本文選題：陶瓷　切入點(diǎn)：紅綠彩　出處：《景德鎮(zhèn)陶瓷學(xué)院》2013年碩士論文

【摘要】：現(xiàn)今時(shí)代發(fā)展迅速，很多民間藝術(shù)都變得稀有，感覺民俗的事物都成了上年代的東西，并不像古董那樣讓人收藏，而是在慢慢消失。紅綠彩瓷，作為當(dāng)時(shí)民俗情感的體現(xiàn)，，都應(yīng)當(dāng)是值得保存的，而這種民俗情感更需要我們記住，這是一個(gè)民族所特有的，并且在各方面都涉及的情感，相當(dāng)于文化所給予我們的，在現(xiàn)代陶瓷中，應(yīng)該在求新的同時(shí)，吸取這種俗而雅的文化，讓這種民俗情感，一直傳承。能夠在現(xiàn)代的裝飾手法下體現(xiàn)文化內(nèi)涵。越中國越世界，所以在世界陶藝領(lǐng)域飛速發(fā)展的今天，我們不僅要緊跟世界步伐，也要保留一些屬于我們自己的東西。 通過研究紅綠彩陶瓷藝術(shù)特征中的審美取向，來剖析紅綠彩中我們當(dāng)今社會(huì)值得學(xué)習(xí)和吸取的一些東西，雖說紅綠彩的表現(xiàn)形式在當(dāng)今社會(huì)已經(jīng)逐漸退出歷史舞臺(tái)，但本文研究的意義在于重拾中國古典文化，從紅綠彩的表象形式上來探尋古人的藝術(shù)理念，并更好的運(yùn)用在現(xiàn)代藝術(shù)創(chuàng)作中。 從目前學(xué)術(shù)界對(duì)紅綠彩的系統(tǒng)研究討論來看，紅綠彩的藝術(shù)性是會(huì)永遠(yuǎn)傳承下去的，這已經(jīng)是我們國家的民俗文化�，F(xiàn)當(dāng)代是紅綠彩這種民俗藝術(shù)逐漸消失的時(shí)代，但藝術(shù)家在紅綠彩的裝飾特征上發(fā)揮創(chuàng)作空間反倒會(huì)變得更寬廣，藝術(shù)思維也不會(huì)受傳統(tǒng)理念的束縛。
[Abstract]:Nowadays, with the rapid development of the times, many folk arts have become rare, feeling that folklore has become something of an old age, not as collectible as antiques, but slowly disappearing. Red and green porcelain, as a manifestation of folklore feelings at that time, Should be worth preserving, and this folklore emotion needs to be remembered even more, that it is unique to a nation, and that in all respects it is the same emotion that culture has given us, and that in modern ceramics, we should be looking for new things at the same time. Absorb this kind of vulgar and elegant culture, let this kind of folk custom emotion, pass on all the time. Can reflect the cultural connotation under the modern decoration technique. The more China becomes the world, therefore in the world ceramic art domain rapid development today, We must not only keep pace with the world, but also keep something that belongs to us. By studying the aesthetic orientation of the characteristics of red-green ceramic art, this paper analyzes some things that we should learn and draw from in our society today, although the manifestation of red-green color has gradually withdrawn from the stage of history in today's society. But the significance of this study is to re-pick up the Chinese classical culture, from the appearance of red and green color form to explore the ancient art concept, and better use in modern art creation. From the current systematic research and discussion on red and green colors in academic circles, it can be seen that the artistry of red and green colors will be handed down forever, which is already the folk culture of our country. The present and contemporary times are the times when the folk art of red and green colors is gradually disappearing. However, the artistic thinking will not be restricted by the traditional idea, but the creative space of the artist will become wider on the decorative features of the red and green color.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527

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