本文選題：雍正粉彩花鳥裝飾 + 傳統(tǒng)工筆花鳥畫��； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2007年碩士論文

【摘要】： 雍正粉彩花鳥裝飾在中國傳統(tǒng)陶瓷藝術(shù)中取得了輝煌成就，它在某些方面與傳統(tǒng)工筆花鳥畫之間存在相似性，它又有著作為陶瓷工藝美術(shù)品所具有的獨(dú)特性。本文從傳世的雍正粉彩花鳥裝飾作品出發(fā)，借鑒比較完整中國工筆花鳥畫理論研究成果和相關(guān)的陶瓷裝飾理論，結(jié)合大量雍正粉彩資料，，論述了雍正粉彩花鳥裝飾與傳統(tǒng)工筆花鳥畫之間的相似之處和不同之處，提出創(chuàng)作粉彩花鳥裝飾時(shí)，對(duì)于其它藝術(shù)門類的借鑒要立足于本藝術(shù)門類的特點(diǎn)。文章首先從表現(xiàn)技法、色彩關(guān)系處理、構(gòu)圖形式、題材、裝飾效果等幾方面論述了雍正粉彩花鳥裝飾與傳統(tǒng)工筆花鳥畫之間的相似；其次從質(zhì)感、工藝操作、構(gòu)圖方式、功能和用途上論述了它們之間的不同；接著從歷史、材料、藝術(shù)屬性等方面分析了它們之間異同產(chǎn)生的原因；最后，在文章的結(jié)論部分提出關(guān)于創(chuàng)作粉彩花鳥裝飾的建議，并提出對(duì)于雍正粉彩花鳥裝飾與傳統(tǒng)工筆花鳥畫之間關(guān)系的研究還有許多工作要做。
[Abstract]:Yongzheng Pink Flower and Birds Decoration has made brilliant achievements in Chinese traditional ceramic art. It has some similarities with traditional fine brushwork in some respects, and it has its own uniqueness as ceramic arts and crafts. Based on the Yongzheng Pink Flower and Birds Decoration works, this paper draws lessons from the relatively complete theoretical research results of Chinese fine brushwork flower-and-bird painting and related ceramic decoration theories, and combines with a large number of Yongzheng pink color materials. This paper discusses the similarities and differences between Yongzheng pink flower and bird decoration and traditional fine brush flower and bird painting, and puts forward that the reference for other art categories should be based on the characteristics of this kind of art when creating pink flower and bird decoration. The article first discusses the similarity between Yongzheng pink flower and bird decoration and traditional fine brush flower and bird painting from the aspects of performance technique, color relation treatment, composition form, subject matter and decoration effect, and then discusses the similarity between Yongzheng pink flower and bird decoration and traditional fine brushwork flower and bird painting, secondly, from texture, craft operation, composition method, etc. The paper discusses their differences in function and use, then analyzes the causes of their similarities and differences from the aspects of history, materials, artistic attributes, etc. Finally, in the conclusion of the article, the author puts forward some suggestions on creating pink flower and bird decoration. It also points out that there is still much work to be done on the relationship between Yongzheng pink flower and bird decoration and traditional fine brush flower and bird painting.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J527

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1 王苗苗;雍正粉彩花鳥裝飾與傳統(tǒng)工筆花鳥畫的異同[D];景德鎮(zhèn)陶瓷學(xué)院;2007年

本文編號(hào)：1832911