本文選題：青花裝飾藝術(shù) + 陶瓷首飾設(shè)計(jì)��； 參考：《浙江農(nóng)林大學(xué)》2013年碩士論文

【摘要】：近年崛起的陶瓷首飾，憑借其新穎多變、綠色環(huán)保等特點(diǎn)，符合現(xiàn)代人追求個(gè)性、回歸自然的消費(fèi)心理，具有廣闊的發(fā)展空間�！扒嗷ā弊鳛橹袊�(guó)傳統(tǒng)文化的物質(zhì)載體，經(jīng)過(guò)現(xiàn)代陶藝創(chuàng)作者的研究與探索，開(kāi)拓出新的表現(xiàn)方式，豐富了青花裝飾藝術(shù)的范疇。將青花裝飾藝術(shù)融入到陶瓷首飾設(shè)計(jì)中，使得陶瓷首飾的表現(xiàn)形式更多元，意蘊(yùn)更特殊，，創(chuàng)造出獨(dú)特的藝術(shù)審美形態(tài)。 本文從陶瓷首飾的圖紋、色彩、形態(tài)等設(shè)計(jì)要素出發(fā)，引入青花裝飾藝術(shù)。在圖紋方面，主要通過(guò)青花傳統(tǒng)紋樣的繪飾，或借鑒中西方其它藝術(shù)中的圖案元素、裝飾手法，對(duì)青花裝飾紋樣進(jìn)行沿承與創(chuàng)新，豐富陶瓷首飾的圖紋裝飾內(nèi)容；在色彩方面，運(yùn)用青花的青白關(guān)系處理，及青花與粉彩、釉里紅、色泥等結(jié)合，營(yíng)造或優(yōu)雅脫俗，或柔和爛漫，或爭(zhēng)奇艷麗的視覺(jué)，使陶瓷首飾呈現(xiàn)多變的色彩效果；在形態(tài)方面，從造型、肌理、材料等角度進(jìn)行綜合設(shè)計(jì)，呈現(xiàn)不同質(zhì)感與多變姿態(tài)，創(chuàng)造豐富多樣的陶瓷首飾形態(tài)。青花裝飾藝術(shù)從陶瓷首飾各設(shè)計(jì)要素方面進(jìn)行探索，通過(guò)結(jié)合不同的藝術(shù)形式、裝飾手法，創(chuàng)作出時(shí)代氣息和文化意蘊(yùn)兼?zhèn)涞木哂歇?dú)特視覺(jué)美感的青花陶瓷首飾,這種傳統(tǒng)與時(shí)尚、文化與藝術(shù)的融合，不僅表達(dá)了設(shè)計(jì)者的審美感受，還滿(mǎn)足了現(xiàn)代人的心理需求。 青花陶瓷首飾將青花裝飾藝術(shù)注入到陶瓷首飾中，兩者的結(jié)合將紛呈的視覺(jué)效果與悠遠(yuǎn)的文化內(nèi)涵表現(xiàn)得淋漓盡致，青花裝飾藝術(shù)以陶瓷首飾為載體得以更好的發(fā)展與發(fā)揚(yáng)，可謂是文化情節(jié)與經(jīng)濟(jì)效益的雙重實(shí)現(xiàn)。
[Abstract]:The rising ceramic jewelry in recent years, with its novel and changeable, green environmental protection and other characteristics, conforms to the pursuit of personality of modern people, return to natural consumption psychology, has a broad development space. As the material carrier of Chinese traditional culture, "Blue and White", through the research and exploration of modern ceramic artists, has opened up new ways of expression and enriched the category of blue and white decorative art. The blue and white decorative art is integrated into the ceramic jewelry design, which makes the expression form of ceramic jewelry more diverse, the implication more special, and creates the unique artistic aesthetic form. This paper introduces blue and white decorative art from the design elements of ceramic jewelry, such as pattern, color, shape and so on. In the aspect of graphic design, mainly through the decoration of traditional patterns of blue and white flowers, or by drawing lessons from the elements of patterns in other arts of China and the West, the decorative patterns of blue and white flowers are carried on along and innovated to enrich the decorative contents of ceramic ornaments, and in the aspect of color, The use of blue-and-white relationship treatment of blue and white, and the combination of blue and white with pink, red in glaze, color mud, etc., to create or elegant, or soft, or brilliant vision, so that ceramic jewelry presents a variety of color effects; in form, from the shape, Texture, material and other angles of comprehensive design, showing different texture and changeable posture, create rich and diverse ceramic jewelry form. Blue and white decorative art from the ceramic jewelry design elements of exploration, through the combination of different art forms, decorative techniques, create a unique visual aesthetic sense of blue and white ceramic jewelry with both the flavor of the times and cultural implications. This combination of tradition and fashion, culture and art not only expresses the aesthetic feelings of designers, but also meets the psychological needs of modern people. The blue and white ceramic jewelry will inject the blue and white decorative art into the ceramic jewelry, the combination of the two will present the visual effect and the distant cultural connotation incisively and vividly, the blue and white decorative art will take the ceramic jewelry as the carrier to better develop and develop. It can be described as the dual realization of cultural plot and economic benefits.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J527

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