發(fā)布時間：2018-05-05 12:57

  本文選題：馬家窯文化 + 彩陶�。� 參考：《西安美術(shù)學(xué)院》2007年碩士論文

【摘要】： 陶器是遠(yuǎn)古先民的重大發(fā)明,也是人類邁向文明門檻的見證。它充分體現(xiàn)了在一個漫長的歷史時期內(nèi)中國先民物質(zhì)文化水平和豐富的精神世界。而彩陶的出現(xiàn),不僅是中國陶瓷歷史上燦爛輝煌的一頁,而且改變了石器時代單一的審美要求,表達(dá)了先民復(fù)雜的審美感受。同時體現(xiàn)了中國陶器深刻的文化意蘊。在復(fù)雜紛繁的彩陶世界中,馬家窯文化彩陶最為精彩,它們不僅造型優(yōu)美、紋飾奇特,色彩絢麗,制作精良,而且分布廣泛,數(shù)量眾多,是中華文化史上璀璨的明珠。從目前發(fā)現(xiàn)的遺址來看,黃河流域是彩陶文化遺址最多、分布也最密集的地區(qū),其中以仰韶文化和馬家窯文化的彩陶最為豐富。馬家窯文化是新石器時代黃河上游最具特征的文化,其中大量的彩陶,無論是數(shù)量上,還是形制上,在整個新石器時代都是絕無僅有的。在馬家窯文化后,彩陶逐漸走向衰落。 彩陶與一般陶器屬性上的區(qū)別,也決定了它在功能上的不同,即它是實用性與藝術(shù)性的統(tǒng)一。同時彩陶的紋樣以各種不同的形式及其有機(jī)組合展示了它們深刻的內(nèi)涵,本文將重點研究馬家窯彩陶的裝飾紋樣,致力于揭示其藝術(shù)特點及彩陶文化的豐富內(nèi)涵。 本文主要分五個部分,首先說明陶器的起源,彩陶的產(chǎn)生以及其文化背景,進(jìn)而概述彩陶的分布情況;其次論述彩陶紋飾的起源和發(fā)展分類,即紋飾中的抽象與具象。同時揭示紋飾中可能含有的豐富意蘊;其次介紹馬家窯文化的考古發(fā)現(xiàn)、分布范圍及文化分期,論述其各個文化類型的文化特性及彩陶類型特點;介紹馬家窯文化各類型彩陶在彩陶紋飾上的發(fā)展,著重論述各類型紋飾的風(fēng)格特征以及彩繪色彩的運用;再次分析馬家窯文化幾種常見的紋飾演變及其內(nèi)涵;最后從裝飾藝術(shù)的角度對馬家窯彩陶紋飾進(jìn)行概括的分析和總結(jié)。
[Abstract]:Pottery is a great invention of ancient ancestors, but also a witness to the threshold of human civilization. It fully reflects the material and cultural level and the rich spiritual world of Chinese ancestors in a long historical period. The appearance of painted pottery is not only a glorious page in the history of Chinese ceramics, but also changes the single aesthetic requirements of the Stone Age and expresses the complex aesthetic feelings of the ancestors. At the same time, it embodies the profound cultural implication of Chinese pottery. In the complex and complicated world of colorful pottery, Majiayao culture painted pottery is the most wonderful. They are not only beautiful in shape, peculiar in pattern, brilliant in color, excellent in production, but also widely distributed and numerous in quantity, which is a bright pearl in the history of Chinese culture. At present, the Yellow River Basin is the largest and most densely distributed area of painted pottery culture, in which Yangshao culture and Majiayao culture are the most abundant. Majiayao culture is the most characteristic culture of the upper reaches of the Yellow River in the Neolithic era, in which a large number of painted pottery, whether in quantity or form, is unique throughout the Neolithic era. After the Majiayao culture, painted pottery gradually declined. The difference between the properties of painted pottery and that of common pottery also determines the difference of its function, that is, it is the unity of practicality and artistry. At the same time, the patterns of painted pottery show their profound connotations in various forms and their organic combinations. This paper will focus on the decorative patterns of Majiayao painted pottery, and devote itself to revealing its artistic characteristics and rich connotations of painted pottery culture. This paper is divided into five parts. First, it explains the origin of pottery, the origin of painted pottery and its cultural background, and then summarizes the distribution of painted pottery. Secondly, it discusses the origin and development classification of painted pottery ornaments, that is, the abstract and concrete in the decoration. At the same time, it reveals the rich meaning that the decoration may contain. Secondly, it introduces the archaeological discovery of Majiayao culture, the distribution range and the cultural stages, and discusses the cultural characteristics of each cultural type and the characteristics of the painted pottery type. This paper introduces the development of various types of painted pottery in Majiayao culture, emphasizes on the style characteristics of each type of ornaments and the application of color painted colors, and analyses the evolution and connotation of several common patterns in Majiayao culture. Finally, from the point of view of decorative art, analysis and summary of Majiayao pottery decoration.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 單珊;;淺析甘肅彩陶紋飾與自然社會環(huán)境的關(guān)系[J];絲綢之路;2011年10期

相關(guān)碩士學(xué)位論文 前3條

1 劉錚;甘青地區(qū)史前太陽神信仰初探[D];西北師范大學(xué);2010年

2 王方語;宋代節(jié)令畫探究[D];河南大學(xué);2012年

3 費曉華;馬家窯文化與黃河上游農(nóng)業(yè)文明[D];西北民族大學(xué);2012年

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本文編號：1847773