發(fā)布時(shí)間：2018-04-12 11:06

  本文選題：漢代漆器 + 裝飾紋樣�。� 參考：《中南林業(yè)科技大學(xué)》2011年碩士論文

【摘要】：本文通過調(diào)研和文獻(xiàn)法研究了馬王堆出土的漢代漆器,總結(jié)了漢代漆器的主要裝飾特征：漢代漆器裝飾題材豐富,現(xiàn)實(shí)生活和神話故事并存體現(xiàn)了現(xiàn)實(shí)性與藝術(shù)性的完美結(jié)合、精湛的制作工藝表現(xiàn)了驚艷的裝飾效果、源自自然的裝飾紋樣展現(xiàn)了流暢簡(jiǎn)潔的風(fēng)格、對(duì)比強(qiáng)烈的紅黑色組合突出了色彩鮮明的特點(diǎn)。 漢代漆器裝飾元素主要包括紋樣和色彩,現(xiàn)代設(shè)計(jì)師成功地將這些元素運(yùn)用于包裝、平面等領(lǐng)域。設(shè)計(jì)案例分析表明,漢代漆器裝飾元素在現(xiàn)代設(shè)計(jì)中運(yùn)用的主要手段包括紅黑色彩的直接運(yùn)用、裝飾紋樣的直接采用、裝飾紋樣的重構(gòu)運(yùn)用(包括提煉、組合、簡(jiǎn)化、變形)等。 漢代漆器裝飾元素在家具設(shè)計(jì)中的應(yīng)用并沒有突出表現(xiàn)。本文實(shí)地調(diào)研2008年春季東莞家具展上帶有漢代漆器裝飾元素的家具,分析了這些漢代漆器裝飾元素在家具設(shè)計(jì)中的運(yùn)用。漢代漆器裝飾紋樣在家具中主要作為增加傳統(tǒng)元素的點(diǎn)綴,裝飾紋樣變形立體化成為家具的小構(gòu)件,而紅黑色彩在家具設(shè)計(jì)中也直接模仿采用。 在以上研究的基礎(chǔ)上,本文提出了基于漢代漆器裝飾特征的家具設(shè)計(jì)理念：即將漢代漆器傳統(tǒng)元素和現(xiàn)代設(shè)計(jì)結(jié)合起來,對(duì)傳統(tǒng)元素在現(xiàn)代設(shè)計(jì)中的運(yùn)用進(jìn)行重新定位,使其所包含的獨(dú)特形態(tài)、語意,在產(chǎn)品中體現(xiàn)漢代氣韻,提升產(chǎn)品價(jià)值,增加文化內(nèi)涵。并以此為指導(dǎo)進(jìn)行了幾何紋飾燈、云氣紋飾茶幾、回紋飾茶幾等設(shè)計(jì)實(shí)踐,嘗試通過完整的家具產(chǎn)品體現(xiàn)漢代神韻。
[Abstract]:This paper studies the lacquer ware unearthed in Mawangdui by means of investigation and literature, and summarizes the main decorative features of the lacquer ware in the Han Dynasty: the rich themes of lacquer ware decoration in the Han Dynasty, the coexistence of real life and mythical stories reflect the perfect combination of reality and artistry.Exquisite production technology shows stunning decorative effects, from the natural decorative patterns show a smooth and concise style, contrast strong red and black combination highlighted the distinctive color characteristics.The decorative elements of lacquer ware in Han Dynasty mainly include patterns and colors, which are successfully used by modern designers in packaging, plane and other fields.The analysis of design case shows that the main means used in the modern design of lacquer ware in Han Dynasty include the direct use of red and black color, the direct use of decorative patterns, the reconstruction and application of decorative patterns (including refining, combination, simplification, etc.)Deform, etc.The application of lacquer decoration elements in furniture design in Han Dynasty is not outstanding.This paper investigates the furniture with lacquer decoration elements in Han Dynasty in Dongguan Furniture Exhibition in spring 2008, and analyzes the application of these lacquer decoration elements in furniture design.The decorative pattern of lacquer ware in Han Dynasty is mainly used as an embellishment of traditional elements in furniture, and the decorative pattern is transformed into a small component of furniture, and the red and black colors are also directly imitated in furniture design.On the basis of the above research, this paper puts forward the furniture design idea based on the decorative features of the lacquer ware in the Han Dynasty: combining the traditional elements of the lacquer ware in the Han Dynasty with the modern design, the application of the traditional elements in the modern design is reoriented.So that its unique form, meaning, in the product reflects the spirit of the Han Dynasty, enhance the value of the product, increase cultural connotations.Under the guidance of the design practice of geometric decoration lamp, cloud air decoration tea table and return decoration tea table, this paper tries to embody the charm of Han Dynasty through the complete furniture products.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 夏賓;馬王堆漆器紋樣在新中式家具中的裝飾應(yīng)用[D];中南林業(yè)科技大學(xué);2013年

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本文編號(hào)：1739472