發(fā)布時(shí)間：2018-04-16 04:00

  本文選題：民族建筑 + 審美趣味��； 參考：《美術(shù)界》2005年01期

【摘要】：本文從斗拱的二重性,即結(jié)構(gòu)和裝飾性,在各個(gè)歷史時(shí)期所產(chǎn)生的變化,體現(xiàn)了不同時(shí)期人們審美趣味的轉(zhuǎn)化。特別是在近現(xiàn)代,斗拱演變成各種不同的面貌,雖然有"虛假"、"冒充"之嫌,也存在著承重和裝飾的作用,是置于裝飾而隱于結(jié)構(gòu)之中,與唐宋之風(fēng)相反,人們審美趣味產(chǎn)生了轉(zhuǎn)變。當(dāng)今隨著建筑的機(jī)器大生產(chǎn),裝飾與結(jié)構(gòu)被趕到兩個(gè)極端,結(jié)構(gòu)與裝飾相脫離,中國(guó)建筑特色的不為裝飾的裝飾之道也隨之送盡。只有恢復(fù)中國(guó)建筑文化的思想,保持本土建筑文化維護(hù)其原有特質(zhì),中國(guó)建筑才有民族性,只有建筑的民族性,才有國(guó)際性。并以此來(lái)探討當(dāng)代中國(guó)建筑的新審美趣味。
[Abstract]:From the duality of bucket arch, that is, structure and decoration, the changes in each historical period reflect the transformation of people's aesthetic taste in different periods.Especially in modern times, the bucket arch has evolved into various faces. Although it is "false" and "impersonated", it also has the function of bearing weight and decoration. It is placed in decoration and hidden in the structure, contrary to the wind of Tang and Song dynasties.People's aesthetic taste has changed.Nowadays, with the large-scale production of architecture machinery, decoration and structure are driven to the two extremes, structure and decoration are separated from each other.Only by restoring the thought of Chinese architectural culture and maintaining the native architectural culture to maintain its original characteristics can Chinese architecture have a national character and only the national character of a building can have an international character.And to explore the contemporary Chinese architecture of the new aesthetic taste.
【分類號(hào)】：J50
，

本文編號(hào)：1757180