本文選題：古代陶瓷梅瓶　切入點(diǎn)：藝術(shù)特征　出處：《湖南工業(yè)大學(xué)》2010年碩士論文

【摘要】：“梅瓶”是中國(guó)古瓷中常見(jiàn)的,對(duì)具有小口、短頸、豐肩、收腹、窄脛等造型特點(diǎn)的陶瓷器物的統(tǒng)稱。它是中國(guó)傳統(tǒng)陶瓷器型中富有濃郁民族文化特色的一個(gè)代表。有人以為它原來(lái)只不過(guò)是一種普通“的盛酒器”,沒(méi)有太多的研究?jī)r(jià)值。但正是這類人們熟視無(wú)睹的東西,深其處潛藏著許多人們無(wú)意識(shí)的文化共識(shí)。通過(guò)它,我們可以清晰地看,到先民們?cè)谒砩嫌涗浀纳娼?jīng)驗(yàn)和文化認(rèn)識(shí),也感受到先民們表達(dá)的情感或寄托的思想。并且梅瓶在悠久的中國(guó)陶瓷史發(fā)展過(guò)程中,能一直保持自己的特色,受人們的贊賞,已經(jīng)無(wú)聲地證明了它的藝術(shù)價(jià)。值 分別由契丹族、女真族和黨項(xiàng)族先后建立的遼、金、西夏王朝在中國(guó)歷史上是與宋王朝同時(shí)并存的,所以本文所論述的對(duì)象主要指、宋元及明清這幾個(gè)時(shí)代的陶瓷梅瓶。本文通過(guò)在中國(guó)古代陶瓷梅瓶的認(rèn)識(shí)框架中,對(duì)中國(guó)古代陶瓷梅瓶造型與裝飾藝術(shù)特征的發(fā)展作延續(xù)性的考察,由此來(lái)分析中國(guó)古代陶瓷梅瓶藝術(shù)風(fēng)格的成因及其所包含的文化特質(zhì)。旨在通過(guò)中國(guó)古代陶瓷梅瓶的發(fā)展規(guī)律中所體現(xiàn)的藝術(shù)創(chuàng)作追隨時(shí)尚精神和文化背景的審美共性,對(duì)現(xiàn)在陶瓷藝術(shù)創(chuàng)作中“個(gè)性”宣揚(yáng)的一種平衡認(rèn)識(shí)。
[Abstract]:"Mei bottle" is common in ancient Chinese porcelain. It has a small mouth, short neck, abundant shoulders, and abdomen. It is a representative of the rich national cultural characteristics of Chinese traditional ceramic ware. Some people think that it was just a common "wine ware", not too much research. Of value. But it is this kind of thing that people turn a blind eye to, There is a lot of unconscious cultural consensus hidden in it. Through it, we can clearly see the living experience and cultural understanding recorded by the ancestors on it. I also felt the emotion expressed by the ancestors or the thought of sustenance. In the long history of the development of Chinese ceramics, Mei bottle was able to keep its own characteristics all the time. By people's appreciation, it has been silently proved its artistic value. The Liao, Jin and Xixia dynasties, respectively established by Qidan, Jurchen and Dangxiang ethnic groups, coexist with the Song Dynasty in Chinese history, so the objects discussed in this paper mainly refer to, Ceramic plum bottles of the Song, Yuan and Ming and Qing dynasties. In the framework of the understanding of the ancient Chinese ceramic plum bottles, this paper makes a continuous investigation on the development of the shape and decorative art features of the ancient Chinese ceramic plum bottles. This paper analyzes the causes of the artistic style of ancient Chinese ceramic plum bottles and their cultural characteristics. The purpose of this paper is to analyze the aesthetic commonness of artistic creation following the spirit of fashion and cultural background, which is embodied in the development law of ancient Chinese ceramic plum bottles. To the present ceramic art creation "individuality" propagandizes a kind of balanced understanding.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 李巖;宋代陶瓷斟酒器造型設(shè)計(jì)研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 郭琳琳;宋代梅瓶刻劃花裝飾藝術(shù)研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

3 馮麗娟;明代景德鎮(zhèn)梅瓶造型與裝飾研究[D];湖南工業(yè)大學(xué);2012年

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本文編號(hào)：1676943