本文選題：現(xiàn)代青花裝飾 + 形象　； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2007年碩士論文

【摘要】： 審美是人類一種對美的追求和自我實(shí)現(xiàn)的需要。現(xiàn)代青花裝飾藝術(shù)是在繼承傳統(tǒng)青花文化以及現(xiàn)代陶藝之始深受現(xiàn)代藝術(shù)觀念影響的背景下發(fā)展起來的。在新的審美需求之下，作為視覺藝術(shù)的現(xiàn)代青花藝術(shù)如何給觀者視覺審美感受，滿足現(xiàn)代人深層次的精神審美追求，進(jìn)而進(jìn)入深度的文化審美境界，這正是藝術(shù)家要思考的問題。本文從現(xiàn)代青花裝飾的藝術(shù)語言、藝術(shù)形象、藝術(shù)意蘊(yùn)三個相互聯(lián)系而又各有側(cè)重的角度來分析其審美特征。其一，通過對其藝術(shù)語言的分析闡明其形式審美的特點(diǎn)與優(yōu)點(diǎn)，以促進(jìn)對現(xiàn)代青花藝術(shù)語言的進(jìn)一步探索；其二，從藝術(shù)形象論述其審美特征有助于我們對現(xiàn)代青花裝飾的內(nèi)容進(jìn)一步挖掘；其三，，從藝術(shù)意蘊(yùn)的角度關(guān)照現(xiàn)代青花裝飾的審美特征，以期挖掘青花材質(zhì)背后的文化意義和深層美學(xué)價值。體驗(yàn)當(dāng)代多元文化語境對現(xiàn)代青花裝飾帶來的審美意象的轉(zhuǎn)向，為發(fā)展中的現(xiàn)代青花裝飾藝術(shù)提供可參考的審美特征的理論闡述。
[Abstract]:Aesthetics is the pursuit of beauty and the need of self-realization.Modern blue and white decorative art is developed under the background of inheriting traditional blue and white culture and modern pottery art.Under the new aesthetic demand, how can the modern blue and white art, as a visual art, give the viewer a visual aesthetic feeling, satisfy the deep spiritual aesthetic pursuit of modern people, and then enter the deep cultural aesthetic realm,This is exactly what artists want to think about.This paper analyzes the aesthetic characteristics of modern blue and white decoration from the angles of their artistic language, artistic image and artistic implication.First, through the analysis of its artistic language to clarify the characteristics and advantages of its aesthetic form, in order to promote the further exploration of modern blue and white art language; second,Discussing its aesthetic characteristics from the artistic image is helpful for us to further excavate the content of modern blue and white decoration. Third, from the angle of artistic implication, we should take care of the aesthetic characteristics of modern blue and white decoration.With a view to excavating the cultural significance and deep aesthetic value behind the material of blue and white flowers.To experience the turning of aesthetic image brought by modern blue and white decoration in the context of contemporary multiculturalism, and to provide a theoretical explanation of the aesthetic characteristics of modern blue and white decorative art that can be referenced by the developing art of modern blue and white flower decoration.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J527

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 顧津銘;;青花元素應(yīng)用于公共空間的設(shè)計初探[J];改革與開放;2010年24期

2 邵徽亮;劉丹;;淺議傳統(tǒng)青花裝飾在現(xiàn)當(dāng)代的拓展[J];景德鎮(zhèn)高專學(xué)報;2012年03期

相關(guān)碩士學(xué)位論文 前4條

1 廖先瓊;青花元素介入室內(nèi)設(shè)計的氛圍研究[D];景德鎮(zhèn)陶瓷學(xué)院;2011年

2 劉靜;陶瓷藝術(shù)的裝飾美[D];景德鎮(zhèn)陶瓷學(xué)院;2011年

3 陳海燕;論秦錫麟現(xiàn)代民間青花的審美[D];景德鎮(zhèn)陶瓷學(xué)院;2013年

4 楊柳青;景德鎮(zhèn)四大傳統(tǒng)名瓷藝術(shù)元素的舞臺應(yīng)用與其效果[D];景德鎮(zhèn)陶瓷學(xué)院;2013年

本文編號：1772891