本文選題：金代 + 崇福寺　； 參考：《山西大學(xué)》2015年碩士論文

【摘要】：我國古代建筑經(jīng)過漫長的自然演變和經(jīng)驗積累,逐步形成為一個獨特的建筑體系,擁有其獨特的美學(xué)特征。隨著不同朝代的更替,建筑的藝術(shù)特征也不斷變化,從輪廓外形至空間結(jié)構(gòu)再到細部裝飾,形式多樣豐富無不引人注目,令人贊賞。金代建筑具有民族文化交融的特色,遺存較多為寺廟建筑,是我國古代建筑研究中不可或缺的重要部分。朔州崇福寺彌陀殿是目前我國現(xiàn)存較大的金代建筑,本文從崇福寺這座漢文化與遼金文化相融合的寺廟建筑的整體建筑空間布局形制出發(fā),通過對寺內(nèi)兩座金代建筑的平面布局、空間結(jié)構(gòu)及裝飾藝術(shù)特點的剖析和總結(jié)深入對金代建筑藝術(shù)特征的研究學(xué)習(xí)。全文首先充分明了課題研究的背景及目前所取得的研究成果,并明確課題所研究的內(nèi)容。其次,以我國寺廟建筑產(chǎn)生的歷史背景結(jié)合遼金時期的文化和北方的地域特點對寺廟建筑的建筑形制進行梳理,將研究范圍定位于山西省朔州市的崇福寺,總結(jié)其整體建筑空間格局并概述寺內(nèi)的金代建筑,為下文寺內(nèi)金代建筑藝術(shù)特征的探究做鋪墊。再次,通過對崇福寺內(nèi)金代建筑主殿彌陀殿和配殿觀音殿的建筑藝術(shù)特征進行多方面的研究分析,結(jié)合寺內(nèi)明清時期重建建筑的建筑藝術(shù)進行簡單對比學(xué)習(xí),最終從建筑的營造技術(shù)和裝飾藝術(shù)兩方面總結(jié)金代建筑的建筑藝術(shù)特征。最后,在對金代建筑藝術(shù)特征研究學(xué)習(xí)及關(guān)注古代建筑的同時,認識到崇福寺所具有的寶貴的歷史、文化及藝術(shù)價值,做到更好地對其保護、傳承和提升綜合競爭力,也不應(yīng)忘記汲取古人在建筑建造中蘊含的精神意義。崇福寺——我國著名的三大遼金佛寺之一,它是歷史的饋贈,文物的精華,是中華人民智慧和創(chuàng)造力的結(jié)晶,是民族文化多樣化的產(chǎn)物,在我國建筑史和雁北宗教文化中的地位都相當重要。我們有責任把古代建筑藝術(shù)傳承下去,也應(yīng)該把它們作為現(xiàn)代建筑裝飾藝術(shù)的基礎(chǔ)和導(dǎo)航,從中不斷學(xué)習(xí)并把我國民族文化發(fā)揚光大。
[Abstract]:After a long period of natural evolution and accumulation of experience, ancient architecture in China gradually formed into a unique architectural system with its unique aesthetic characteristics.With the replacement of different dynasties, the artistic characteristics of architecture are constantly changing, from contour shape to spatial structure to detail decoration, various and rich forms are not unattractive, it is appreciated.The architecture of Jin Dynasty has the characteristics of blending national culture, and the remains are mostly temple buildings, which is an indispensable and important part in the study of ancient architecture in China.The Maituo Temple of Chongfu Temple in Shuozhou is a large existing Jin Dynasty building in our country at present. This paper starts from the overall architectural space layout of the temple building which combines Han culture and Liao Jin culture.Through the analysis and summary of the plane layout, spatial structure and decorative art characteristics of the two Jin Dynasty buildings in the temple, the study on the artistic characteristics of the Jin Dynasty architecture is made.First of all, the background of the research and the current research results are fully understood, and the contents of the research are clarified.Secondly, according to the historical background of temple architecture in our country and the culture of Liao and Jin dynasties and the regional characteristics of the north, the architectural form of temple architecture is combed, and the research scope is positioned at Chongfu Temple in Shuozhou City, Shanxi Province.Summing up its whole architectural space pattern and summarizing the Jin Dynasty architecture in the temple, this paper paves the way for the exploration of the artistic characteristics of the Jin Dynasty architecture in the following monastery.Thirdly, through the research and analysis of the architectural art characteristics of the main hall of the Jin Dynasty in Chongfu Temple and the Quan Yin Hall of the matching Temple, the architectural art of rebuilding the architecture in the Temple during the Ming and Qing dynasties is simply compared and studied.Finally, the architectural art features of Jin Dynasty architecture are summarized from two aspects of architectural construction technology and decorative art.Finally, while studying and paying attention to the ancient architecture, we recognize the valuable historical, cultural and artistic value of Chongfu Temple, so as to better protect, inherit and enhance the comprehensive competitiveness.Nor should we forget to draw on the spiritual significance of the ancients in the construction.Chongfu Temple, one of the three famous Liao Jin Buddha temples in China, is the gift of history, the essence of cultural relics, the crystallization of the wisdom and creativity of the Chinese people, and the product of the diversity of national culture.It is very important in the history of architecture and the religious culture of Yanbei.We have the responsibility to pass on the ancient architectural art, and we should regard them as the foundation and navigation of modern architectural decoration art, learn from them constantly and carry forward the national culture of our country.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU252

【參考文獻】

相關(guān)期刊論文 前1條

1 溫靜;;晉北遼金佛教建筑巡禮[J];佛教文化;2008年05期

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本文編號：1738259