少數(shù)民族裝飾藝術(shù)發(fā)展的社會(huì)學(xué)解析
發(fā)布時(shí)間:2018-04-05 08:40
本文選題:少數(shù)民族 切入點(diǎn):裝飾藝術(shù) 出處:《貴州民族研究》2017年05期
【摘要】:裝飾藝術(shù)對(duì)繪畫(huà)與雕塑工藝的依附,使其研究脈絡(luò)一直循著美學(xué)形式的發(fā)展方向推進(jìn),直到20世紀(jì)初西方社會(huì)學(xué)派第一次將裝飾藝術(shù)與社會(huì)運(yùn)行機(jī)制聯(lián)系在一起,促使人們不再僅僅專注于形而上的審美理想。雖然我國(guó)少數(shù)民族裝飾藝術(shù)的發(fā)展歷史悠久,但將其作為社會(huì)組成部分來(lái)把握與反思"社會(huì)人"的公共動(dòng)機(jī)、情緒行為、消費(fèi)心理等研究體例卻極為少見(jiàn)。在此,立足于西方社會(huì)學(xué)理論體系,論述了少數(shù)民族裝飾藝術(shù)的功能性發(fā)展、情感性發(fā)展以及邏輯性發(fā)展進(jìn)程,探討了社會(huì)內(nèi)在機(jī)制對(duì)人們美感知覺(jué)的喚醒,提出了少數(shù)民族裝飾藝術(shù)跨越保守人文關(guān)懷局限,實(shí)現(xiàn)人與社會(huì)審美關(guān)系平衡的發(fā)展暢想。
[Abstract]:The dependence of decorative art on painting and sculpture makes the research of decorative art follow the development direction of aesthetic form, until the beginning of the 20th century, the Western school of society first connected the decorative art with the social operation mechanism.Urge people not only to focus on metaphysical aesthetic ideals.Although the development of Chinese minority decorative art has a long history, it is seldom used as a part of society to grasp and reflect on the public motivation, emotional behavior and consumption psychology of "social person".Based on the western sociological theory system, this paper discusses the functional development, affective development and logical development of the decorative art of ethnic minorities, and probes into the awakening of people's perception of beauty by the internal mechanism of society.This paper puts forward that ethnic decorative art surmounts the limitation of conservative humanistic care and realizes the balanced development of aesthetic relationship between human and society.
【作者單位】: 平頂山學(xué)院藝術(shù)設(shè)計(jì)學(xué)院;
【基金】:河南省軟科學(xué)計(jì)劃項(xiàng)目(課題編號(hào):122400450026)
【分類(lèi)號(hào)】:J525
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