本文選題：中國(guó)傳統(tǒng)家具 + 結(jié)構(gòu)裝飾部件��； 參考：《昆明理工大學(xué)》2014年碩士論文

【摘要】：中國(guó)傳統(tǒng)家具結(jié)構(gòu)裝飾部件源于史前,興于宋,在明清時(shí)期達(dá)到頂峰,是明清家具的一大裝飾手法。其本身不僅是起支撐重量、加強(qiáng)牢固的功能結(jié)構(gòu)件,而且是極富美感的裝飾部件,同時(shí)在協(xié)調(diào)家具比例尺度,彰顯家具時(shí)代特色,體現(xiàn)歷代家具風(fēng)格的統(tǒng)一性繼承性方面擔(dān)任著不可替代的角色。這些部件可以說(shuō)是家具賴(lài)以造型的基礎(chǔ),也可以看成是家具結(jié)構(gòu)中的“模件”,其自身獨(dú)特的造型與裝飾藝術(shù)是新中式家具設(shè)計(jì)的最佳借鑒元素。通過(guò)對(duì)自家具萌芽時(shí)期到清朝末期的中國(guó)傳統(tǒng)家具結(jié)構(gòu)裝飾部件的造型與裝飾的藝術(shù)特點(diǎn)的研究,探討其起因,總結(jié)其規(guī)律,這對(duì)我國(guó)現(xiàn)當(dāng)代家具設(shè)計(jì)的發(fā)展有一定的啟示、實(shí)踐指導(dǎo)與促進(jìn)作用。而對(duì)中國(guó)傳統(tǒng)家具結(jié)構(gòu)裝飾部件以上諸方面的研究幾乎處于空白狀態(tài)。 本論文首先按結(jié)構(gòu)裝飾部件出現(xiàn)的時(shí)間順序,從其種類(lèi)、材料、工藝等方面作了介紹分析。同時(shí)采用比較分析法,以各個(gè)歷史時(shí)期為背景,對(duì)每個(gè)結(jié)構(gòu)裝飾部件在不同時(shí)期以及同一時(shí)期不同品類(lèi)的家具的造型與裝飾藝術(shù)作了比較性地論述。通過(guò)對(duì)各自產(chǎn)生、發(fā)展和延續(xù)的前后演繹軌跡的研究,總結(jié)歸納了每個(gè)結(jié)構(gòu)裝飾部件的造型與裝飾發(fā)展規(guī)律,得出：大部分結(jié)構(gòu)裝飾部件的造型與裝飾都是后一個(gè)朝代對(duì)前一個(gè)朝代的吸取、繼承與演變,結(jié)構(gòu)裝飾部件隨時(shí)代、家具品類(lèi)與技術(shù)的提高而不斷上升發(fā)展與完善,同時(shí)又各具時(shí)代特色。從而探討了影響其發(fā)展規(guī)律的成因,即其與生活所需的“事”因(起居方式、生活方式、家具品類(lèi))、大木作建筑(技術(shù)、形式方面的借鑒,家具又被稱(chēng)為“小木作”)以及與社會(huì)(思想與文化)等方面都有著廣泛而又密切的聯(lián)系。最后得出：中國(guó)傳統(tǒng)家具結(jié)構(gòu)裝飾部件對(duì)我國(guó)現(xiàn)當(dāng)代家具設(shè)計(jì)具有一定的啟示作用。 通過(guò)多方面的分析與探討,揭示了我國(guó)博大精深的家具文化以及與家具設(shè)計(jì)休戚相關(guān)的精神內(nèi)涵。同時(shí)指出：中國(guó)傳統(tǒng)家具結(jié)構(gòu)裝飾部件的造型與裝飾藝術(shù)特點(diǎn)不僅僅是形成我國(guó)現(xiàn)當(dāng)代家具設(shè)計(jì)的民族因子,其所隱藏于背后的文化與思想因素才是“新中式家具設(shè)計(jì)”借鑒的關(guān)鍵。
[Abstract]:The structural decoration of traditional Chinese furniture originated from prehistoric, originated in the Song Dynasty, reached its peak in the Ming and Qing dynasties, and was a major decoration technique of the Ming and Qing dynasties. It is not only a supporting weight, strengthening a solid functional structure, but also a beautiful decorative parts, at the same time in the coordination of the scale of furniture, showing the characteristics of the furniture era, Reflect the unity of the furniture style of the inheritance of the role played an irreplaceable role. These parts can be said to be the basis of furniture modeling, but also can be regarded as "modules" in the furniture structure. Their unique modeling and decorative art are the best reference elements for the new Chinese furniture design. Based on the study of the modeling and decorative artistic characteristics of the structural decoration parts of Chinese traditional furniture from the budding period of furniture to the late Qing Dynasty, this paper discusses its causes and summarizes its laws, which has some enlightenment for the development of furniture design in modern and contemporary China. Practice guidance and promotion. But the research on the above aspects of Chinese traditional furniture structure decoration parts is almost blank. Firstly, according to the time sequence of the appearance of the structural decoration parts, this paper introduces and analyzes the kinds, materials and processes of the components. At the same time, using the comparative analysis method, taking each historical period as the background, this paper makes a comparative discussion on the modeling and decorative art of each structural decoration part in different periods and different categories of furniture in the same period. Through the research on the deductive trajectory of each structure, the modeling and decoration development law of each structure decoration component is summarized. It is concluded that the modeling and decoration of most of the structural decorative parts are absorbed, inherited and evolved from the previous dynasty by the latter dynasty, and the structural decoration parts have been continuously developed and perfected with the development of the times, the improvement of furniture categories and technology. At the same time, each has its own characteristics. Thus, the causes that affect its development law are discussed, that is, the causes of "things" (living style, life style, furniture category, large wood architecture (technology, form) which are necessary for life, are used for reference. Furniture also known as "small wood") and with the social (thought and culture) and other aspects of a wide and close relationship. Finally, it is concluded that the decorative parts of Chinese traditional furniture structure have a certain enlightening effect on the modern and contemporary furniture design of our country. Through the analysis and discussion in many aspects, this paper reveals the broad and profound furniture culture and the spiritual connotation related to the furniture design in our country. At the same time, it is pointed out that the modeling and decorative art characteristics of the decorative parts of Chinese traditional furniture structure are not only the national factors that form the modern and contemporary furniture design in China. The cultural and ideological factors hidden behind it are the key to the reference of New Chinese Furniture Design.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：TS664.03

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