本文選題：明末 + 變異畫風��； 參考：《景德鎮(zhèn)陶瓷學院》2011年碩士論文

【摘要】：景德鎮(zhèn)作為千年瓷都,自五代開始制瓷以來,在中國瓷器發(fā)展史上不斷譜寫新的篇章,尤其是明清以來,達到了制瓷業(yè)的巔峰時期。眾所周知,無論國畫還是陶瓷繪畫,畫風、畫面的創(chuàng)作均來源于現(xiàn)實生活而高于現(xiàn)實生活。晚明隨著社會政治局面的動蕩、思想文化的變化以及社會民俗風尚的影響,出現(xiàn)了一批有志變異新風的人物畫家。以陳洪綬、崔子忠、丁云鵬、吳彬為代表的變異畫風大師,對中國畫壇的發(fā)展起著舉足輕重的作用,對當時及以后的中國繪畫畫風的轉變以及對瓷器創(chuàng)作有著深遠的影響。本文主要對變異畫風在景德鎮(zhèn)瓷器中的運用進行分析研究,了解明末變異畫風產生的原因及在瓷器裝飾中運用的紋飾特色,包括在裝飾技法、裝飾題材、畫面構圖布局等方面,深入研究分析變異畫風在景德鎮(zhèn)瓷器裝飾中的運用,從而,進一步研究變異畫風對現(xiàn)代景德鎮(zhèn)陶瓷藝術創(chuàng)作的啟發(fā)、影響,為今后景德鎮(zhèn)陶瓷創(chuàng)作藝術的發(fā)展提出自己的見解。
[Abstract]:Jingdezhen as a thousand years porcelain capital, since the five dynasties began to make porcelain, in the history of Chinese porcelain writing a new chapter, especially since the Ming and Qing dynasties, reached the peak of the porcelain industry. As we all know, whether traditional Chinese painting or ceramic painting, painting style, picture creation are derived from real life and higher than real life. In the late Ming Dynasty, with the turbulence of the social and political situation, the change of ideology and culture, and the influence of the social folklore, a number of characters and painters who wanted to change the new style appeared. Represented by Chen Hongshou, Cui Zizhong, Ding Yunpeng and Wu Bin, the masters of the variant style of painting play an important role in the development of the Chinese painting world, and have a profound influence on the changes in the style of Chinese painting at that time and in the future, as well as on the creation of porcelain. In this paper, the application of variant painting style in Jingdezhen porcelain is analyzed and studied, and the reasons for the variation of painting style in late Ming Dynasty and the decorative features used in porcelain decoration are understood, including decorative techniques, decorative themes, picture composition layout, etc. This paper deeply studies the application of the variant painting style in the porcelain decoration of Jingdezhen, so as to further study the inspiration and influence of the variation painting style on the modern Jingdezhen ceramics art creation, and put forward own opinions for the future development of Jingdezhen ceramics creative art.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J527

【參考文獻】

相關期刊論文 前6條

1 畢克官;;民窯青花瓷畫的藝術特色[J];景德鎮(zhèn)陶瓷;1986年03期

2 陳雨前;論景德鎮(zhèn)當代陶瓷藝術風格與流派[J];景德鎮(zhèn)陶瓷;1998年04期

3 郭怡[n;;迎接中國美術創(chuàng)作的新時代[J];美術觀察;2007年06期

4 劉影青;“中國畫”與陶瓷裝飾小議[J];陶瓷研究;1998年02期

5 辛青山;;略談青花瓷裝飾的黑白對比效果[J];中國陶瓷;1984年05期

6 李知宴;明代瓷器研究(三)[J];中國歷史文物;2003年02期

相關碩士學位論文 前2條

1 張燕飛;明末人物畫四家變異畫風說[D];南京師范大學;2002年

2 張欣;明代晚期景德鎮(zhèn)民窯青花瓷器寫意性繪畫特征探析[D];汕頭大學;2007年

，

本文編號：1799086