本文選題：開封繁塔　切入點：裝飾藝術(shù)造型　出處：《河南大學(xué)》2009年碩士論文

【摘要】： 在開封市的東南部,矗立著一座六面六角形的樓閣式仿木青磚佛塔,這座塔被散建的民房圍在中間,因為只有三層,所以不甚突出,近觀才發(fā)現(xiàn)塔的外壁密密麻麻的布置著神態(tài)活現(xiàn),各式各樣的浮雕磚佛像。 這座佛塔名叫繁塔,是北宋初期由民間集資修建的佛教建筑,原為九層,歷經(jīng)千年,現(xiàn)在只剩三層。不僅塔身以精美的佛像裝飾,而且內(nèi)壁除了裝飾石刻佛經(jīng)、石刻助修繁塔捐施者祈愿文以外,也裝飾了眾多的佛教神靈雕像,為什么九層高的繁塔如今還余三級?為什么人們以佛像來裝飾繁塔? 繁塔各類各姿的佛像裝飾,集佛教思想民間信仰與一體,這些佛教諸神,也就是民間信仰的縮影。佛教對民間信仰的滲透,對中國社會產(chǎn)生了深遠的影響。不僅影響了中國傳統(tǒng)的倫理道德、中國哲學(xué)、文學(xué)、藝術(shù)和民間習(xí)俗,而且對社會生活的影響尤為明顯。 本文首先以繁塔的建造歷史,剖析繁塔歷經(jīng)千年風(fēng)雨,社會變遷,朝代的更迭,殘存至今的現(xiàn)象,進而深入了解繁塔的建筑裝飾藝術(shù)與民間信仰的關(guān)系。本文以繁塔的造型與裝飾佛像的藝術(shù)特色入手,通過對佛塔、佛像的藝術(shù)形象、內(nèi)涵、意義的分析,來探究民間對佛教神靈的崇拜、佛教神靈的中國化對民間社會生活產(chǎn)生的影響。第一部分,介紹繁塔的地理位置,繁塔的建造過程,繁塔所在的天清寺以及繁塔的歷史變化進行考證。第二部分,介紹繁塔的建筑裝飾藝術(shù)形式,主要裝飾有磚雕和刻石。磚雕內(nèi)容有佛教的神靈諸佛、菩薩、羅漢和樂伎菩薩等的造型�？淌膬�(nèi)容是佛經(jīng)和助修繁塔題記。第三部分,探究繁塔的建筑裝飾藝術(shù)與造型觀念。這些造型觀念所蘊涵的民間信仰。
[Abstract]:In the southeastern part of Kaifeng City stands a six-sided, hexagonal pavilion of imitated wood and green brick pagodas, surrounded by scattered houses, which are not very prominent because they have only three stories. The outside wall of the tower was densely decorated with a variety of relief brick Buddhas. The Buddhist pagoda, called the Fan Tower, was originally a nine-story Buddhist building funded by the people in the early Northern Song Dynasty. After a thousand years, it has only three stories left. Not only are the towers decorated with exquisite Buddhist statues, but also the inner walls of the pagodas, in addition to decorating the Buddhist scriptures of stone carvings, In addition to the prayer text of stone inscriptions, many Buddhist deities have also been decorated. Why does the nine-story pagoda still have three levels?... Why do people decorate the pagoda with Buddha statues? All kinds of Buddhist statues in various styles of the pagoda are decorated with Buddhist thoughts, folk beliefs and one body. These Buddhist gods are the epitome of folk beliefs. Buddhism permeates folk beliefs. It not only affects Chinese traditional ethics, Chinese philosophy, literature, art and folk customs, but also has a significant impact on social life. Based on the history of the construction of the Fanta, this paper first analyzes the phenomenon of the Fanta after thousands of years of wind and rain, social changes, the change of dynasties, and the remaining phenomenon. And then deeply understand the relationship between the architectural decorative art and folk belief. This article starts with the modeling of the pagoda and the artistic characteristics of the decorative Buddha, through the analysis of the artistic image, connotation and significance of the pagoda and the Buddha statue. To explore the folk worship of Buddhist gods, the influence of Buddhist deities in China on the life of civil society. The first part, the introduction of the geographical location of the pagoda, the construction process of the pagoda, The second part introduces the artistic form of architectural decoration of the pagoda, which is mainly decorated with brick carving and stone engraving. The content of brick carvings includes Buddhist deities, Buddhas and bodhisattvas. The content of engraving stone is Buddhist scriptures and inscriptions on helping to practice and propagating pagoda. The third part is to explore the architectural decorative art and modeling concepts of the complex pagoda and the folk beliefs contained in these modeling concepts.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：K879.1

【引證文獻】

相關(guān)期刊論文 前1條

1 汪培梓;;中原地區(qū)古塔的發(fā)展演變與價值特點[J];文物建筑;2012年00期

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本文編號：1661192