本文選題：瀝粉畫 + 現(xiàn)代裝飾畫��； 參考：《揚州大學》2013年碩士論文

【摘要】：發(fā)源于建筑中的傳統(tǒng)裝飾畫——瀝粉畫,在近年成為室內(nèi)裝飾畫創(chuàng)作中的一種表現(xiàn)技法�，F(xiàn)代裝飾畫創(chuàng)作涉及許多技法,適應現(xiàn)代裝飾畫審美的需求在技法上要求突破傳統(tǒng)服務(wù)于多元化藝術(shù)構(gòu)思而形成了一種借鑒于瀝線工藝基礎(chǔ)之上的現(xiàn)代裝飾畫。它具有獨特的工藝效果和濃厚的裝飾趣味。瀝粉材料在裝飾畫中的使用也漸趨于普通,隨之出現(xiàn)了許多瀝線新型的技法。裝飾藝術(shù)一直與社會生活息息相關(guān),了解民族傳統(tǒng)技法,并將其與現(xiàn)代理念相結(jié)合,創(chuàng)作出兼具民族形式感的現(xiàn)代感裝飾畫作品。本文在大量借鑒已有的創(chuàng)作實踐基礎(chǔ)上通過置身具體的創(chuàng)作制作中的實踐探索中來探討論述。瀝線這一形式在現(xiàn)代裝飾畫中的運用及效果。瀝線表現(xiàn)形式源于其特殊的材料其運用要結(jié)合在裝飾畫中的效果目的來進行。當下關(guān)于瀝線技法介紹的相關(guān)文獻資料較為豐富,大多數(shù)都是對瀝線技法的材料、工具等進行一般性的常識介紹,僅限于一般性的如何使用上而對于瀝線技法在裝飾畫中的當代拓展則只言片語,尚未對瀝線技法在現(xiàn)代裝飾畫中的拓展運用可能作較深入的梳理與研究。本課件研究主要通過對已有相關(guān)文獻資料收集及具體的創(chuàng)作實踐探索來探究瀝線技法在當代裝飾繪畫創(chuàng)作中拓展運用的空間及多種可能。 全文共分為三個部分： 第一部分介紹傳統(tǒng)瀝線的基本技法及特點,系統(tǒng)闡述瀝粉畫的基本材料的制作方法及使用方法。 第二部分從瀝線在當下裝飾繪畫拓展空間入手,探討現(xiàn)代裝飾畫的基本定義,論述現(xiàn)代裝飾畫與瀝線之間的聯(lián)系,論述傳統(tǒng)瀝線技法在當代裝飾繪畫運用中的視覺形式,介紹其獨特的應用價值。 第三部分結(jié)合具體的創(chuàng)作,探索傳統(tǒng)瀝線在現(xiàn)代裝飾畫中的視覺形式及這一傳統(tǒng)瀝線技法的拓展空間與可能。 傳統(tǒng)瀝線對于現(xiàn)代裝飾畫創(chuàng)作中體現(xiàn)其獨特的表現(xiàn)形式,其技法依然具有很高的藝術(shù)表現(xiàn)價值,在裝飾畫創(chuàng)作中,應充分挖掘延續(xù)千年的傳統(tǒng)瀝線技法表現(xiàn)手法在現(xiàn)代裝飾畫的創(chuàng)新中賦予其新的活力。
[Abstract]:The traditional decorative painting originated in architecture-Lek Pink painting has become a performance technique in the interior decoration painting creation in recent years.The creation of modern decorative painting involves many techniques. To meet the aesthetic needs of modern decorative painting, it is necessary to break through the traditional art conception and form a kind of modern decorative painting based on the technology of Lek Line.It has the unique craft effect and the strong decoration interest.The use of leachate in decorative painting is becoming more and more common, with the emergence of a number of new leachate techniques.Decorative art has always been closely related to social life, understand the traditional techniques of the nation, and combine it with modern ideas, and create modern decorative works with a sense of national form.On the basis of a large number of existing creative practices, this paper discusses through the practical exploration in the concrete creation and production.The use and effect of Lek Line in Modern decorative painting.The leachate form is derived from its special material, which is used in combination with the effect of the decorative painting.At present, the literature on the introduction of leachate techniques is relatively rich. Most of them are a general introduction to the materials, tools, and so on of the leachate techniques.It is only limited to general how to use it, but it is only a remark about the contemporary development of leucine technique in decorative painting, but it has not been further combed and studied on the application of Lek line technique in modern decorative painting.This courseware research mainly through the related literature data collection and the concrete creation practice exploration to explore the Leicheng technique in the contemporary decorative painting creation to expand the application space and many kinds of possibilities.The full text is divided into three parts:The first part introduces the basic techniques and characteristics of the traditional Lek Line, and expounds systematically the making method and using method of the basic material of the Lek Powder painting.The second part begins with the expansion of the space in the current decorative painting, discusses the basic definition of the modern decorative painting, discusses the relationship between the modern decorative painting and the Lek line, and discusses the visual form of the traditional Lek line technique in the application of the contemporary decorative painting.Its unique application value is introduced.The third part combines the concrete creation, explores the visual form of the traditional lee in the modern decorative painting and the expanding space and possibility of this traditional leaching-line technique.The traditional lee line reflects its unique form of expression in the creation of modern decorative paintings, and its techniques still have a high artistic expression value, in the creation of decorative paintings,It is necessary to fully tap the traditional leaching-line technique, which continues for thousands of years, and endow it with new vitality in the innovation of modern decorative painting.
【學位授予單位】：揚州大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J205

【參考文獻】

相關(guān)期刊論文 前7條

1 劉德芳;張巧蓮;;室內(nèi)設(shè)計中瀝粉裝飾畫的制作方法與技巧[J];家具與室內(nèi)裝飾;2010年08期

2 王文彬;我國傳統(tǒng)壁畫的材料工藝及應用[J];美術(shù)研究;1987年02期

3 金竹;;丙烯瀝粉壁畫的制作[J];美術(shù)大觀;1997年07期

4 孫寧;;瀝粉畫的創(chuàng)作技法及運用[J];吉林師范大學學報(人文社會科學版);2010年02期

5 邵雅利,朱波;當代創(chuàng)新技法的發(fā)展和研究綜述[J];河南職技師院學報(職業(yè)教育版);2002年05期

6 朱廣宇;現(xiàn)代壁畫藝術(shù)創(chuàng)作的綜合性[J];裝飾;2002年07期

7 丁峰;裝飾畫技法原理初探[J];徐州師范大學學報;1998年02期

，

本文編號：1764562