本文選題：山西古建筑 + 琉璃裝飾��； 參考：《山西大學(xué)》2007年碩士論文

【摘要】： 山西的琉璃藝術(shù)，有著悠久的歷史。1500年來(lái)，山西琉璃業(yè)相承不衰，歷代都留下許多優(yōu)秀作品。其分布之廣，匠師之多，技藝之精，在全國(guó)居于首位。 山西琉璃藝術(shù)有著輝煌的成就，堪稱是一座文化、藝術(shù)的寶庫(kù)。古建筑中的琉璃裝飾是琉璃藝術(shù)中成就最高者。而現(xiàn)今對(duì)于山西古建筑琉璃藝術(shù)與其文化屬性的研究、探討還相對(duì)較少，本文即意在對(duì)此有所深入。 論文大致分為三個(gè)章節(jié)：第一章概括地介紹琉璃的產(chǎn)生及其發(fā)展歷程。以歷史發(fā)展為軸線，從琉璃的緣起到北魏開始用于建筑裝飾，，又經(jīng)過了唐、宋、元的發(fā)展，到明清時(shí)期發(fā)展到了頂峰，經(jīng)歷了一個(gè)由低級(jí)到高級(jí)，由簡(jiǎn)單到復(fù)雜的過程。在這個(gè)過程中，琉璃藝術(shù)和所處時(shí)代的政治、文化、宗教等諸因素相結(jié)合，從而展現(xiàn)出了具有本時(shí)代特征的裝飾藝術(shù)風(fēng)格； 第二章重點(diǎn)介紹山西古建筑琉璃的裝飾形式，主要體現(xiàn)在脊飾、琉璃塔、牌坊、照壁等裝飾上。脊飾主要從正脊、正吻、垂脊與戧脊等幾個(gè)部位來(lái)闡述。琉璃塔的裝飾主要集中在塔壁和塔內(nèi)的附屬構(gòu)件上。牌坊、照壁也是大量施用琉璃裝飾的重要建筑物。在論述中通過實(shí)例，對(duì)琉璃的造型、色彩、裝飾紋樣的特點(diǎn)、歷史傳承及其發(fā)展演變展開分析，充分展現(xiàn)了山西古建筑琉璃裝飾藝術(shù)的獨(dú)特風(fēng)貌。 第三個(gè)章節(jié)從琉璃與色彩、琉璃與佛教文化、琉璃與龍鳳文化、琉璃與地方民俗文化四個(gè)方面來(lái)闡述琉璃在古建筑裝飾中的審美文化內(nèi)涵。 本文采用了實(shí)證法、比較法、分析法、歸納法等方法，通過對(duì)山西古建筑琉璃裝飾的源起、色彩、造型、傳承發(fā)展及審美文化內(nèi)涵展開論述，以求較為深入地展現(xiàn)其所具有的文化底蘊(yùn)及其裝飾美感。
[Abstract]:Shanxi's glaze art has a long history. Since 1500 years, Shanxi glaze industry has survived, leaving behind many excellent works.Its wide distribution, the number of craftsmen, the fine skills, in the first place in the country.Shanxi glaze art has brilliant achievements, can be called a culture, art treasure house.The glaze decoration in the ancient architecture is the highest achievement in the art of glaze.However, the research on the art of ancient architecture and its cultural attributes in Shanxi is relatively rare, this paper is intended to go deep into this.The thesis is divided into three chapters: the first chapter introduces the emergence and development of glass.With the historical development as the axis, from the origin of glaze to the Northern Wei Dynasty began to be used for architectural decoration, and through the development of Tang, Song and Yuan dynasties, to the Ming and Qing dynasties to the peak, experienced a process from low to high, from simple to complex.In this process, the art of glazed glaze combined with the political, cultural, religious and other factors of the era, thus showing the decorative art style with the characteristics of this era;The second chapter focuses on the decorative forms of Shanxi ancient architecture glaze, mainly reflected in ridge decoration, glass pagoda, archway, Zhaowei decoration.Ridge ornaments mainly from the ridge, kiss, vertical ridge and crest and other parts to elaborate.The decoration of glazed glaze pagoda is mainly concentrated on the tower wall and the attached components inside the tower.Archway, according to the wall is also a large number of glass decoration of the important buildings.In this paper, the characteristics, historical inheritance and development of glazed glaze are analyzed through examples, which fully show the unique style of decorative art of ancient architecture in Shanxi Province.The third chapter expounds the aesthetic cultural connotation of glaze in ancient architectural decoration from four aspects: glaze and color, glaze and Buddhist culture, glass and dragon and Phoenix culture, glass and local folk culture.This paper adopts the methods of positivism, comparison, analysis, induction and so on, and discusses the origin, color, modeling, inheritance, development and aesthetic cultural connotation of the glaze decoration of ancient buildings in Shanxi.In order to more in-depth show its cultural heritage and decorative aesthetic sense.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：TU238;TU-80

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 李曉東;任亞萍;;基于臨灃寨現(xiàn)狀的古建筑保護(hù)研究[J];河南城建學(xué)院學(xué)報(bào);2011年04期

2 李仁偉;;竇大夫祠建筑裝飾藝術(shù)探微[J];天津美術(shù)學(xué)院學(xué)報(bào);2011年01期

相關(guān)博士學(xué)位論文 前1條

1 宋暖;博山琉璃及其產(chǎn)業(yè)化保護(hù)研究[D];山東大學(xué);2011年

相關(guān)碩士學(xué)位論文 前1條

1 陳家瑞;山西廣勝寺的建筑裝飾及雕塑藝術(shù)研究[D];太原理工大學(xué);2012年

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