本文選題：裝飾風(fēng)格　切入點(diǎn)：裝飾題材　出處：《清華大學(xué)》2004年碩士論文

【摘要】：中國(guó)傳統(tǒng)建筑裝飾擁有非常悠久的歷史,在其漫長(zhǎng)的發(fā)展歷程中,產(chǎn)生過(guò)大量具有鮮明藝術(shù)特色的裝飾形式和作品,而且,作為中國(guó)傳統(tǒng)建筑及造型藝術(shù)領(lǐng)域重要的組成部分,它也表現(xiàn)出深遠(yuǎn)的藝術(shù)、文化與社會(huì)意義,因此,探究它的這些特點(diǎn),成為我撰寫(xiě)這篇論文的主要目的。 在論述過(guò)程中,文章首先分析了傳統(tǒng)建筑裝飾的來(lái)源與核心問(wèn)題,雖然這一問(wèn)題難度較大且相對(duì)復(fù)雜,但它卻是不可回避的。文章通過(guò)實(shí)地考查現(xiàn)有建筑古跡的裝飾遺存,查閱大量的考古發(fā)現(xiàn)和文獻(xiàn)記載,并綜合各歷史時(shí)期的社會(huì)背景,而提出以實(shí)用、巫術(shù)、美學(xué)為基礎(chǔ)的三大來(lái)源,并存在以等級(jí)觀念、祈愿理想、教化風(fēng)尚為主的核心觀念。接下來(lái) ,文章又針對(duì)傳統(tǒng)建筑裝飾中品類豐富的手法展開(kāi)簡(jiǎn)述,以民間風(fēng)格、文人風(fēng)格、宗教風(fēng)格及官式風(fēng)格為主線,解析每種風(fēng)格的特點(diǎn),從中梳理出主要的建筑裝飾風(fēng)格脈絡(luò)。在以上兩部分的基礎(chǔ)上,我嘗試總結(jié)了中國(guó)傳統(tǒng)建筑裝飾在題材和造型方面的規(guī)律性內(nèi)涵,這一章也是整篇論文的重點(diǎn)。其中,我將裝飾題材的總體特征概括為是理想化的,并從神圣而謹(jǐn)慎的取材、正大而鮮明的主題、吉祥而圓滿的寓意等方面說(shuō)明了這種理想化所代表的內(nèi)容;而將裝飾造型概括為是程式化的,也以曲直相和、剛?cè)峄?jì)的線條,內(nèi)外相斗、動(dòng)靜互生的體勢(shì),疏密相間、離合互應(yīng)的布局為基本論點(diǎn),系統(tǒng)的闡釋了蘊(yùn)含在各種裝飾造型之中的內(nèi)在規(guī)律,從而為設(shè)計(jì)中吸納和轉(zhuǎn)換傳統(tǒng)建筑裝飾的內(nèi)容與形式提供了一定的理論基礎(chǔ)。在最后部分,文章結(jié)合當(dāng)代全球化浪潮對(duì)傳統(tǒng)文化形成沖擊的現(xiàn)實(shí),以及我們振興民族藝術(shù)的迫切責(zé)任,提出了關(guān)于傳統(tǒng)建筑裝飾在新時(shí)代的繼承與發(fā)展問(wèn)題,包括其現(xiàn)實(shí)意義,繼承過(guò)程中面臨的問(wèn)題和機(jī)遇,創(chuàng)新的思路與實(shí)踐等方面。 本文由探討各種裝飾手法的表象入手,深入分析其中的形式內(nèi)涵,以探尋由此反映出的內(nèi)在造型及審美規(guī)律,并爭(zhēng)取通過(guò)這方面的研究為弘揚(yáng)民族傳統(tǒng)文化做出一點(diǎn)貢獻(xiàn)。
[Abstract]:Chinese traditional architectural decoration has a very long history, in its long development process, has produced a large number of decorative forms and works with distinctive artistic characteristics, and, as an important part of Chinese traditional architecture and plastic arts,It also shows profound artistic, cultural and social significance. Therefore, exploring its characteristics has become my main purpose in writing this paper.In the process of discussion, the article first analyzes the origin and core problem of traditional architectural decoration. Although this problem is difficult and relatively complex, it is unavoidable.Through the field investigation of the decorative remains of the existing architectural monuments, the article refers to a large number of archaeological discoveries and literature records, and synthesizes the social background of each historical period, and puts forward three major sources based on practicality, witchcraft and aesthetics.And the existence of hierarchical concept, wish ideal, the core concept of civilized fashion.Next, the article aims at the traditional architectural decoration in the rich variety of techniques to start a brief description, with folk style, literati style, religious style and official style as the main line, analyze the characteristics of each style,Sort out the main architectural decoration style context.On the basis of the above two parts, I try to summarize the theme and modeling of the Chinese traditional architectural decoration, this chapter is also the focus of the whole paper.Among them, I will decorate the theme of the overall characteristics as idealized, and from the sacred and careful material, the big and bright theme, auspicious and complete moral and other aspects to illustrate the idealization of the representative content;The decorative modeling is summarized as stylized, and the basic arguments are the straight and flexible lines, the internal and external fighting, the dynamic and dynamic dynamics of each other, the arrangement of dense, clutch and mutual response.This paper systematically explains the inherent law contained in all kinds of decorative modeling, thus providing a certain theoretical basis for absorbing and transforming the contents and forms of traditional architectural decoration in the design.In the last part, combining the reality of the impact of the contemporary globalization wave on the traditional culture and our urgent responsibility to revitalize the national art, the paper puts forward some questions about the inheritance and development of the traditional architectural decoration in the new era.Including its practical significance, problems and opportunities in the process of inheritance, innovative ideas and practice.This article begins with the discussion of the appearance of various decorative techniques, and analyzes the formal connotation in order to find out the inherent modeling and aesthetic law reflected from it, and to make some contributions to carrying forward the traditional culture of the nation through the research in this respect.
【學(xué)位授予單位】：清華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：TU238

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 江俊浩;陳波;沈珊珊;;傳統(tǒng)裝飾符號(hào)在景觀設(shè)計(jì)中的傳承與創(chuàng)新[J];低溫建筑技術(shù);2012年05期

2 袁恩培;陳中;;岳麓書(shū)院建筑雕飾的藝術(shù)意蘊(yùn)及文化成因[J];大舞臺(tái);2013年02期

3 秦波;;閩臺(tái)傳統(tǒng)建筑的交趾陶裝飾探析[J];裝飾;2008年08期

相關(guān)博士學(xué)位論文 前1條

1 王筱倩;揚(yáng)州老城區(qū)建筑遺產(chǎn)形態(tài)特征的整體性研究[D];江南大學(xué);2012年

相關(guān)碩士學(xué)位論文 前10條

1 李曦;湘南民居的裝飾特征研究[D];中南林業(yè)科技大學(xué);2008年

2 武峰;中國(guó)傳統(tǒng)窗飾藝術(shù)在現(xiàn)代建筑空間中的應(yīng)用與研究[D];山東建筑大學(xué);2011年

3 王麗颯;川西傳統(tǒng)民居裝飾在災(zāi)后重建民居建筑上的應(yīng)用研究[D];西南交通大學(xué);2011年

4 張巖;歷史文化村鎮(zhèn)保護(hù)與環(huán)境藝術(shù)設(shè)計(jì)研究[D];華中科技大學(xué);2010年

5 楊林;河北民間園林雕塑藝術(shù)研究[D];河北農(nóng)業(yè)大學(xué);2012年

6 童敏;西安傳統(tǒng)民居裝飾、色彩與西安傳統(tǒng)民間文化的關(guān)系研究[D];西安建筑科技大學(xué);2006年

7 李蒙;陜北民居建筑裝飾藝術(shù)探究[D];西安建筑科技大學(xué);2006年

8 方靜;傳統(tǒng)民居裝飾在現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)中的應(yīng)用研究[D];昆明理工大學(xué);2006年

9 趙坤;傳統(tǒng)民居庭院空間的比較研究[D];東北林業(yè)大學(xué);2006年

10 林懷釧;惠安石雕在傳統(tǒng)建筑中的應(yīng)用研究[D];華僑大學(xué);2007年

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本文編號(hào)：1714418