本文選題：漆器 + 裝飾��； 參考：《西北民族大學》2010年碩士論文

【摘要】：漆器工藝是華夏民族在古代世界文化史上重要的發(fā)明創(chuàng)造,是人類文明進化過程中的一大成果。尤其是戰(zhàn)國時期是我國漆器藝術發(fā)展史上的第一個繁盛時期,其產(chǎn)量之多,工藝之精,品種之繁,樣式之新,色之絢麗都是前所未有的,在同時代的諸多工藝門類中,漆器髹飾工藝獨領風騷。有人稱這一時期為“漆器時代”。秦漢時期,漆器藝術進一步發(fā)展,呈現(xiàn)出前所未有的繁盛局面,中國漆器藝術達到了一個巔峰時期。 中國古代的裝飾藝術極為豐富,無論是與其相輔相成的器物、工具,還是在材質(zhì)、工藝、樣式及風格的類型及特點上,都是及其多姿多彩。漆器工藝是中國先民的偉大發(fā)明其裝飾技法大致有彩繪、剔劃、針刻、浮雕、鏤雕、堆塑、鑲嵌、鎏金、描金、貼金、螺鈿、瀝粉、線描等�？梢娧b飾之美和對裝飾的研究也是不能離開裝飾藝術的工藝和材質(zhì)等方面的,它們是裝飾之形式,技術和審美觀念之整體的一個重要組成部分。人類的審美意志和智慧恰是整體性地體現(xiàn)在裝飾藝術中的,也正是如此,裝飾藝術設計才呈現(xiàn)出如此豐厚的文化內(nèi)涵和絢麗多姿的藝術魅力。中國傳統(tǒng)漆器裝飾藝術設計的題材紋樣更是豐富精彩,對中國傳統(tǒng)裝飾藝術的研究,不能離開傳統(tǒng)漆器裝飾藝術設計,尤其是代表著中國漆器藝術黃金時代的戰(zhàn)國、秦漢時期的漆器裝飾藝術。 通過借助正確認知事物的觀念和科學的研究方法,分析戰(zhàn)國及秦漢時期漆器裝飾藝術設計的美學內(nèi)涵、文化意識、思維方式,并客觀分析傳統(tǒng)裝漆器飾藝術設計理論的現(xiàn)實價值及意義。旨在通過對古代優(yōu)秀的漆器裝飾藝術設計理念的分析,把握中國傳統(tǒng)裝飾藝術設計的文化內(nèi)核。
[Abstract]:Lacquer craft is an important invention and creation of Chinese nationality in the history of ancient world culture. It is also a great achievement in the evolution of human civilization. In particular, the warring States period was the first prosperous period in the history of the development of lacquer art in China. It was unprecedented in the production of lacquer ware, the fine workmanship, the multiplicity of varieties, the new styles and the brilliant colors. Lacquer lacquer lacquer painting technology alone. Some people call this period the "lacquer age". During the Qin and Han dynasties, lacquer art developed further, showing unprecedented prosperity, and Chinese lacquer art reached a peak. Ancient Chinese decorative art is extremely rich, whether it is complementary objects, tools, or in material, craft, style and style types and characteristics, are very colorful. Lacquerware technology is a great invention of Chinese ancestors its decorative techniques are roughly color painting, tick, needle, relief, engraving, stacking, mosaic, gilding, gold, gold, mother-of-pearl, leachate, line drawing, and so on. It can be seen that the beauty of decoration and the study of decoration can not be separated from the process and material of decorative art. They are an important part of the form, technology and aesthetic concept of decoration. The aesthetic will and wisdom of human beings are embodied in the decorative art as a whole, and it is precisely so that the decorative art design presents such rich cultural connotations and gorgeous artistic charm. The theme patterns of Chinese traditional lacquer decoration art design are rich and wonderful. The study of Chinese traditional decorative art can not leave the traditional lacquer decoration art design, especially the warring States period, which represents the golden age of Chinese lacquer art. The Art of lacquer Decoration in Qin and Han dynasties. By means of the correct concept of cognition and scientific research method, this paper analyzes the aesthetic connotation, cultural consciousness and mode of thinking of the decorative art design of lacquer ware in the warring States period and the Qin and Han dynasties. And objectively analyzes the realistic value and significance of the traditional lacquer decoration art design theory. The purpose of this paper is to grasp the cultural core of Chinese traditional decorative art design by analyzing the design idea of ancient lacquer ware decoration art.
【學位授予單位】：西北民族大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J509.2

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本文編號：1778634