發(fā)布時(shí)間：2018-05-15 23:34

  本文選題：草原小型動(dòng)物 + 陶塑��； 參考：《內(nèi)蒙古師范大學(xué)》2017年碩士論文

【摘要】：在中國(guó)藝術(shù)發(fā)展史上,動(dòng)物作為陶塑藝術(shù)的選材對(duì)象,經(jīng)常出現(xiàn)在陶塑作品中。筆者研究中外文獻(xiàn)發(fā)現(xiàn)中國(guó)從古至今對(duì)動(dòng)物題材的研究多體現(xiàn)在大型動(dòng)物上,而北方草原的小型動(dòng)物題材很少出現(xiàn)在藝術(shù)創(chuàng)作中。所以本論文把草原小型動(dòng)物作為主要的研究對(duì)象來(lái)進(jìn)行藝術(shù)造型的實(shí)踐研究。本論文分析總結(jié)傳統(tǒng)及當(dāng)代動(dòng)物陶塑造型語(yǔ)言特征以及審美追求,結(jié)合現(xiàn)代陶藝語(yǔ)言來(lái)對(duì)草原小動(dòng)物題材進(jìn)行嘗試性的探究,主要以文獻(xiàn)歸納法,通過(guò)比較分析,搜集素材,實(shí)踐設(shè)計(jì)構(gòu)思創(chuàng)作稿等進(jìn)行創(chuàng)作實(shí)踐,并對(duì)成型,裝飾,施釉表面肌理及燒制等技術(shù)要點(diǎn)進(jìn)行詳實(shí)記錄歸納總結(jié),形成本文。全文簡(jiǎn)述了動(dòng)物陶塑在傳統(tǒng)動(dòng)物形象塑造中,以象形取意的造型語(yǔ)言及輪廓的線性美來(lái)歸納裝飾陶塑動(dòng)物的形態(tài)特征,而當(dāng)代動(dòng)物陶塑造型方式則通過(guò)泥性的表現(xiàn)和裝飾性的美感來(lái)進(jìn)行塑造的造型藝術(shù)特點(diǎn)。同時(shí)闡述了選擇草原小動(dòng)物做為陶塑裝飾創(chuàng)作題材的創(chuàng)作實(shí)踐以及整個(gè)作品流程。從小動(dòng)物的造型與成型技法、裝飾表現(xiàn)、以及燒成等開(kāi)展實(shí)踐研究,選用本土大缸泥料即粗陶,突顯地方特色,采用多種成型方式以及不同風(fēng)格的裝飾表現(xiàn)手法,利用不同氣氛的燒制方法,讓火、大缸泥料、成型技法及裝飾效果充分融合,以展現(xiàn)獨(dú)特審美觀念。并實(shí)時(shí)記錄數(shù)據(jù),總結(jié)新的造型語(yǔ)言和裝飾手法,完成本論文研究目的。
[Abstract]:In the history of Chinese art development, animals, as the objects of pottery art, often appear in pottery works. The author found that the study of animal themes in China from ancient times to the present is mostly reflected in large animals, while the subjects of small animals in the northern grassland rarely appear in artistic creation. Therefore, this paper takes the prairie small animals as the main research object to carry on the practice research of artistic modeling. This paper analyzes and summarizes the traditional and contemporary animal pottery modeling language characteristics and aesthetic pursuit, combined with the modern pottery language to try to explore the theme of small animals in the grassland, mainly through literature induction, through comparative analysis, collecting materials, The practical design conception creation draft and so on carries on the creation practice, and carries on the detailed record summary to the molding, the decoration, the glaze surface texture and the firing and so on technical key points, forms this article. In this paper, the author summarized the morphological characteristics of decorative pottery animals in the traditional animal image molding by using the figurative modeling language and the linear beauty of the contours. The contemporary animal pottery modeling method through the clay performance and decorative aesthetic to shape the plastic arts characteristics. At the same time, it expounds the creation practice and the whole work flow of choosing the prairie animal as the pottery sculpture decoration theme. From the modeling and shaping techniques of small animals, decorative performance, as well as firing to carry out practical research, select native large cylinder mud that is coarse pottery, highlight the local characteristics, adopt a variety of molding methods and different styles of decorative performance techniques, In order to show the unique aesthetic concept, the fire, big cylinder mud, molding techniques and decorative effects are fully integrated with different atmosphere firing methods. And real-time record data, summarize the new modeling language and decoration techniques, complete the purpose of this paper.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J314.8

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本文編號(hào)：1894459