本文選題：中國清代 + 建筑裝飾��； 參考：《東北林業(yè)大學(xué)》2011年碩士論文

【摘要】：對于美的追求是人類與生俱來的本能表現(xiàn),人們不難尋找人類先民追求美的情感與理想的意識與現(xiàn)象,這種意識態(tài)度是自發(fā)的、非自覺的,而審美體驗過程的累積,便形成審美法則。審美內(nèi)容隨時代的推進而豐富,在時間歷程的梳理后形成審美意識文化,并作用于審美主體意識的形成。 本文通過中國清代建筑及裝飾的考察、研究,結(jié)合中國傳統(tǒng)精神文化,透過清代建筑與裝飾現(xiàn)象研究審美主體意識的發(fā)展進程規(guī)律,并總結(jié)出審美的階段性認(rèn)識觀念。在本論文的第一、二章闡釋論文研究的目的、意義和審美的一般內(nèi)容,提出階段性審美本質(zhì)的概念,闡釋審美體驗中絕對意義上的本質(zhì)內(nèi)涵是不存在的,明確提出審美意識的動態(tài)觀念,論證審美認(rèn)識具有過去性、現(xiàn)存性的雙重特征,對其總結(jié)形成審美觀念具有一貫性和過程性的特點。文化,是一個多層次的概念,即意識文化與物質(zhì)文化的復(fù)雜性,二者相互制約,辯證的存在,通過對表層物質(zhì)文化、中層制度文化的研究與總結(jié),集中研究深層的中國傳統(tǒng)精神文化對審美意識的傳承內(nèi)容的影響,總結(jié)中國傳統(tǒng)精神文化博大精深內(nèi)涵的主體是儒、道、釋精神文化的延伸,也是本文定義的“靜態(tài)審美”的基本內(nèi)容,本文對其研究旨在解釋建筑與裝飾審美文化構(gòu)建的精神根基、傳承內(nèi)容和影響,并從而提出和論證“動態(tài)審美”觀念的內(nèi)容與形式。由“靜態(tài)審美”與“動態(tài)審美”的觀念出發(fā),對清代建筑及裝飾形象的搜集、研究,歸納清代建筑及裝飾的審美觀念,總結(jié)研究清代特有的政治制度、經(jīng)濟制度、文化制度內(nèi)容及其主要作用,分析其作用于審美觀念的內(nèi)容�！办o、動態(tài)審美”觀念對審美主體意識形成的基礎(chǔ)性作用導(dǎo)致清代建筑與裝飾審美形成延續(xù)的和特有的觀念內(nèi)涵,本文對其研究并得出清代建筑與裝飾審美具有內(nèi)向、奢侈、自然、守中、精簡等審美認(rèn)識觀。 當(dāng)前,對審美意識的動態(tài)性內(nèi)容研究相對較少,對于藝術(shù)審美活動的中意識層面的研究較多的集中在哲學(xué)領(lǐng)域并較多的確認(rèn)為審美本質(zhì)具有永恒的觀念和價值論,而在設(shè)計藝術(shù)學(xué)的傳授與實踐當(dāng)中則更多的關(guān)注物質(zhì)文化內(nèi)容的演化,因此,本文以清代建筑與裝飾內(nèi)容為題,試圖透過物質(zhì)文化內(nèi)容演化的現(xiàn)象研究審美意識發(fā)展的動態(tài)進程和階段性觀念內(nèi)容,揭示審美觀念內(nèi)涵的非永恒性,并通過研究總結(jié)其形成的基礎(chǔ)性觀念,對當(dāng)代藝術(shù)發(fā)展和藝術(shù)教學(xué)提供有價值的認(rèn)識思路。
[Abstract]:The pursuit of beauty is the innate expression of human instinct. It is not difficult for people to find the consciousness and phenomenon of human ancestors' pursuit of beauty. This kind of consciousness and attitude is spontaneous, unconsciously, and accumulates in the process of aesthetic experience.Then form the aesthetic law.The aesthetic content is rich with the advance of the times, and forms the culture of aesthetic consciousness after combing the course of time, and acts on the formation of the consciousness of aesthetic subject.Through the investigation and study of architecture and decoration in Qing Dynasty, this paper studies the development law of aesthetic subject consciousness through the phenomenon of architecture and decoration in Qing Dynasty, combining with Chinese traditional spiritual culture, and sums up the stage cognition concept of aesthetics.In the first and second chapters of this paper, the purpose, meaning and general content of the thesis are explained, and the concept of the stage aesthetic essence is put forward, and the essential connotation in the absolute meaning of the aesthetic experience is explained.This paper puts forward the dynamic concept of aesthetic consciousness, proves that aesthetic cognition has the dual characteristics of past and extant, and has the characteristics of consistency and process to sum up and form aesthetic concept.Culture is a multi-level concept, that is, the complexity of consciousness culture and material culture, the mutual restriction and dialectical existence of the two, through the research and summary of the surface material culture and the middle-level system culture,Focusing on the influence of deep Chinese traditional spiritual culture on the inheritance of aesthetic consciousness, the author summarizes that the main body of Chinese traditional spiritual culture is the extension of Confucian, Taoist and Buddhist spiritual culture.It is also the basic content of "static aesthetics" defined in this paper. The purpose of this study is to explain the spiritual foundation of the construction of architectural and decorative aesthetic culture, to inherit the content and influence, and to put forward and demonstrate the content and form of the concept of "dynamic aesthetic".Starting from the concepts of "static aesthetics" and "dynamic aesthetics", this paper collects and studies the architectural and decorative images of the Qing Dynasty, sums up the aesthetic concepts of the architecture and decoration of the Qing Dynasty, sums up and studies the special political and economic systems of the Qing Dynasty.The content of cultural system and its main function are analyzed.The basic effect of the concept of "static and dynamic aesthetics" on the formation of aesthetic subject consciousness leads to the continuation and special concept connotation of architectural and decorative aesthetics in Qing Dynasty. This paper studies the concept and concludes that the aesthetics of architecture and decoration in Qing Dynasty has the characteristics of introversion and luxury.Nature, guard in, concise and other aesthetic cognition view.At present, there are relatively few studies on the dynamic content of aesthetic consciousness, and more researches on the level of consciousness in artistic aesthetic activities are concentrated in the field of philosophy and more do think that the essence of aesthetics has eternal ideas and theories of value.In the teaching and practice of design art, more attention is paid to the evolution of material and cultural content. Therefore, this paper focuses on the architectural and decorative contents of the Qing Dynasty.This paper attempts to study the dynamic process of the development of aesthetic consciousness and the content of the stage concept through the phenomenon of the evolution of the material and cultural content, to reveal the non-permanence of the connotation of the aesthetic concept, and to sum up the basic ideas formed through the study.To the contemporary art development and the art teaching provides the valuable understanding train of thought.
【學(xué)位授予單位】：東北林業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：TU-092

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 趙川;清代室內(nèi)壁瓶的裝飾藝術(shù)語言研究[D];河北科技大學(xué);2012年

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本文編號：1754707