本文選題：門 + 裝飾藝術(shù)　； 參考：《北京林業(yè)大學(xué)》2011年碩士論文

【摘要】：門的產(chǎn)生來自其最初的遮護(hù)、防御等使用功能,經(jīng)過長期的發(fā)展,由于人們對(duì)美的追求,門的裝飾性漸漸產(chǎn)生。門的實(shí)體存在形態(tài)有多種,不同的實(shí)體形態(tài),其裝飾風(fēng)格及美學(xué)意義也有所差異,皇家建筑門的尊貴、民間宅院門的祥和都極具特色。 門的裝飾藝術(shù)是中國傳統(tǒng)建筑裝飾藝術(shù)的縮影,也是中華民族文化藝術(shù)中獨(dú)具魅力的部分。門的裝飾形式豐富多樣,精細(xì)的雕刻、豐富的色彩、生動(dòng)的門畫、華麗的金屬裝飾物等等。門飾藝術(shù)在其發(fā)展過程中受到了封建禮制制度的約束,皇室貴族注重借門的裝飾體現(xiàn)其至高無上的權(quán)威,官員富商希望通過門的裝飾顯示自身的地位、權(quán)力及財(cái)富,而民間宅院的門則是以體現(xiàn)人們對(duì)美好生活的追求與愿望。 門的裝飾藝術(shù)不僅僅是簡單的對(duì)門進(jìn)行美化及裝飾,它更是人們心理愿望的寄托,更為重要的是它是中國傳統(tǒng)文化的傳承與發(fā)揚(yáng)。門飾藝術(shù)中所體現(xiàn)的設(shè)計(jì)思想,對(duì)現(xiàn)代的設(shè)計(jì)思想有著深遠(yuǎn)的影響。 門的裝飾手法、形式和內(nèi)涵如何同門的結(jié)構(gòu)完美結(jié)合,都是本文研究和討論的重點(diǎn)。門飾藝術(shù)的審美意義和其所傳達(dá)的設(shè)計(jì)思想也是筆者的思考重心。 中國傳統(tǒng)門飾藝術(shù)內(nèi)涵并不是單純的對(duì)門進(jìn)行美化,在追求美的同時(shí),也是人們心理意識(shí)的最好表現(xiàn),更是對(duì)中國傳統(tǒng)文化的一種傳承與弘揚(yáng)。門的裝飾圖案與門的建筑美學(xué)意義都對(duì)現(xiàn)代設(shè)計(jì)有著深遠(yuǎn)的影響,“禮”、“樂”、“尚象制器”等設(shè)計(jì)思想應(yīng)為現(xiàn)代設(shè)計(jì)所用。
[Abstract]:The appearance of door comes from its original function of shielding, defense and so on. After a long period of development, because of people's pursuit of beauty, the decorative nature of door comes into being. There are a variety of physical forms of the door, different physical forms, its decorative style and aesthetic significance are also different, the royal architectural doors of the noble, folk house doors are very unique. The decorative art of the door is the epitome of the Chinese traditional architectural decoration art, and also the unique charm part of the Chinese culture and art. Door decoration forms rich and varied, fine carving, rich color, vivid door painting, gorgeous metal ornaments and so on. In the process of its development, the art of door decoration was restrained by feudal etiquette system. The royal nobility paid attention to the decoration of the door to reflect its supreme authority, and the officials and rich merchants hoped to show their position, power and wealth through the decoration of the door. The door of folk house is to reflect people's pursuit and desire for a better life. The decorative art of door is not only to beautify and decorate the door, but also the sustenance of people's psychological desire, more importantly, it is the inheritance and development of Chinese traditional culture. The design thought embodied in the door decoration art has a profound influence on the modern design thought. How to combine the decoration technique, form and connotation with the structure of the door is the focus of this paper. The aesthetic meaning of door decoration art and the design thought conveyed by it are also the focus of my thinking. Chinese traditional door decoration art connotation is not simply to beautify the door, in pursuit of beauty, but also the best expression of people's psychological consciousness, but also a heritage and development of Chinese traditional culture. The decorative design of the door and the architectural aesthetic significance of the door have a profound influence on modern design. The design ideas such as "ritual", "music" and "still image maker" should be used in modern design.
【學(xué)位授予單位】：北京林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J525

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本文編號(hào)：1831327