本文選題：傳統(tǒng)　切入點(diǎn)：裝飾圖案　出處：《天津科技大學(xué)》2011年碩士論文

【摘要】：我國(guó)傳統(tǒng)裝飾圖案是中華民族歷史文化和優(yōu)秀藝術(shù)傳統(tǒng)的體現(xiàn),種類繁多、形象生動(dòng)、實(shí)用性強(qiáng),富有深刻的思想內(nèi)涵和精神意蘊(yùn)。通過(guò)對(duì)中國(guó)傳統(tǒng)裝飾圖案的分析歸納,我們要明確中國(guó)傳統(tǒng)裝飾圖案的分類、文化內(nèi)涵和思維理念。傳統(tǒng)裝飾圖案主要是民眾的心理意愿和生活追求,也包括自然觀念、宗教、封建等級(jí)和道德觀念,充分了解中國(guó)傳統(tǒng)裝飾圖案的內(nèi)涵,運(yùn)用現(xiàn)代的造型觀念和表現(xiàn)形式對(duì)傳統(tǒng)圖形元素進(jìn)行傳承和發(fā)揚(yáng)。明確傳統(tǒng)裝飾圖案在室內(nèi)設(shè)計(jì)中的應(yīng)用思路,傳統(tǒng)裝飾圖案的應(yīng)用是體現(xiàn)室內(nèi)空間中的中國(guó)文化氛圍的必要途徑。 在新時(shí)代室內(nèi)環(huán)境設(shè)計(jì)中運(yùn)用傳統(tǒng)圖案,需要對(duì)其進(jìn)行“現(xiàn)代化”的改造,賦予其新的設(shè)計(jì)理念、功能與形式,使之成為符合現(xiàn)代社會(huì)審美需要的現(xiàn)代圖案。在設(shè)計(jì)理念上,要轉(zhuǎn)變傳統(tǒng)圖案只是以裝飾為目的,從而淡化實(shí)用,缺少構(gòu)造考慮；在題材內(nèi)容上,傳統(tǒng)圖案中那些宣揚(yáng)宗教迷信、封建倫理等內(nèi)容的應(yīng)子以摒棄,而那些富有吉祥含義、歌頌美好生活的內(nèi)容應(yīng)予以保留和繼承；在表現(xiàn)形式上,傳統(tǒng)圖案創(chuàng)造了風(fēng)格多樣、形式各異的表現(xiàn)形式,總結(jié)出完整的形式美規(guī)律,在圖案造型、構(gòu)圖組織、色彩運(yùn)用和表現(xiàn)技法等方面形成了十分完善而豐富的經(jīng)驗(yàn)與方法,這些都值得我們很好的繼承和學(xué)習(xí)。 隨著科學(xué)和技術(shù)的發(fā)展,現(xiàn)代室內(nèi)設(shè)計(jì)不僅要滿足人們的物質(zhì)需求,精神需求也逐漸被人們所重視,二者不能忽視其一,這就使室內(nèi)設(shè)計(jì)面臨嚴(yán)峻的考驗(yàn),現(xiàn)代風(fēng)格、歐式風(fēng)格、地中海風(fēng)格、美國(guó)田園式風(fēng)格走進(jìn)人們的視野,被人們所接受,面對(duì)這些外來(lái)設(shè)計(jì)語(yǔ)言,設(shè)計(jì)者應(yīng)避免丟棄中國(guó)本土的傳統(tǒng)文化特色及其獨(dú)特風(fēng)韻,對(duì)傳統(tǒng)元素的應(yīng)用應(yīng)在它本來(lái)的層面上加以擴(kuò)展,通過(guò)對(duì)傳統(tǒng)元素的研究和分析從中提煉、重構(gòu)、變換出符合現(xiàn)代人審美標(biāo)準(zhǔn)的素材,應(yīng)用到現(xiàn)代室內(nèi)空間設(shè)計(jì)的新材料,新結(jié)構(gòu)和新形式中來(lái)。因此,如何在形式和文化上體現(xiàn)中國(guó)傳統(tǒng)文化的精髓,值得我們探討和研究。
[Abstract]:Chinese traditional decorative pattern is the embodiment of Chinese historical culture and fine artistic tradition. It has many kinds vivid images and strong practicability and has profound ideological connotation and spiritual implication.Through the analysis and induction of Chinese traditional decorative patterns, we should clarify the classification, cultural connotation and thinking idea of Chinese traditional decorative patterns.The traditional decorative patterns are mainly the people's psychological will and the pursuit of life, and also include natural concepts, religion, feudal class and moral concepts, so as to fully understand the connotation of Chinese traditional decorative patterns.Traditional graphic elements are inherited and carried forward by using modern modeling concepts and forms of expression.The application of traditional decorative patterns in interior design is clear. The application of traditional decorative patterns is a necessary way to reflect the Chinese cultural atmosphere in indoor space.The application of traditional patterns in the interior environment design of the new era requires the transformation of "modernization", giving it new design ideas, functions and forms, and making it a modern pattern that meets the aesthetic needs of modern society.In terms of design concept, it is necessary to change the traditional pattern only for the purpose of decoration, so as to desalinate practicality and lack of structural consideration; in terms of subject matter, the contents of the traditional patterns should be abandoned, which promote religious superstition, feudal ethics, and so on.And those rich in auspicious meaning, eulogizing the beautiful life should be preserved and inherited; in the form of expression, the traditional patterns have created various styles and different forms of expression, summing up the complete laws of formal beauty, and in the form of patterns,The composition organization, the color application and the expression technique have formed the very consummate and rich experience and the method, all these are worthy of our very good inheritance and the study.With the development of science and technology, modern interior design should not only meet the material needs of people, but also be paid attention to gradually by people, both of them can not be ignored, which makes interior design face a severe test, modern style,European style, Mediterranean style and American idyllic style come into people's view and are accepted by people. In the face of these foreign design languages, designers should avoid abandoning the traditional cultural characteristics and their unique charm of China.The application of traditional elements should be expanded on its original level. Through the research and analysis of traditional elements, it can be refined, reconstructed, transformed into materials that meet the aesthetic standards of modern people, and applied to new materials for modern interior space design.New structures and new forms come into being.Therefore, how to embody the essence of Chinese traditional culture in form and culture is worth our discussion and study.
【學(xué)位授予單位】：天津科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：TU238.2;J522

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