本文選題：清式扶手椅　切入點：造型　出處：《湖北工業(yè)大學(xué)》2010年碩士論文

【摘要】：清代作為中國歷史上最后一個封建王朝,文化的發(fā)展演變對此時期家具的文化品格有著極其重要的影響,使之在歷史上形成了獨樹一幟的藝術(shù)風(fēng)格。清式扶手椅作為清代出現(xiàn)的獨特座具樣式,造型、風(fēng)格、裝飾手法在歷史上有著鮮明的時代風(fēng)格,被視為清式家具的代表。對它的研究不僅有助于人們加深對特定歷史時期社會風(fēng)尚、藝術(shù)追求、思想內(nèi)涵的理解,更能為現(xiàn)代家具設(shè)帶來一定的啟示與借覽作用。 本文主要以清式扶手椅的裝飾藝術(shù)為中心議題,從六個章節(jié)來講述清式扶手椅的歷史淵源、制作工藝、造型、局部裝飾技法、紋樣及地域性特點等幾個方面進行闡述。本文系統(tǒng)的、綜合的分析清代扶手椅的文化背景、社會功能。從裝飾藝術(shù)學(xué)科專業(yè)特色出發(fā),將清代扶手椅按造型特點、工藝特點、裝飾特點以及地域特色等方向分類,在細分的前提下做詳細的傳統(tǒng)的裝飾圖案藝術(shù)特色的分析研究,進而綜合得出清代扶手椅裝飾特色的總體印象。并通過對一些國內(nèi)外、各地域現(xiàn)存的清代扶手椅實例的研究分析來充當論文有力的論據(jù)。 總之,其形式無論是簡練樸素或是華麗繁縟,同樣可達到完美的境地。清式扶手椅表現(xiàn)了繁縟精細的雕琢和裝飾,局部變化豐富多彩,但復(fù)雜的紋樣和椅式整體配合得當,同樣形成了一種獨特的藝術(shù)風(fēng)格,值得我們現(xiàn)代設(shè)計人去借鑒和思考。
[Abstract]:As the last feudal dynasty in Chinese history, the cultural development and evolution of the Qing Dynasty had an extremely important influence on the cultural character of furniture in this period. Qing armchair as a unique seat style, shape, style, decoration techniques in history has a distinctive style of the times, the Qing style armchair as a unique seat style, style, style, decoration in history has a distinct style, It is regarded as the representative of Qing style furniture. The research on it not only helps people to deepen the understanding of social fashion, artistic pursuit and ideological connotation in a specific historical period, but also brings some enlightenment and borrowing function for modern furniture design. This paper focuses on the decorative art of the Qing armchair, from six chapters to describe the historical origin, production technology, modeling, partial decoration techniques. This paper systematically and synthetically analyzes the cultural background and social function of the armchair in Qing Dynasty. Based on the professional characteristics of decorative art, the paper sets out the armchairs of Qing Dynasty according to the characteristics of modeling and technology. According to the classification of decoration characteristics and regional characteristics, this paper makes detailed analysis and research on the characteristics of traditional decorative patterns under the premise of subdivision, and then synthesizes the overall impression of the decorative characteristics of armchair in Qing Dynasty. The research and analysis of the existing armchair examples in various regions of the Qing Dynasty served as a powerful argument for the thesis. In short, its form, whether it is simple, simple or ornate, can also reach the perfect situation. The Qing armchair shows elaborate and elaborate carving and decoration, some changes are rich and colorful, but the complex pattern and the chair are well coordinated. Also formed a unique artistic style, worthy of our modern designers to learn and think.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J524

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 熊英;張谷英村民俗家具研究[D];中南林業(yè)科技大學(xué);2012年

2 呂丹丹;清代扶手椅造型研究[D];東北林業(yè)大學(xué);2012年

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本文編號：1664572