本文選題：背帶 + 造型��； 參考：《昆明理工大學(xué)》2009年碩士論文

【摘要】：本文以云南省文山州的壯族背帶為研究對(duì)象,根據(jù)云南文山獨(dú)特的歷史文化、地理環(huán)境和風(fēng)俗習(xí)慣,概述了文山壯族背帶的造型特點(diǎn)、結(jié)構(gòu)式樣、工藝技法、裝飾紋樣等。這些特征都明顯區(qū)別于其它少數(shù)民族的背帶,濃聚著文山壯族自身的特色。本文闡述了背帶歷史和社會(huì)風(fēng)俗,著重分析了文山壯族背帶的造型和裝飾工藝特征。 首先,對(duì)背帶進(jìn)行概述,并界定其概念,在傳統(tǒng)的背帶概述基礎(chǔ)上豐富了背帶的內(nèi)涵；其次,通過(guò)分析文山壯族背帶同云南文山當(dāng)?shù)氐娘L(fēng)俗禮儀的密切關(guān)系,從背帶的歷史起源、《背帶歌》風(fēng)俗和背帶所包含的社會(huì)風(fēng)俗文化等詳細(xì)的闡述了背帶在風(fēng)俗禮儀中的地位和重要作用；第三,在文山壯族背帶的造型中,筆者從背帶結(jié)構(gòu)的各個(gè)組成部分逐個(gè)分析,并根據(jù)背帶主片式樣分類,總結(jié)繪制了云南文山壯族背帶式樣表格圖。根據(jù)文山壯族的風(fēng)俗將背帶的結(jié)構(gòu)分為六個(gè)部分,背帶口、背帶心、背帶柱子、背帶手(包括背帶口袋)、背帶屁股、背帶尾巴。根據(jù)背帶主片式樣分類,將文山壯族背帶分為8種類型。簡(jiǎn)要概述了背帶的背法,認(rèn)為三角形的背帶主片和寬大奇長(zhǎng)的背帶手是文山壯族背帶不同于西南各族背帶的顯著特征；第四,進(jìn)一步分析了文山壯族背帶的制作工藝,根據(jù)文山壯族的傳統(tǒng)分類將工藝分為織錦、繡錦和染色三個(gè)部分。將背帶的背帶主片的制作工藝歸為織錦和繡錦,背帶手部分歸為染色,并介紹了各個(gè)工藝的歷史來(lái)源、制作特征；第五,文山壯族背帶的裝飾紋樣有非常深厚的歷史起源,通過(guò)對(duì)傳統(tǒng)“萊瓦”(各類美術(shù)作品的統(tǒng)稱)的了解,將文山壯族背帶的吉祥紋樣分為三類：動(dòng)物紋樣、植物紋樣、非生物紋樣。其中動(dòng)物紋樣主要分析了鳥(niǎo)紋樣、魚(yú)紋樣、青蛙和蛇紋樣,并追溯其歷史來(lái)源,將幾千年前的巖畫(huà)圖案和銅鼓上的圖案同背帶的紋樣進(jìn)行比對(duì),證實(shí)了背帶上的鳥(niǎo)、魚(yú)、青蛙和蛇紋樣的歷史起源和傳承,同時(shí)也同壯族傳統(tǒng)的觀念想呼應(yīng),如公母觀。因而總結(jié)出云南文山壯族背帶中裝飾紋樣的歷史根據(jù)、意義和內(nèi)涵。第六,對(duì)背帶的裝飾物件和主要色彩——紅色,做了簡(jiǎn)要的概述。最后,總結(jié)文山壯族背帶的特點(diǎn),指出文山壯族背帶的三重身份,背帶既是產(chǎn)品的身份,又是服飾的身份,同時(shí)又是藝術(shù)品的身份。
[Abstract]:Based on the unique historical culture, geographical environment and customs of Wenshan, Yunnan Province, this paper summarizes the modeling characteristics, structural patterns, techniques, decorative patterns and so on of the straps of Zhuang nationality in Wenshan Prefecture, Yunnan Province. These characteristics are obviously different from the other ethnic minorities' straps, concentrated on the Wenshan Zhuang's own characteristics. This paper expounds the history and social customs of the straps, and emphatically analyzes the modelling and decorative technological characteristics of the straps of Wenshan Zhuang nationality. First of all, it summarizes and defines the concept of the strap, which enriches the connotation of the belt on the basis of the traditional outline of the belt. Secondly, by analyzing the close relationship between the straps of Wenshan Zhuang and the local customs and etiquette of Wenshan in Yunnan, From the historical origin of the straps, the custom and the social customs and culture contained in the straps are elaborated in detail. Thirdly, in the modelling of the straps of the Wenshan Zhuang nationality, the status and the important role of the straps in the customs and manners are expounded in detail. Based on the analysis of each component of the belt structure and the classification of the main pattern of the straps, the author summarizes and draws the pattern chart of the straps of the Zhuang nationality in Wenshan, Yunnan Province. According to the customs of the Wenshan Zhuang nationality, the structure of the strap is divided into six parts: the mouth of the strap, the heart of the strap, the post of the strap, the hand of the strap (including the pocket of the strap, the butt of the strap, and the tail of the strap). According to the classification of the main pattern of straps, the straps of Wenshan Zhuang nationality are divided into 8 types. In this paper, the back method of the straps is briefly summarized, and it is considered that the main plate of the straps of the triangle and the arms of the broad and unusually long straps are the prominent characteristics of the straps of the Wenshan Zhuang nationality, which are different from those of the ethnic groups in the southwest. Fourthly, the making process of the straps of the Zhuang nationality in Wenshan is further analyzed. According to the traditional classification of Wenshan Zhuang, the craft is divided into three parts: brocade, embroidered brocade and dyeing. The making process of the main straps is classified as brocade and embroidered brocade, the hand part of the strap is dyed, and the historical sources and characteristics of each craft are introduced. Fifth, the decorative patterns of the straps of Wenshan Zhuang nationality have a very deep historical origin. Through the understanding of the traditional "Laiwa", the auspicious patterns of the straps of Wenshan Zhuang nationality are divided into three categories: animal patterns, plant patterns, and abiotic patterns. Among them, the animal pattern mainly analyzed the bird pattern, the fish pattern, the frog pattern and the snake pattern, and traced back to its historical origin, compared the patterns of rock paintings and bronze drums thousands of years ago with the pattern of the strap, and confirmed the birds and fish on the strap. The historical origin and inheritance of frog and snake patterns also echo the traditional concepts of Zhuang nationality, such as the concept of mother and father. Therefore, the historical basis, significance and connotation of decorative patterns in the straps of Wenshan Zhuang nationality in Yunnan Province are summarized. Sixth, the decorative items and the main color-red, made a brief overview. Finally, this paper summarizes the characteristics of the Wenshan Zhuang straps, and points out the triple identity of the Wenshan Zhuang straps, which is not only the identity of the products, but also the identity of the clothing and the works of art at the same time.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J523

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