本文選題：團花裝飾 + 和合觀念��； 參考：《南京藝術學院》2009年碩士論文

【摘要】： “團花”紋飾是中國傳統(tǒng)的寓意紋樣,它歷史悠久,應用廣泛,并且蘊含著強烈的民族思想情感。對于團花裝飾的研究,大多只是從屬于中國傳統(tǒng)服裝的研究,而很少從團花圖案本身出發(fā)。其實除了被運用在織繡品中,在青銅器、陶器、漆器等工藝產(chǎn)品中“團花”都有著廣泛的應用。由此可見,團花紋飾是傳統(tǒng)裝飾紋樣的重要組成部分。 本文就“團花”圖形本身展開研究,將其發(fā)展的脈絡梳理清楚,并對其文化意蘊進行詳細分析,闡述它與傳統(tǒng)“和合”文化精神的內在聯(lián)系。最后,論述團花紋飾對現(xiàn)代設計的啟示,特別是對當前中國設計尋求本土文化元素的繼承和創(chuàng)新的啟示作用。
[Abstract]:"Tuanhua" decoration is the traditional Chinese moral pattern, it has a long history, wide application, and contains strong national thoughts and feelings. Most of the studies on flower decoration are subordinate to the traditional Chinese clothing, but rarely from the pattern itself. In fact, in addition to being used in embroidery, in bronze, pottery, lacquer and other craft products, "Tuhua" has a wide range of applications. Thus, it can be seen that the ornament is an important part of the traditional decorative patterns. This paper studies the pattern of "Tuanhua", combs its development, analyzes its cultural implication in detail, and expounds its inner relation with the spirit of traditional "harmony" culture. Finally, this paper discusses the enlightenment of Tuanhua decoration to modern design, especially to the enlightenment of Chinese design in seeking the inheritance and innovation of local cultural elements.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J522

【相似文獻】

相關碩士學位論文 前1條

1 顧茜茜;中國團花裝飾初探[D];南京藝術學院;2009年

，

本文編號：1840079