本文選題：宋瓷 + 浮雕　； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2013年碩士論文

【摘要】：宋朝是我國(guó)古代歷史上經(jīng)濟(jì)、文化教育和科學(xué)創(chuàng)新最繁榮的時(shí)代，也是中國(guó)歷史上的黃金時(shí)期。在陶瓷的燒造方面更是得到了空前的發(fā)展和進(jìn)步，其中的浮雕裝飾在各類裝飾手法中獨(dú)具代表性，其含義豐富，表現(xiàn)形式多樣，深受百姓、宮廷以及當(dāng)時(shí)世界上多個(gè)國(guó)家的喜愛(ài)。宋瓷浮雕裝飾體現(xiàn)了陶瓷本身的美感，巧妙地將紋飾和造型與釉色結(jié)合，反應(yīng)出當(dāng)時(shí)獨(dú)特的民族審美精神。 本文首先對(duì)裝飾和裝飾藝術(shù)的概念做了分析，從而進(jìn)一步的探討并對(duì)宋瓷浮雕裝飾的概念做了界定，對(duì)該裝飾手法是如何形成的做了各個(gè)方面的探析，之后繼續(xù)分析了其特點(diǎn)和設(shè)計(jì)手法，，歸納出各個(gè)地域的有代表性窯系浮雕裝飾的美學(xué)特征，肯定了宋瓷浮雕裝飾給予的社會(huì)貢獻(xiàn)，以及對(duì)陶瓷裝飾發(fā)展的啟示意義。
[Abstract]:The Song Dynasty was the most prosperous era of economy, culture, education and scientific innovation in the ancient history of China, and it was also the golden period in the history of China. In the burning of ceramics has been unprecedented development and progress, one of the embossed decoration in all kinds of decorative techniques are unique representative, its rich meaning, various manifestations, deeply by the people, The court and the love of many countries in the world at that time. The embossed decoration of the Song porcelain reflects the aesthetic feeling of the ceramics itself, skillfully combines the patterns and shapes with the glaze color, and reflects the unique national aesthetic spirit at that time. In this paper, the concept of decoration and decorative art is analyzed, and then the concept of relief decoration of Song porcelain is further discussed and defined, and the various aspects of how the decoration technique is formed are analyzed. Then it analyzes its characteristics and design techniques, sums up the aesthetic characteristics of the representative kiln relief decoration in various regions, affirms the social contribution of the Song Dynasty porcelain relief decoration, and the enlightenment significance to the development of ceramic decoration.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527

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本文編號(hào)：1875357