本文選題：裝飾　切入點：藝術(shù)設(shè)計　出處：《天津美術(shù)學(xué)院》2017年碩士論文

【摘要】：裝飾作為一種藝術(shù)表現(xiàn)手段,源于人們的審美沖動,指在器物、人物乃至事物的表面加一些附屬的東西,是使諸物“美觀”的一種活動。從古至今,裝飾隨著歷史的發(fā)展不斷演變,在藝術(shù)設(shè)計中,有對裝飾的極端推崇,也有對其的百般否定,也有對裝飾的復(fù)興和創(chuàng)新,可見,裝飾在美術(shù)與設(shè)計史中扮演了極為重要的角色。本文以史為鑒,從各設(shè)計時期的工藝美術(shù)出發(fā),以客觀、宏觀的角度看待裝飾,以現(xiàn)當(dāng)代的藝術(shù)設(shè)計手法討論裝飾。在對裝飾的探究之中提出契合當(dāng)今時代的裝飾觀念,進而探討當(dāng)今首飾設(shè)計的現(xiàn)狀和發(fā)展。
[Abstract]:As a means of artistic expression, decoration originates from the aesthetic impulse of people. It refers to the addition of some attached things to the surface of objects, characters and even things, which is an activity of making things "beautiful".Since ancient times, decoration has evolved with the development of history. In the art design, there is the extreme esteem of decoration, the negation of all kinds of decoration, and the revival and innovation of decoration.Decoration plays a very important role in the history of art and design.This article regards history as a mirror, starts from the arts and crafts of each design period, treats the decoration objectively and macroscopically, and discusses the decoration with the modern and contemporary artistic design technique.In the exploration of decoration, the paper puts forward the concept of decoration in line with the times, and then probes into the present situation and development of jewelry design.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J536.1

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本文編號：1706579