本文選題：法門寺文物 + 裝飾紋樣�。� 參考：《江西社會(huì)科學(xué)》2010年10期

【摘要】：陜西法門寺地宮出土的文物不但數(shù)量大、等級(jí)高、品類多,而且器型宏大、造型豐富,多數(shù)成組配套,豐富的裝飾紋樣是其突出特點(diǎn)。唐代工匠用鎏金、鏨刻、模沖、彩繪等工藝手法,在這些華貴厚重的器物上做出豐富多樣、繁縟、精美的裝飾紋樣,顯示出意蘊(yùn)深厚的佛教藝術(shù)特征、濃郁的中國(guó)傳統(tǒng)文化特色,體現(xiàn)了中西文化的完美融合。這些造型和裝飾紋樣,集唐代造型和裝飾紋樣之大成,是唐代多元化的文化和藝術(shù)風(fēng)格的完美再現(xiàn)。它在不同的場(chǎng)合、以不同的形式,表達(dá)著唐人博大的精神情懷和審美情趣,是研究唐文化、佛教文化的珍貴實(shí)物依據(jù)。
[Abstract]:The cultural relics unearthed from the underground palace of the Famen Temple in Shaanxi Province are not only large in quantity, high in grade, and in many categories, but also of large types and rich shapes, most of which are matched in groups, and the rich decorative patterns are its outstanding characteristics.The artisans of the Tang Dynasty made rich, elaborate and exquisite decorative patterns on these magnificent and heavy objects by means of gilding, chiseling, moulding, painting and other techniques, showing the profound artistic characteristics of Buddhism.Rich Chinese traditional culture features, reflects the perfect integration of Chinese and Western cultures.These shapes and decorative patterns are the perfect representation of the diversified cultural and artistic styles of the Tang Dynasty.On different occasions and in different forms, it expresses the broad spiritual feelings and aesthetic tastes of the Tang people, and is the precious material basis for the study of Tang culture and Buddhist culture.
【作者單位】： 西安博物院業(yè)務(wù)研究室;
【分類號(hào)】：J509.2
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本文編號(hào)：1757542