本文選題：徽州民居木雕 + 民俗審美屬性�。� 參考：《復(fù)旦大學(xué)》2010年碩士論文

【摘要】： 本文以徽州民居木雕裝飾的形態(tài)構(gòu)成為切入點(diǎn),分別從材質(zhì)、紋樣和構(gòu)圖三方面對(duì)徽州民居木雕裝飾的外觀形態(tài)進(jìn)行闡述,在此基礎(chǔ)上系統(tǒng)地揭示徽州木雕的民俗審美屬性,并進(jìn)一步探討其價(jià)值的問題。 本文認(rèn)為,徽州民居木雕裝飾既是俗民實(shí)際居住中在民居建筑中發(fā)揮實(shí)際作用的建筑構(gòu)件,也是一種滿足俗民審美需要的裝飾品,因而其本身既可作為一種民俗,亦可作為一個(gè)審美對(duì)象,與俗民這一主體發(fā)生審美關(guān)系。在這樣的認(rèn)知前提下,本文認(rèn)為徽州木雕具有的審美屬性,是一種特殊的民俗審美屬性,必須要把它置身于當(dāng)時(shí)當(dāng)?shù)氐纳顖?chǎng)即民俗審美情境之中,才能順利地揭示出這種民俗審美屬性。正是沿著這一思路,本文認(rèn)為,徽州木雕具有審美功利性、民俗象征性、表意多義性與多重性等獨(dú)特的民俗審美屬性,并對(duì)這些屬性,結(jié)合生活場(chǎng)／情境之下的案例,作了細(xì)微的闡釋。 在分析了徽州木雕民俗審美屬性之后,本文繼續(xù)順著上文的思路,指出在價(jià)值方面,徽州木雕也相應(yīng)地具有民俗價(jià)值和審美價(jià)值兩方面并存且融合的價(jià)值兩重性,即,徽州木雕具有民俗與審美的雙重價(jià)值。本文引入了空間的概念,認(rèn)為徽州木雕作為建筑構(gòu)件,只有置身在建筑空間之中才‘能充分發(fā)揮這兩方面的雙重價(jià)值,從而結(jié)合徽州民居的空間布局,闡述了徽州木雕雙重價(jià)值的表現(xiàn)。
[Abstract]:This article takes the form constitution of wood carving decoration of Huizhou folk residence as the breakthrough point, respectively from the material, the pattern and the composition three aspects carries on the elaboration to the appearance shape of the Huizhou folk residence wood carving decoration, and on this basis systematically reveals the folk custom esthetic attribute of the Huizhou wood carving.And further explore the value of the problem.This paper holds that the wood carving decoration of Huizhou folk residence is not only a building component that plays an actual role in the folk residence, but also an ornament to meet the aesthetic needs of the folk, so it can be regarded as a kind of folk custom.Also as an aesthetic object, and the popular subject aesthetic relationship.On the premise of this kind of cognition, this paper holds that the aesthetic attribute of Huizhou wood carving is a special kind of folk aesthetic property, which must be placed in the local life field at that time, that is, the folk aesthetic situation.Can uncover this kind of folk custom esthetic attribute smoothly.Just along this line of thought, this paper holds that Huizhou woodcarving has unique folk aesthetic properties, such as aesthetic utilitarianism, folk symbolism, meaning polysemy and multiplicity, and to these attributes, combined with the case of life field / situation,A subtle explanation was given.After analyzing the aesthetic attributes of Huizhou woodcarving folk custom, this paper continues to follow the above thinking, and points out that in value aspect, Huizhou wood carving also has the duality of both folk value and aesthetic value, that is,Huizhou woodcarving has the dual value of folklore and aesthetics.This paper introduces the concept of space, and holds that Huizhou woodcarving, as a building component, can give full play to the dual value of these two aspects only when it is placed in the architectural space, thus combining the spatial layout of Huizhou folk residence.This paper expounds the double value of Huizhou woodcarving.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：TU-852

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 任啟坤;;徽州古民居的石雕藝術(shù)[J];文物鑒定與鑒賞;2013年09期

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本文編號(hào)：1771473