本文選題：戰(zhàn)國 + 秦漢�。� 參考：《淮北師范大學(xué)》2010年碩士論文

【摘要】：我國制造漆器的歷史悠久,戰(zhàn)國秦漢時期是漆器發(fā)展最旺盛的時期之一。在戰(zhàn)國秦漢時期各種材質(zhì)的器物中,漆器占據(jù)著特殊的地位,漆器在這一時期得到廣泛的使用,涉及生活的各個方面。戰(zhàn)國秦漢時期漆器的裝飾工藝技法極其豐富,這一時期漆藝的盛行是由當(dāng)時社會的變革、科學(xué)技術(shù)的進(jìn)步、細(xì)致的分工和專門的管理機(jī)構(gòu)以及其它工藝美術(shù)對漆工藝的影響和促進(jìn)所決定的。漆器工藝實(shí)質(zhì)上就是漆的裝飾工藝,一定的工藝技法形成一定的裝飾風(fēng)格。因此,戰(zhàn)國秦漢時期的漆藝,無論是髹涂工藝、彩繪工藝,還是鑲嵌工藝等等,漆器工藝都與裝飾的形式和效果直接相關(guān)。因此,對漆器裝飾風(fēng)格和特征的研究,應(yīng)該建立在漆工藝的研究基礎(chǔ)之上,而對戰(zhàn)國秦漢漆器胎骨、造型、裝飾以及紋樣的研究,也應(yīng)該以漆器工藝的研究為基礎(chǔ)。 戰(zhàn)國秦漢時期的漆器工藝,是在繼承先前漆器工藝的基礎(chǔ)上不斷發(fā)展起來的,其近700年的發(fā)展,呈現(xiàn)空前繁榮之勢,為中國漆器工藝的壯觀歷程樹立了一座豐碑。這一時期的漆器裝飾工藝技法主要有:髹涂、彩繪、鑲嵌、金銀箔貼花、扣器、錐畫、堆漆等,這些技法在戰(zhàn)國秦漢時期都有不同程度的發(fā)展。后世雖對漆藝的發(fā)展依然有創(chuàng)新,但戰(zhàn)國秦漢時期已基本定型。如戰(zhàn)國秦漢時期錐畫工藝所延伸出來的戧金工藝在宋代得到繼承和發(fā)展;西漢早期出現(xiàn)的堆漆工藝,到唐宋時期廣為流行;金銀箔貼花工藝為唐代“金銀平脫”工藝的前身等。這一時期精美的彩繪,立線填漆的堆漆工藝,行云如絲的針刻技法,華貴的金銀扣工藝等漆工藝,無不體現(xiàn)出漆器裝飾工藝的特色,無論實(shí)用價值還是欣賞價值都達(dá)到相當(dāng)高的水平。 本文將以戰(zhàn)國秦漢時期發(fā)掘出土的漆器為寶貴的實(shí)物材料,參考現(xiàn)存的古代漆工藝專著,結(jié)合學(xué)者們對古代漆工藝的研究成果,對戰(zhàn)國秦漢漆器的裝飾工藝及其發(fā)展過程進(jìn)行研究;探討漆器工藝與裝飾的關(guān)系;揭示戰(zhàn)國秦漢漆器的裝飾特征。對秦漢漆器裝飾進(jìn)行深入的研究,幫助人們從工藝角度更好的欣賞和認(rèn)識戰(zhàn)國秦漢時期的漆器裝飾及其工藝,也有助于現(xiàn)代工藝美術(shù)家們認(rèn)識立足傳統(tǒng)的重要性,吸取傳統(tǒng)漆器工藝之精華,結(jié)合現(xiàn)代社會的背景,振興中華民族的傳統(tǒng)工藝,并把傳統(tǒng)漆器工藝的精華發(fā)揚(yáng)光大。
[Abstract]:China has a long history of making lacquer ware, and the Qin and Han dynasties during the warring States period was one of the most prosperous periods of lacquer ware development. Lacquer ware occupies a special position in various materials of Qin and Han dynasties. Lacquer ware was widely used in this period, involving all aspects of life. During the warring States, Qin and Han dynasties, the decorative techniques of lacquer ware were extremely rich. The prevailing lacquer art in this period was the result of the changes in society and the progress of science and technology at that time. Detailed division of labor and specialized management agencies, as well as other arts and crafts on the lacquer process and the impact of promotion. Lacquer craft is the decoration craft of lacquer in essence, certain craft technique forms a certain decoration style. Therefore, the lacquer art of the warring States, Qin and Han dynasties, whether it is painting, mosaic and so on, lacquer craft is directly related to the form and effect of decoration. Therefore, the study of lacquer decoration style and characteristics should be based on the study of lacquer craft, and the research on the bone, shape, decoration and pattern of lacquer ware in the warring States period, Qin and Han dynasties, should also be based on the study of lacquer ware technology. The lacquer craft of the warring States Qin and Han dynasties developed continuously on the basis of inheriting the previous lacquer craft. The development of the lacquer ware technology in the past 700 years showed the trend of unprecedented prosperity and set up a monument for the spectacular course of the Chinese lacquer ware craft. The lacquer decoration techniques of this period mainly include: painting, mosaic, gold and silver foil decals, bucklers, cones, stacks, and so on. These techniques developed to varying degrees during the warring States, Qin and Han dynasties. Although later generations of lacquer art development is still innovative, but the warring States Qin and Han dynasties have been basically finalized. For example, in the period of warring States, Qin and Han dynasties, the craftsmanship of taper painting was inherited and developed in the Song Dynasty; the process of stacking lacquer in the early Western Han Dynasty became popular in the Tang and Song dynasties; and the craft of gold and silver foil decals was the predecessor of the process of "gold and silver pingping off" in the Tang Dynasty. This period of exquisite painting, vertical line filling lacquer technology, line such as silk needle engraving techniques, colorful gold and silver buckle technology, all reflect the characteristics of lacquer decoration technology, Both practical and appreciative values have reached a fairly high level. This paper will take the lacquer ware excavated during the warring States, Qin and Han dynasties as valuable material, refer to the extant monographs of ancient lacquer technology, and combine the research results of scholars on ancient lacquer technology. This paper studies the decorative technology and development process of the lacquer ware in the warring States period and Qin and Han dynasties, probes into the relationship between the lacquerware technology and the decoration, and reveals the decorative characteristics of the lacquer ware in the Qin and Han dynasties during the warring States period. The deep research on the lacquer ware decoration of Qin and Han dynasties helps people appreciate and understand the lacquer ware decoration and its craft in the warring States period from the point of view of craft, and it also helps the modern arts and crafts to realize the importance of basing themselves on tradition. Absorb the essence of traditional lacquer craft, combine the background of modern society, revitalize the traditional craft of Chinese nation, and carry forward the essence of traditional lacquer craft.
【學(xué)位授予單位】：淮北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J527

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