本文選題：裝飾藝術(shù) + 元代青花瓷器�。� 參考：《美術(shù)》1994年10期

【摘要】：正 “風(fēng)格”作為一種美學(xué)概念,這里是指青花裝飾藝術(shù)的特征,風(fēng)格的形成是其藝術(shù)成熟的標(biāo)志。 “青花裝飾”作為陶瓷釉下彩繪的一種藝術(shù)形式,是以發(fā)色穩(wěn)定的鈷礦為彩料,在坯體上進(jìn)行彩繪后,罩以透明青白釉,入窯用還原焰燒成。溫度約1300度至1320度。燒后的紋樣和青白釉協(xié)調(diào)融洽呈現(xiàn)幽靚明快而又沉靜的青藍(lán)色。 青花裝飾藝術(shù)歷史悠久。出土實(shí)物表明,青花裝飾創(chuàng)始于唐代,形成于元代后期,繁榮昌盛于明代,衰于清代雍正以后。歷經(jīng)了近千年的發(fā)展史,即裝飾風(fēng)格更新、演變和發(fā)展的歷史。 青花裝飾藝術(shù)在漫長(zhǎng)的發(fā)展過程中,歷代
[Abstract]:As an aesthetic concept, "style" refers to the characteristics of blue and white decorative art, and the formation of style is the sign of its art maturity. "Blue and white decoration", as an art form of ceramic underglaze painting, is made of cobalt ore with stable hair color, painted on the green body, covered with transparent blue and white glaze, and burned in kiln with the original flame. The temperature is about 1300 to 1320 degrees. After burning patterns and green white glaze harmonious harmony presents beautiful bright and quiet blue blue. Blue and white decorative art has a long history. The unearthed objects show that the blue and white decoration was founded in the Tang Dynasty, formed in the late Yuan Dynasty, flourished in the Ming Dynasty and declined after Yongzheng in the Qing Dynasty. After nearly a thousand years of development, namely decoration style update, evolution and development of the history. Blue and white decorative art in the long process of development, the past dynasties
【分類號(hào)】：J52

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本文編號(hào)：1834136