本文選題：湘南瑤族刺繡 + 工藝文化　； 參考：《湖南師范大學(xué)》2016年碩士論文

【摘要】：瑤族刺繡,是瑤族女性運(yùn)用針將絲、絨、紗等線料在織物上進(jìn)行穿插,繡制出帶有圖案、文字等裝飾效果的技法。受湘南本土文化的影響,該工藝在原有的十字挑花的基礎(chǔ)上又衍生出平繡、打籽繡等數(shù)類針法,呈現(xiàn)出艷麗中不失淳樸、奔放中可見精細(xì)的地域風(fēng)格。它兼具實(shí)用與審美的雙重功能,被作為重要的裝飾手段廣泛地運(yùn)用在頭帕、衣褲、背包上,成為區(qū)別湘南過山瑤與平地瑤兩類支系的重要特征。但機(jī)械工藝的興起,傳統(tǒng)手工藝的沒落,曾與瑤民生產(chǎn)生活息息相關(guān)的刺繡幾乎出現(xiàn)了無人問津的局面,它的前景不容樂觀。因此,本文從湘南瑤族刺繡的工藝與傳承的視角出發(fā),以田野調(diào)查、書籍文獻(xiàn)、綜合分析等方法為基準(zhǔn),從三個(gè)方面探求瑤繡的復(fù)興之路:首先對它的歷史背景、制作工藝、文化內(nèi)涵、保護(hù)現(xiàn)狀進(jìn)行梳理及整合,分析其制約因素。其次,探討與總結(jié)廣東連南與廣西賀州瑤族刺繡成熟的傳承模式。最后,以文化創(chuàng)意產(chǎn)業(yè)為切入點(diǎn),對瑤繡的文化價(jià)值、藝術(shù)價(jià)值、經(jīng)濟(jì)價(jià)值進(jìn)行綜合性評估,為瑤繡融入現(xiàn)代生活的可行性與必要性提出客觀的依據(jù)。湘南瑤族刺繡是瑤族文化的記憶與傳承的載體,也是國家重要的非物質(zhì)文化遺產(chǎn)之一。在經(jīng)濟(jì)日益繁榮的今天,應(yīng)以科學(xué)發(fā)展的視野來解讀它,更多的從整合利用瑤繡資源,打造升級瑤繡文創(chuàng)產(chǎn)業(yè),制定瑤繡文創(chuàng)發(fā)展戰(zhàn)略等方面來拓寬其發(fā)展空間,既能保留傳統(tǒng)文化精髓,又可打造地域文化品牌,從而找到民族傳統(tǒng)與現(xiàn)代產(chǎn)業(yè)之間發(fā)展的平衡點(diǎn),真正實(shí)現(xiàn)它的社會(huì)價(jià)值。
[Abstract]:Yao embroidery is used by Yao women to thread silk, velvet, yarn and other thread materials into the fabric, embroidered with patterns, words and other decorative effects of the technique. Influenced by the native culture of southern Hunan, the craft derived several kinds of needling methods, such as plain embroidery and seed embroidery, on the basis of the original cross picking flowers. It has both practical and aesthetic functions and is widely used as an important means of decoration in the first handkerchief, trousers, knapsack, become the distinction between southern Hunan and Pingdi Yao two branches of the important characteristics. However, with the rise of mechanical technology and the decline of traditional handicraft, embroidery, which is closely related to the production and life of Yao people, has almost appeared the situation that no one is interested in, and its prospect is not optimistic. Therefore, from the angle of view of art and inheritance of embroidery of Yao nationality in southern Hunan, based on the methods of field investigation, books and documents and comprehensive analysis, this paper explores the road of rejuvenation of embroidery from three aspects: first, the historical background, the manufacturing process, etc. Cultural connotation, protection status quo combing and integration, analysis of its constraints. Secondly, discuss and summarize the inheritance mode of Yao embroidery in Liannan and Hezhou, Guangxi. Finally, taking the cultural and creative industry as the starting point, this paper comprehensively evaluates the cultural value, artistic value and economic value of Yao embroidery, which provides an objective basis for the feasibility and necessity of integrating Yao embroidery into modern life. Embroidery of Yao nationality in southern Hunan is the carrier of memory and inheritance of Yao culture, and also one of the important intangible cultural heritage of the country. In today's increasingly prosperous economy, we should interpret it from the perspective of scientific development, more from the integration of the use of Yao embroidery resources, create and upgrade the Yao embroidery cultural creation industry, formulate Yao embroidery development strategy to broaden its development space. It can not only preserve the essence of traditional culture, but also create the brand of regional culture, so as to find the balance between the development of national tradition and modern industry, and realize its social value.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J523.6
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本文編號：1864939