文化相交融的文化合成特質(zhì)。研究新疆維吾爾族民間釉陶,不僅能夠更好的認(rèn)知維吾爾族的手工文化,宗教傳統(tǒng)和生活習(xí)俗,而且,這也對(duì)研究絲綢之路上的東西方文化交流具有重要意義。在現(xiàn)代化大發(fā)展的今天,應(yīng)強(qiáng)調(diào)新疆維吾爾族民間釉陶的文化價(jià)值并加大對(duì)其文化上的保護(hù)與傳承。
[Abstract]:Glazed pottery is an important invention in the history of science and technology. In different countries and different regions of the same country, glazed pottery presents different cultural characteristics, which constitutes the diversity of glazed pottery culture in the world. Xinjiang Uygur folk glazed pottery is an important part of the development system of Chinese glazed pottery and one of the most representative handicraft culture of Uygur. The study of Xinjiang Uygur Folk glazed Pottery is helpful to understand the cultural influence factors and its artistic value in Uygur Folk glazed Pottery, so as to have a deeper understanding of Uygur folk traditional handicraft culture. However, there is no theoretical research on Xinjiang Uygur Folk glazed Pottery. This paper chooses Xinjiang Uygur folk glazed pottery as the object of study in order to carry out a more comprehensive theoretical study. From the point of view of ceramic art, based on the method of literature, this paper classifies Xinjiang Uygur folk glazed pottery by means of data collection, theoretical analysis and social interview. Based on the understanding of Xinjiang Uygur folk glazed pottery types and their functions as well as the production environment and technological process, the cultural analysis and study of Uygur folk glazed pottery were carried out from the aspects of modeling and decoration by means of theoretical analysis and comparative study. This paper is divided into five chapters. The first chapter gives a general introduction to the research background, the current research situation, the purpose and significance of the research, the research methods, the innovation and the deficiency of the thesis. The second chapter discusses that Xinjiang Uygur folk glazed pottery is the product of special environment from geographical factors and historical factors. On the basis of summarizing the types of Xinjiang Uygur folk glazed pottery, the third chapter summarizes the unique regional style of Xinjiang Uygur folk glazed pottery from three aspects: modeling, decoration and making technology. The fourth chapter selects the most typical utensils in Xinjiang Uygur folk glaze pottery, analyzes and studies the cultural influence factors of Xinjiang Uygur folk glaze pottery from the angle of modeling and decoration. The preliminary conclusion of cultural synthesis of Xinjiang Uygur folk glazed pottery is given. The fifth chapter puts forward the cultural value and artistic value of the inheritance and development of Xinjiang Uygur folk glazed pottery in the modern society combined with the status quo of the existence and inheritance of Xinjiang Uygur folk glazed pottery. Based on the advantages of glazed pottery and the view of modern pottery creation, this paper discusses the possibility of inheritance, development and widening of Xinjiang Uygur folk glazed pottery in modern society. The purpose is to provide reference for the protection of this intangible cultural heritage. It is concluded that Xinjiang Uygur folk glazed pottery is the product of Xinjiang's unique geographical ecology and humanistic history, and its existence and development are adapted to the traditional life of Uygur nationality. Xinjiang Uygur folk glazed pottery, which is familiar with Uygur spiritual belief and aesthetic orientation, highlights the cultural synthesis characteristic of multicultural blending. The study of Xinjiang Uygur folk glazed pottery not only can better understand Uygur's handicraft culture, religious tradition and living customs, but also has great significance for the study of the cultural exchange between East and West on the Silk Road. With the great development of modernization, the cultural value of Xinjiang Uygur folk glazed pottery should be emphasized and its cultural protection and inheritance should be strengthened.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J527

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李曉瑜;新疆民族裝飾藝術(shù)審美心理追溯[D];中央美術(shù)學(xué)院;2013年

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本文編號(hào)：1906576