發(fā)布時間：2018-04-14 08:22

  本文選題：電腦三維藝術 + 三維再現(xiàn)　； 參考：《東華大學》2005年碩士論文

【摘要】：敦煌藝術是集建筑、彩塑、壁畫于一體的綜合藝術,其歷史悠久、規(guī)模宏大、內涵深邃、藝術精美,是我國乃至世界佛教藝術的瑰寶,在中國文化史以至世界文化史上具有重要的地位,敦煌文化遺產因此也被列為世界文化遺產。但是敦煌文化遺產面臨著病蟲害、起堿、老化、自然腐蝕等等諸多的問題需要解決,保護和開放的矛盾也日漸激烈,敦煌藝術的保護與傳承、研究與弘揚成為當今的首要問題。保護敦煌藝術,使其能延年益壽,盡可能完整、真實地傳給下一代,是一項艱巨而迫切的工程。 以往敦煌藝術保護采取了傳統(tǒng)手工臨摹、借助攝影、攝像器材數(shù)字化保存、建立虛擬參觀游覽系統(tǒng)等方法,雖取得了一定的成果,但是也都存在遺憾和不足。電腦三維再現(xiàn)藝術的出現(xiàn)為敦煌藝術的保護和弘揚提供了新的思路和方法:根據(jù)歷史的推斷、分析和研究,用電腦三維建模對敦煌莫高窟第45窟彩塑菩薩裝飾配件的殘缺部分進行三維再現(xiàn);采用真實的紋理渲染,對無色或脫色的裝飾配件的殘缺原物進行材質和色彩的復原;再結合多媒體動畫制作的表現(xiàn)手段,準確、細致、全方位的展現(xiàn)敦煌文化遺產的原始風貌,使敦煌
[Abstract]:Dunhuang art is a comprehensive art that integrates architecture, color sculptures and murals. It has a long history, large scale, profound connotation and fine art. It is the treasure of Buddhist art in our country and even in the world.Dunhuang cultural heritage is listed as the world cultural heritage because it plays an important role in Chinese cultural history and world cultural history.However, Dunhuang cultural heritage is faced with many problems, such as diseases and pests, alkali, aging, natural corrosion and so on. The contradiction between protection and openness is becoming increasingly fierce. The protection and inheritance of Dunhuang art, research and promotion become the primary issue.It is an arduous and urgent project to protect Dunhuang art so that it can prolong its life and pass it to the next generation as completely and truthfully as possible.In the past, Dunhuang art protection has adopted some methods such as traditional handmade copying, digital preservation of photography, camera equipment, and establishment of virtual tour system. Although some achievements have been made, there are still some regrets and deficiencies in the protection of Dunhuang art.The appearance of computer 3D reproduction art provides new ideas and methods for the protection and promotion of Dunhuang art: according to historical inference, analysis and research,The incomplete parts of the decorative parts of the color sculpture bodhisattva in Cave 45 of Mogao Grottoes of Dunhuang were reconstructed by computer 3D modeling, and the incomplete parts of the colourless or decolorized decorative accessories were restored by using real texture rendering.Combined with the means of expression of multimedia animation production, the original style and features of Dunhuang cultural heritage can be displayed accurately, meticulously and omni-directionally, so that Dunhuang can be made.
【學位授予單位】：東華大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J525

【引證文獻】

相關碩士學位論文 前1條

1 宋文靚;敦煌伎樂壁畫藝術形式在視頻影像中的應用研究[D];西安理工大學;2007年

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本文編號：1748451