本文選題：銅鼓　切入點(diǎn)：裝飾造型　出處：《昆明理工大學(xué)》2008年碩士論文

【摘要】： 裝飾,作為人類生活和觀念意識(shí)所釋放的產(chǎn)物,是人類文化歷史的重要組成部分,是人類在不同的社會(huì)和歷史時(shí)期的思想情感及內(nèi)在信仰的自然反映,也是人類造物和審美歷史的見(jiàn)證。銅鼓已有2700多年的歷史,是一種集冶煉、鑄造、雕刻、繪畫、裝飾、音樂(lè)、舞蹈、宗教于一身的西南民族文化的物質(zhì)載體形式,具有地方性、民族性、代表性,是樂(lè)器、禮器、財(cái)富和權(quán)力的象征。銅鼓裝飾造型伴隨著銅鼓的發(fā)生而發(fā)展,它是實(shí)用與審美的結(jié)合,技術(shù)與藝術(shù)的結(jié)合,造型與裝飾的高度統(tǒng)一,是中國(guó)西南少數(shù)民族先民的生產(chǎn)生活、民族習(xí)俗、圖騰崇拜、價(jià)值觀念等方面的真實(shí)寫照,也是西南少數(shù)民族先民文化藝術(shù)形態(tài)和思想意識(shí)的具象或抽象的再現(xiàn)。銅鼓裝飾造型以其秩序化、規(guī)律化、程式化、理想化的形式表達(dá)事物,形成了合乎人類審美需求的形態(tài)。 當(dāng)前,銅鼓文化的研究領(lǐng)域在不斷地拓展,涉及冶金學(xué)、考古學(xué)、民族學(xué)、語(yǔ)言學(xué)、文化人類學(xué)、藝術(shù)學(xué)等領(lǐng)域。然而,對(duì)銅鼓裝飾造型的研究還有待于深入,特別是對(duì)銅鼓裝飾造型在現(xiàn)代設(shè)計(jì)中運(yùn)用的深入研究,有利于銅鼓文化的傳承和發(fā)展。 研究主要運(yùn)用秩序感裝飾藝術(shù)理論,首先對(duì)銅鼓的分布、分類、起源地、起源物等進(jìn)行了綜述,重點(diǎn)探討了銅鼓裝飾造型的特征、銅鼓裝飾造型的形式美法則和銅鼓裝飾造型在現(xiàn)代設(shè)計(jì)中的應(yīng)用。通過(guò)從銅鼓的整體造型、平面裝飾造型、立體裝飾造型及造型的流變幾方面,分析銅鼓裝飾造型對(duì)自然秩序、社會(huì)秩序、心理秩序三種秩序形式的感知,探討銅鼓裝飾造型內(nèi)在的秩序性特征;運(yùn)用秩序感裝飾藝術(shù)理論對(duì)裝飾效果的分析方法,分析銅鼓裝飾造型的形式美,探討銅鼓裝飾造型外在的秩序性;運(yùn)用秩序感裝飾藝術(shù)理論中“習(xí)慣勢(shì)力”的視知覺(jué)原理,探討銅鼓裝飾造型在現(xiàn)代設(shè)計(jì)中的仿樣與比喻、象征符號(hào)化等應(yīng)用方法和工藝品、景觀設(shè)計(jì)等設(shè)計(jì)領(lǐng)域,以利于促進(jìn)銅鼓文化的傳承和發(fā)展。
[Abstract]:Decoration, as a product of human life and concept consciousness, is an important part of human culture and history, and a natural reflection of human thoughts, feelings and internal beliefs in different social and historical periods.It is also the witness of human creation and aesthetic history.The bronze drum has a history of more than 2700 years. It is a kind of material carrier form of southwest national culture which integrates smelting, casting, carving, painting, decoration, music, dance and religion.A symbol of wealth and power.The decorative modeling of bronze drum develops with the occurrence of bronze drum. It is the combination of practical and aesthetic, the combination of technology and art, and the high unity of modeling and decoration. It is the production and life, national custom, totem worship of the ancestors of ethnic minorities in southwest China.The true portrayal of values is also the concrete or abstract representation of the cultural and artistic forms and ideology of the ancestors of the southwest ethnic minorities.The orderlization, regularity, stylization and idealization of the bronze drum decorative form express things and form the form that conforms to the human aesthetic demand.At present, the research field of Tonggu culture is expanding, including metallurgy, archaeology, ethnology, linguistics, cultural anthropology, art and so on.However, the research on the decorative modeling of copper drum still needs to be further studied, especially the in-depth study on the application of the decorative modeling in modern design, which is conducive to the inheritance and development of bronze drum culture.The research mainly uses the theory of orderliness and decorating art. Firstly, it summarizes the distribution, classification, origin, origin and so on of the copper drum, especially discusses the characteristics of the decorative modeling of the bronze drum.The rule of formal beauty of bronze drum decorative modeling and its application in modern design.This paper analyzes the perception of the natural order, social order and psychological order of the bronze drum decoration modeling from the aspects of the integral modeling, the plane decoration modeling, the stereoscopic decoration modeling and the evolution of the shape of the bronze drum, and analyzes the perception of the bronze drum decoration modeling to the natural order, the social order and the psychological order.This paper probes into the inherent order characteristics of bronze drum decorative modeling, analyzes the formal beauty of bronze drum decorative modeling and discusses the external orderliness of copper drum decoration modeling by using the theory of orderliness and decoration art theory to analyze the decorative effect of copper drum.Based on the visual perception principle of "habit force" in the theory of order-sense decorative art, this paper probes into the application methods of bronze drum decorative modeling in modern design, such as imitation and metaphor, symbolization and symbolization, as well as the fields of design, such as handicrafts, landscape design, etc.In order to promote the transmission and development of bronze drum culture.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J506

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 翟頡;銅鼓紋飾視覺(jué)語(yǔ)言研究[D];昆明理工大學(xué);2010年

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本文編號(hào)：1725420