本文選題：古彩 + 非物質(zhì)文化遺產(chǎn)�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2009年碩士論文

【摘要】： 古彩裝飾源于宋紅綠彩,受到具有民族文化背景的文人畫(huà)畫(huà)風(fēng)以及木板版畫(huà)的影響,承接大明五彩的工藝材料,在康熙年間形成其完備程式化裝飾特點(diǎn)的藝術(shù)風(fēng)格,屬于純粹的民族藝術(shù)。 然而,民族藝術(shù)在國(guó)內(nèi)往往因其太“司空見(jiàn)慣”而不被重視。由于歷史的、自身的原因,現(xiàn)代古彩裝飾在發(fā)展過(guò)程中表現(xiàn)出嚴(yán)重傳承危機(jī)。面對(duì)這些現(xiàn)狀,在全世界宣揚(yáng)非物質(zhì)文化遺產(chǎn)保護(hù),倡導(dǎo)弘揚(yáng)民族文化、激發(fā)對(duì)本民族文化藝術(shù)的認(rèn)同感,以促進(jìn)世界文化多樣性的今天,需要從非物質(zhì)文化遺產(chǎn)保護(hù)的角度對(duì)古彩裝飾進(jìn)行分析,處理好古彩裝飾技藝傳承與創(chuàng)新的關(guān)系。 本文從藝術(shù)學(xué)的研究角度出發(fā),從古彩裝飾的由來(lái),古彩的發(fā)展,古彩的傳播,古彩的工藝要求等幾個(gè)方面,闡述古彩裝飾的形成歷史和發(fā)展現(xiàn)狀。通過(guò)對(duì)古彩裝飾的傳承特點(diǎn)及非物質(zhì)文化遺產(chǎn)保護(hù)政策的分析,把古彩裝飾納入非物質(zhì)文化遺產(chǎn)保護(hù),將為古彩裝飾的發(fā)展開(kāi)拓一片新的天地,更為廣泛的引起陶瓷藝術(shù)家及藝術(shù)愛(ài)好者的重視,從而發(fā)展創(chuàng)新,使古彩裝飾煥發(fā)出新的生命力,并不斷發(fā)揚(yáng)光大。
[Abstract]:The ancient color decoration originated from the Song Hong-green color, was influenced by the literati painting style and plank prints with the national culture background, carried on the Daming multicolored craft material, and formed its complete stylized decorative artistic style during the Kangxi period. It belongs to pure national art. However, national art is often ignored in China because of its "commonplace". Because of historical, self-reason, modern ancient color decoration in the process of development shows a serious crisis of inheritance. In the face of these conditions, we are promoting the protection of the intangible cultural heritage throughout the world, advocating the promotion of national culture, and inspiring the sense of identity of our own culture and art, in order to promote the cultural diversity of the world today. It is necessary to analyze the ancient color decoration from the perspective of the protection of intangible cultural heritage, and to deal with the relationship between the inheritance and innovation of the ancient color decoration technology. From the point of view of the study of art, this paper expounds the history and present situation of the formation and development of the ancient color decoration from the origin, the development, the dissemination and the craft requirement of the ancient color decoration. Through the analysis of the inheritance characteristics of the ancient color decoration and the protection policy of the intangible cultural heritage, bringing the ancient color decoration into the protection of the intangible cultural heritage will open up a new world for the development of the ancient color decoration. More extensive attention by ceramic artists and art lovers, thus the development of innovation, so that the ancient color decoration radiates new vitality, and continues to carry forward.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J527

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相關(guān)期刊論文 前3條

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本文編號(hào)：1803760