本文選題：民間美術(shù) + 泥泥狗��； 參考：《淮北師范大學(xué)》2011年碩士論文

【摘要】：位于河南省東南部的淮陽縣曾經(jīng)為陳楚故地的中心區(qū)域,較為完整地保存與流傳著多種民間美術(shù),且地域本原特征較為明顯。 筆者就陳楚故地民間美術(shù)的代表--淮陽泥泥狗和沈丘顧家花饃進(jìn)行了較為系統(tǒng)和多方面研究,通過這“南白北炓”的經(jīng)典遺存,結(jié)合具有地域圖式特征、裝飾風(fēng)格和審美意蘊(yùn),對(duì)陳楚故地民間美術(shù)進(jìn)行梳理和探究,把陳楚故地民間美術(shù)本原的詭秘、深沉、質(zhì)樸、簡潔、吉慶、超然物外的裝飾風(fēng)格運(yùn)用于當(dāng)代藝術(shù)設(shè)計(jì),豐富到高校美術(shù)教育的課堂,帶動(dòng)更多的人去關(guān)注地域民間美術(shù)的遺存。 陳楚故地的民間美術(shù)在歷史演變、工藝傳承和發(fā)展中,雖然使用的工具有了改良,但其制作工藝、裝飾風(fēng)格始終保持著本原特征,造型、色彩、制作通過不斷積聚而濃縮成一種地域特征明顯、裝飾風(fēng)格突出的審美意趣。它不但豐富了地方民間美術(shù)的藝術(shù)語言,而且以獨(dú)具特色的藝術(shù)形式,營造出一種濃郁的本土裝飾風(fēng)格。近年來其傳承和發(fā)展的主要原因是需求量的增大,由于科技的發(fā)展人們生活節(jié)奏的加快,現(xiàn)在社會(huì)的機(jī)械、理性、乏味,使得人與人交往的目的性增強(qiáng),人情味淡薄;人們更渴望純樸的、率真的、充滿人情味的藝術(shù)和人際關(guān)系,因此充滿著生命意義、神秘、率真、質(zhì)樸而有情趣的泥泥狗、顧家花饃、布老虎等隨著交通條件的改善,旅游業(yè)的發(fā)展越來越受到人們的關(guān)注,凝聚著創(chuàng)作者真摯感情的民間美術(shù)精靈自然地成為了藝術(shù)家和大眾所共同追求的審美目標(biāo)。陳楚故地的民間藝人們用最易得到的材料,直覺的表達(dá)著對(duì)生活的渴望、對(duì)神靈的崇拜。無論是泥泥狗、顧家花饃、還是布老虎、糖畫都,在藝術(shù)的長河中不僅沒有被消亡,而且隨著時(shí)代的發(fā)展仍保持著其傳承延續(xù)的空間。曾經(jīng)是孩子手中玩物的精靈,如今遠(yuǎn)遠(yuǎn)地超出了它本身的價(jià)值,作為“文物”被列入非物質(zhì)文化遺產(chǎn)。它們同時(shí)也表達(dá)著陳楚故地的人們對(duì)繁衍后代、祈福、納祥的期盼,從而展現(xiàn)著質(zhì)樸且濃郁的人情味和單純性、隨意性、意象性的地域裝飾風(fēng)格。
[Abstract]:Huaiyang County, located in the southeast of Henan Province, was once the central area of Chen Chu's native land. It has more complete preservation and spread of a variety of folk arts, and the original characteristics of the region are obvious. The author makes a systematic and multi-aspect study on the representative of Chen Chu's native folk art-Huai Yang mud dog and Shen Qiu Gu Jia Hua bun. Through the classic relics of "Southern Bai Bei", combined with the characteristics of regional schemata, decoration style and aesthetic implication, Combing and exploring the folk art of Chen Chu's native place, applying the original decorative style of Chen Chu's native folk art to contemporary art design and enriching the classroom of art education in colleges and universities, the decorative style of Chen Chu's native folk art is used in the classroom of art education in colleges and universities, which is mysterious, deep, simple, concise, auspicious and detached. Drive more people to pay attention to the remains of regional folk art. In the historical evolution, craft inheritance and development of Chen Chu's native folk art, although the tools used have been improved, its production process and decorative style have always maintained its original features, shapes and colors. Production through continuous accumulation and condensed into a regional characteristics obvious, decorative style outstanding aesthetic interest. It not only enriches the artistic language of local folk art, but also creates a strong local decorative style with its unique artistic form. In recent years, the main reason of its inheritance and development is the increase of demand. With the development of science and technology, people's life rhythm is quickening, and now the society is mechanical, rational and boring, which makes the purpose of communication between people become stronger and the human feeling is weak. People are more eager for simple, frank and human art and interpersonal relationships, so full of life meaning, mystery, frankness, simple and interesting mud dog, gu Jia-hua bun, cloth tiger and so on, with the improvement of traffic conditions. People pay more and more attention to the development of tourism, and folk art elves, which condense the sincere feelings of the creators, have naturally become the aesthetic goals pursued by both artists and the public. Chen Chu's native folk artists intuitively express their desire for life and worship of gods with the most readily available materials. No matter the mud dog, gu Jia Hua bun, cloth tiger, sugar painting, not only in the long river of art is not dead, but also with the development of the times to maintain its continuation of space. The elves, who used to be children's playthings, now far beyond their own value, are listed as "relics" as intangible cultural heritage. At the same time, they also express the people's expectation of breeding, praying and accepting auspicious, thus showing the simple and rich human feeling and simple, random and imagical regional decoration style.
【學(xué)位授予單位】：淮北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J205;J525

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 郭琳琳;;淮陽“布老虎”之藝術(shù)形象文化探微[J];劍南文學(xué)(經(jīng)典教苑);2012年08期

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本文編號(hào)：1821868