本文選題：苗族民居 + 裝飾構(gòu)件　； 參考：《吉林建筑大學(xué)》2017年碩士論文

【摘要】：隨著社會(huì)商業(yè)化的深入發(fā)展,現(xiàn)代商業(yè)空間設(shè)計(jì)中涌現(xiàn)了諸多利用新型材料和技術(shù)手段創(chuàng)作的新作品,盡管民族化、個(gè)性化、多樣化的要求不斷被重視,但是民族元素在商業(yè)空間內(nèi)的運(yùn)用依舊少見(jiàn),民族個(gè)性在商業(yè)空間設(shè)計(jì)領(lǐng)域依然是缺失的。在現(xiàn)代商業(yè)空間中,如何添加傳統(tǒng)元素,將是設(shè)計(jì)領(lǐng)域研究的新方向。民族元素不僅是中國(guó)傳統(tǒng)文化的精髓部分,也是中國(guó)藝術(shù)史里面的重要組成部分,正因?yàn)槠漕B強(qiáng)的生命力和持續(xù)的創(chuàng)造力讓其傳承至今。因此把它引入現(xiàn)代商業(yè)空間設(shè)計(jì)中,對(duì)整個(gè)設(shè)計(jì)領(lǐng)域都是有重大意義和研究?jī)r(jià)值的。談到民族元素不得不說(shuō)一下苗族的文化元素,苗族是一個(gè)具有悠久歷史的民族,苗族獨(dú)特的民族文化和信仰使得苗族的裝飾藝術(shù)也別具一格。站在現(xiàn)代設(shè)計(jì)的角度對(duì)苗族裝飾藝術(shù)進(jìn)行研究不僅可以從中發(fā)掘新的設(shè)計(jì)元素,更重要的是能讓其在設(shè)計(jì)領(lǐng)域中不斷被傳承與創(chuàng)新。傳承和發(fā)揚(yáng)傳統(tǒng)民居裝飾藝術(shù)是對(duì)傳統(tǒng)文化的尊重和保護(hù),是為當(dāng)代設(shè)計(jì)的發(fā)展尋找方向,是為當(dāng)代設(shè)計(jì)的創(chuàng)新提供源泉。湘黔地區(qū)(湖南湘西地區(qū)與貴州黔東南地區(qū))是苗族文化的發(fā)源地和聚集地之一,本文主要針對(duì)湘黔苗族區(qū)域的苗族民居裝飾構(gòu)件進(jìn)行研究,研究湘黔地區(qū)的自然地理環(huán)境和苗族的文化信仰對(duì)苗族民居裝飾構(gòu)件的影響;將苗族民居裝飾構(gòu)件從圖騰紋樣、裝飾材料、室內(nèi)色彩、室內(nèi)空間布局等方面進(jìn)行分析和歸納,將苗族民居裝飾構(gòu)件在現(xiàn)代商業(yè)空間設(shè)計(jì)的應(yīng)用進(jìn)行分析;并對(duì)其在現(xiàn)代商業(yè)空間設(shè)計(jì)中的發(fā)展趨勢(shì)進(jìn)行探索分析,以商業(yè)空間設(shè)計(jì)中如何融入并體現(xiàn)苗族民居裝飾元素為目的,使苗族民居裝飾文化在現(xiàn)代設(shè)計(jì)中得到傳承與發(fā)揚(yáng)。
[Abstract]:With the further development of the commercialization of society, many new works have emerged in the modern commercial space design, though the demands of nationalization, individualization and diversification have been paid more and more attention to. However, the use of ethnic elements in commercial space is still rare, national personality is still missing in the field of commercial space design. In modern commercial space, how to add traditional elements, will be a new direction in the field of design. National elements are not only the essence of Chinese traditional culture, but also an important part in the history of Chinese art. Therefore, introducing it into modern commercial space design is of great significance and research value to the whole design field. When it comes to the national elements, we have to say that the Miao nationality is a nation with a long history, and the Miao nationality's unique national culture and belief make the decorative art of the Miao nationality unique. From the perspective of modern design, the study of Miao decorative art can not only excavate new design elements, but also make them be inherited and innovated in the field of design. Inheriting and carrying forward the decorative art of traditional folk residence is the respect and protection of traditional culture, the direction for the development of contemporary design, and the source of innovation of contemporary design. Hunan and Guizhou are the birthplaces and gathering places of Miao culture. This paper mainly studies the decorative components of Miao folk houses in Hunan and Guizhou Miao areas. This paper studies the influence of the natural geographical environment and the cultural belief of Miao nationality on the decoration components of Miao folk houses in Hunan and Guizhou, analyzes and summarizes the decoration components from totem patterns, decorative materials, indoor colors, indoor space layout, etc. The application of decoration component of Miao folk residence in modern commercial space design is analyzed, and its development trend in modern commercial space design is explored and analyzed. Aiming at how to integrate and embody the decoration elements of the Miao folk houses in the commercial space design, the decoration culture of the Miao folk houses can be inherited and carried forward in the modern design.
【學(xué)位授予單位】：吉林建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU247

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