本文選題：赫洛特 + 梅森瓷器��； 參考：《裝飾》2016年12期

【摘要】："剪影式"單色畫(huà)從一個(gè)側(cè)面體現(xiàn)了梅森瓷器早期裝飾對(duì)"中國(guó)風(fēng)"樣式的淺層模仿和表現(xiàn)。這種亞風(fēng)格的形成,是當(dāng)時(shí)歐洲市場(chǎng)需求的反映,也是對(duì)東方異域風(fēng)情的獵奇和藝術(shù)想象。赫洛特的背景與個(gè)人喜好,也對(duì)這種風(fēng)格起到了重要的推動(dòng)作用,并使梅森瓷器在單色畫(huà)的表現(xiàn)空間,以及著色方案等方面呈現(xiàn)出獨(dú)特之處。作為一種區(qū)別于東、西方瓷器裝飾的過(guò)渡性風(fēng)格,實(shí)為當(dāng)時(shí)的裝飾藝術(shù)手法處于摸索階段的結(jié)果。
[Abstract]:Silhouette monochromatic painting reflects the shallow imitation and expression of Mason porcelain's early decoration on the style of Chinese style. The formation of this sub-style is a reflection of the demand of the European market at that time, as well as a search for exotic oriental customs and artistic imagination. The background and personal preferences of Herot also played an important role in promoting this style, and made Mason porcelain show unique features in the performance space of monochromatic paintings and the scheme of coloring. As a kind of transitional style which is different from eastern and western porcelain decoration, it is the result of the groping stage of decorative art technique at that time.
【作者單位】： 江南大學(xué)設(shè)計(jì)學(xué)院;
【基金】：江南大學(xué)產(chǎn)品創(chuàng)意與文化研究中心階段性成果
【分類(lèi)號(hào)】：J537

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