本文選題：滇文化 + 具象裝飾��； 參考：《四川大學(xué)》2006年碩士論文

【摘要】：滇文化青銅器自發(fā)現(xiàn)以來(lái)，就以其精湛的鑄造工藝和獨(dú)特的民族風(fēng)格引起了廣泛關(guān)注，它們?cè)谥袊?guó)青銅器發(fā)展史留下了重要而絢爛的一頁(yè)。滇文化青銅器的特色之一，就是那些雕鑄于器物上的眾多人物、動(dòng)物圖像，本文將其統(tǒng)稱為“具象裝飾”。它們是古代滇民族物質(zhì)文化和精神文化的真實(shí)再現(xiàn)，為我們了解滇國(guó)社會(huì)的歷史風(fēng)貌提供了最直觀的史料。近年來(lái)，對(duì)滇文化青銅器具象裝飾的研究已取得了很多成果，但到目前為止還缺少對(duì)它們整體的論述和系統(tǒng)的梳理，本文期望在前人研究的基礎(chǔ)上，彌補(bǔ)這一空白。 基于此，本文首先將滇文化青銅器的動(dòng)物和人物裝飾納入一個(gè)體系中來(lái)進(jìn)行考古類型學(xué)的研究，，力求建立起滇文化具象裝飾的時(shí)代發(fā)展序列，探討它的發(fā)展歷程和階段特征。其次，利用圖像學(xué)與民族學(xué)等方法，考釋幾類主要母題的象征意義，從中了解具象裝飾所反映的滇人的思想信仰和審美觀念。并結(jié)合與北方系青銅藝術(shù)的一些比較，探討具象裝飾在滇文化中興起的內(nèi)外因。最后，考察具象裝飾的使用人群。并從使用者主觀愿望的角度出發(fā)，得出滇文化具象裝飾具有區(qū)分等級(jí)和政治禮教的功能。
[Abstract]:Since the discovery of bronze ware in Yunnan culture, it has attracted extensive attention for its exquisite casting technology and unique national style, and they have left an important and splendid page in the history of the development of Chinese bronzes.One of the characteristics of bronze ware in Yunnan culture is that many figures, animal images, which are carved on the objects, are called "figurative decoration" in this paper.They are the real reappearance of the material culture and spiritual culture of the ancient Dian nationality and provide us with the most intuitionistic historical data for us to understand the historical features of the Dian state society.In recent years, many achievements have been made in the study of bronze figurative decoration in Yunnan culture, but up to now there is still a lack of discussion on them and a systematic combing. This paper hopes to make up this blank on the basis of previous studies.Based on this, this paper firstly studies the archaeological typology by incorporating animal and character decoration of bronze ware of Yunnan culture into a system, in order to establish the development sequence of Yunnan culture figurative decoration, and to discuss its development course and stage characteristics.Secondly, the symbolic meaning of several main motifs is studied by using the methods of pictorial and ethnology, so as to understand the thoughts, beliefs and aesthetic concepts of the Yunnan people reflected by the figurative decoration.Combined with the comparison of bronze art in the north, this paper discusses the internal and external causes of the emergence of figurative decoration in Yunnan culture.Finally, the use of figurative decoration crowd is investigated.From the angle of the user's subjective desire, it is concluded that the concrete decoration of Yunnan culture has the function of differentiating the rank from the political etiquette.
【學(xué)位授予單位】：四川大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：K876.41

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