本文選題：包裝裝潢設計 + 裝修風格��； 參考：《當代教育科學》2016年21期

【摘要】：正任何事物的美都有著一定的比例與規(guī)格,只有各個因素之間調(diào)和與協(xié)調(diào)才能呈現(xiàn)事物最好的狀態(tài)。美的這種規(guī)律是現(xiàn)代社會在創(chuàng)造與改造事物的過程中奉之為準繩并嚴格遵循的,在現(xiàn)代包裝裝潢設計中也不例外。家居環(huán)境作為一天中最能給予人能量和精神慰藉的居所,是提供給人們安逸睡眠與放松身心的地方,家居的裝修風格也能很大程度上體現(xiàn)出主人的審美情懷與價值追求,因此,家裝設計對于美的要求極其嚴格。除此之外,文化設計中的包裝設計在第一直觀上帶給消費者美與丑的概念,也是一件商品或設計能否吸引消費者購買的關(guān)鍵因素�！蹲円酌缹W》的出版無疑為社會各行各業(yè)提供了學習美、貫徹美的工具。本書是由學者褚哲輪所著,分為上中下三卷,
[Abstract]:The beauty of any thing has a certain proportion and specification, only the harmony and coordination among various factors can present the best state of things. This rule of beauty is strictly followed in the process of creation and transformation of things in modern society, and is no exception in modern packaging and decoration design. As the most energy and spiritual comfort of the day, the home environment is a place where people can sleep comfortably and relax. The decoration style of the home can also reflect the aesthetic feelings and value pursuit of the host to a great extent. The design of the home is extremely strict with regard to beauty. In addition, packaging design in cultural design gives consumers the concept of beauty and ugliness in the first intuitionistic way. It is also a key factor in whether a commodity or design can attract consumers to buy. The publication of "change Aesthetics" undoubtedly provides a tool for learning beauty and carrying out beauty for various industries of society. The book is written by the scholar Chu Che-yun, and is divided into three volumes: the upper, the middle, the lower,
【作者單位】： 湖北商貿(mào)學院藝術(shù)與傳媒學院;
【分類號】：J524.2-5;TU241
，

本文編號：1854393