發(fā)布時間：2018-04-26 18:01

  本文選題：裝飾性 + 現(xiàn)代漆畫　； 參考：《江西科技師范學院》2010年碩士論文

【摘要】： 作為純粹繪畫的當代裝飾性漆畫的繼續(xù)發(fā)展,就必須脫離于傳統(tǒng)漆藝之外的定位,并且,在注重漆質(zhì)的華麗表面上,更加注重其內(nèi)在精神性的表達。漆畫對裝飾表現(xiàn)方法的思考,以及裝飾角色的轉(zhuǎn)換,可以使固有表現(xiàn)形式的思考得以新的開拓,從而獲得畫面效果的延展。從無為的裝飾圖形展現(xiàn),轉(zhuǎn)入一種內(nèi)心需要的色彩以及形式的獨白;從一種大眾視覺習慣轉(zhuǎn)入一種圖像、色調(diào)表達的需要;使靜態(tài)的裝飾畫面跳躍到觀眾的視覺思維中與之動態(tài)交流,即作者通過創(chuàng)作的動機及過程,完成內(nèi)心對裝飾情懷的精神滿足感,傳達出漆者個體性的精神需要,使技法表達和內(nèi)在精神需要達到完美的統(tǒng)一。 本文分為四個部分: 第一部分是總的概述; 第二部分介紹了裝飾藝術(shù)的起源以及東、西方主要的傳統(tǒng)裝飾工藝美術(shù)的審美特征; 第三部分分析了中國現(xiàn)代漆畫中裝飾風格的形成和存在的問題; 第四部分則分析了裝飾形式的局限性與優(yōu)勢,以及在現(xiàn)代漆畫語言中的合理定位。
[Abstract]:The continuous development of contemporary decorative lacquer painting, as a pure painting, must be separated from the traditional lacquer art, and pay more attention to the expression of its inner spirit on the luxuriant surface of the paint. The reflection of the decorative expression method and the conversion of the decorative role can make the thinking of the inherent expression new. Opening up, thus obtaining the extension of the effect of the picture. From the inactive decorative graphics to an inner need of color and form of monologue; from a popular visual habit to an image, the need for tone expression; the dynamic exchange of the static decorative picture to the visual thinking of the audience, that is, the author's movement through the creation. The machine and process, complete the spiritual satisfaction of the inner feelings of decoration, convey the individual spiritual needs of the lacquer, and make the expression of the technique and the inner spiritual need to achieve a perfect unity.
This article is divided into four parts:
The first part is the general overview;
The second part introduces the origin of decorative art and the aesthetic characteristics of the main traditional decorative arts and crafts in the East and West.
The third part analyzes the formation and existing problems of decorative style in modern Chinese lacquer painting.
The fourth part analyzes the limitations and advantages of the decorative form, as well as the reasonable positioning in the modern lacquer painting language.

【學位授予單位】：江西科技師范學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J213.9

【參考文獻】

相關(guān)期刊論文 前2條

1 劉劍利;;論油畫裝飾藝術(shù)風格的美學特征[J];美術(shù)向?qū)?2006年03期

2 程向君;對漆畫藝術(shù)本體語言的思考[J];藝術(shù)交流;2003年01期

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本文編號：1807063