本文選題：布拖縣 + 彝族銀器��； 參考：《貴州民族大學(xué)》2017年碩士論文

【摘要】：彝族是一個(gè)有著古老文化的民族,主要分布在我國(guó)的西南部地區(qū),以貴州、四川及云南等省份居多,其中四川涼山彝族自治州是我國(guó)最大的彝族聚居區(qū),因此,這里也是彝族文化的匯聚地。而涼山彝族自治州布拖縣彝族銀器手工技藝作為彝族文化的承載物,早在2008年就被國(guó)務(wù)院和文化部列入第二批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)名錄。并且布拖縣素有“彝族銀飾之鄉(xiāng)”的美稱(chēng),該地區(qū)的彝族銀器有著獨(dú)特的民族風(fēng)格、多樣的圖案題材以及廣泛的應(yīng)用范圍等特點(diǎn),無(wú)論是其造型、樣式,還是技法都顯現(xiàn)出彝族人民高超的工藝制作水平。本文通過(guò)對(duì)布拖縣彝族銀器裝飾圖案的深入研究,力求探索該地域彝族人民的歷史文化、風(fēng)俗習(xí)慣及審美傾向等,也有利于反思如何更好的保護(hù)與傳承我國(guó)民族民間傳統(tǒng)手工技藝等問(wèn)題。本文運(yùn)用了文獻(xiàn)分析、田野調(diào)查、比較、歸納等多種研究方法,擬以美學(xué)、民族學(xué)等多學(xué)科的視野,從布拖縣彝族銀器的裝飾圖案入手,對(duì)其所表現(xiàn)出的文化特征進(jìn)行系統(tǒng)整體性的闡釋,旨在論述當(dāng)?shù)匾妥邈y器存在的獨(dú)特性及價(jià)值。根據(jù)目前所掌握的資料,發(fā)現(xiàn)學(xué)界對(duì)布拖縣彝族裝飾圖案的研究理論成果較少,從銀器角度來(lái)談彝族裝飾圖案的研究也尚不全面。本文通過(guò)大量的實(shí)地調(diào)查,對(duì)當(dāng)?shù)氐膱D案進(jìn)行了采集,并在參與小型銀飾的設(shè)計(jì)與制作的過(guò)程中,初步明確了布拖縣彝族銀器裝飾圖案的題材分類(lèi)、制作工具及工藝流程。在田野調(diào)查的基礎(chǔ)上,本文以布拖縣彝族銀器裝飾圖案為研究對(duì)象,首先,運(yùn)用“民族文化認(rèn)同”、“地理區(qū)域”等概念來(lái)揭示由于區(qū)域性差異而凸顯出的地域性特征;其次,通過(guò)分析該民族多重信仰來(lái)探究布拖縣彝族銀器圖案中蘊(yùn)含的文化內(nèi)涵;再次,以現(xiàn)代構(gòu)成理論去解讀布拖縣彝族銀器圖案的組織形式及形式美法則,解釋布拖縣彝族銀器裝飾圖案中存在的“對(duì)稱(chēng)美”、“飽滿美”、“原始美”等審美意識(shí),探討該地區(qū)彝族人民的審美心理及特有的民族性格,從而進(jìn)一步闡釋布拖縣彝族銀器存在的實(shí)用價(jià)值和文化價(jià)值。最后,通過(guò)對(duì)比分析研究,旨在梳理當(dāng)?shù)匾妥邈y器在文化交融背景下的發(fā)展脈絡(luò),探索出其在全球化背景下變與不變的內(nèi)外因素,并系統(tǒng)地對(duì)布拖縣彝族銀器及裝飾圖案的保護(hù)與傳承現(xiàn)狀做出分析,進(jìn)而嘗試找出符合當(dāng)?shù)匾妥邈y器及圖案的有效保護(hù)路徑,由此,引發(fā)更多的人認(rèn)識(shí)到民族民間傳統(tǒng)手工藝的發(fā)展前景。總之,當(dāng)?shù)匾妥邈y器及圖案不僅是族群內(nèi)部的文化瑰寶,也是其文化的載體之一。本文通過(guò)對(duì)其生存語(yǔ)境、分類(lèi)等進(jìn)行重點(diǎn)闡述,旨在尋求當(dāng)?shù)匾妥邈y器及圖案在歷史演進(jìn)的過(guò)程中發(fā)生流變現(xiàn)象的內(nèi)因。同時(shí),這對(duì)于研究彝族文明史乃至中華文明史,對(duì)于研究民族文化、民族民間工藝,以及對(duì)于傳承與發(fā)展非物質(zhì)文化遺產(chǎn),都具有不可替代的價(jià)值,有著重要的現(xiàn)實(shí)意義。
[Abstract]:The Yi nationality is a nation with an ancient culture, mainly distributed in the southwestern part of our country, mainly in Guizhou, Sichuan and Yunnan provinces, among which the Liangshan Yi Autonomous Prefecture in Sichuan is the largest Yi nationality concentrated area in China. This is also the gathering place of Yi culture. As a carrier of Yi culture, Yi silverware handcraft in Butuo County, Liangshan Yi Autonomous Prefecture, was listed by the State Council and the Ministry of Culture as early as 2008 in the second batch of state-level intangible cultural heritage list. And Butuo County is known as the "hometown of Silver ornaments of the Yi people." the Yi silverware in this area has unique national styles, diverse design themes and extensive application, regardless of its shape and style. Or techniques show the Yi people's superb level of technological production. Through the in-depth study of the silver decorative patterns of Yi people in Butuo County, this paper tries to explore the history, culture, customs and aesthetic tendency of Yi people in this region. It is also helpful to reflect on how to better protect and inherit Chinese traditional handicraft. This paper uses literature analysis, field investigation, comparison, induction and other research methods to start with the decorative patterns of Yi silverware in Butuo County from the perspective of aesthetics, ethnology, and so on. This paper gives a systematic and holistic explanation of its cultural characteristics in order to discuss the uniqueness and value of the existence of local Yi silverware. According to the current information, it is found that the academic research on Yi decorative patterns in Butuo County is relatively few, and the study of Yi decorative patterns from the perspective of silverware is still not comprehensive. Through a large number of field investigations, this paper collects the local patterns, and in the process of participating in the design and manufacture of small silver ornaments, preliminarily defines the subject matter classification, production tools and technological process of the Yi silverware decorative patterns in Butuo County. On the basis of field investigation, this paper takes the silver decoration pattern of Yi nationality in Butuo County as the research object. Firstly, it uses the concepts of "national cultural identity" and "geographical region" to reveal the regional characteristics highlighted by regional differences. Through the analysis of the multiple beliefs of the nation to explore the cultural connotations contained in the silver patterns of Yi nationality in Butuo County; thirdly, to interpret the organizational forms and formal beauty rules of the silver patterns of Yi people in Butuo County with the theory of modern composition. This paper explains the aesthetic consciousness such as "symmetry beauty", "fullness beauty" and "primitive beauty" in the silver decoration pattern of Yi nationality in Butuo County, and probes into the aesthetic psychology and unique national character of Yi people in this area. So as to further explain the practical value and cultural value of Yi silverware in Butuo County. Finally, through comparative analysis and research, the purpose of this paper is to sort out the development of local Yi silverware in the context of cultural blending, and to explore the internal and external factors that change and remain unchanged in the context of globalization. And systematically analyzes the status quo of the protection and inheritance of the silver and decorative patterns of Yi nationality in Butuo County, and then tries to find out the effective protection path that conforms to the local Yi silverware and patterns. To arouse more people to realize the development prospect of traditional handicraft. In short, local Yi silverware and patterns are not only the cultural treasures of the ethnic group, but also one of the carriers of their culture. This paper focuses on its living context and classification in order to find out the internal causes of the evolution of local Yi silverware and patterns in the process of historical evolution. At the same time, it has irreplaceable value for the study of Yi nationality civilization history and even the history of Chinese civilization, for the study of national culture, national folk arts and crafts, as well as for the inheritance and development of intangible cultural heritage, which has important practical significance.
【學(xué)位授予單位】：貴州民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TS934.3

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本文編號(hào)：1877089